The album “Basie Rocks!” features Deborah Silver with The Count Basie Orchestra, blending rock music with big band jazz. It opens with a vibrant arrangement of a Rolling Stones hit and includes notable collaborations with artists like Peter Frampton and Kurt Elling, showcasing Silver’s impressive vocal style and the orchestra’s talent.
The podcast “Live from the Midnight Circus Indie Blues Double Shot Show” showcases the evolution of Indie Blues, highlighting diverse artists who innovate while honoring their roots. It emphasizes the genre as a living art form, promoting musicians who create original music with emotional depth, connecting with listeners through truth and integrity.
Bobby West’s album “Requiem for Mary Turner” features a poignant tribute to the lynching of Mary Turner, a victim of racial violence. With a 22-piece orchestra, West captures the emotional weight of history through evocative compositions like “Spirit Move Sunrise” and “Never Let Me Go,” showcasing healing and hope amidst despair.
Danish jazz vocalist Marie Mǿrck releases a joyful album featuring uplifting standards and engaging arrangements. With a voice reminiscent of classic artists, she showcases her talent through songs like “Look for the Silver Lining” and “Like Someone in Love,” blending sincerity and emotion. The album delights and inspires listeners.
The album “From Bach to Ellington, Live” features pianist Michael Arbenz and saxophonist Andy Sheppard, blending the elegance of Duke Ellington with Bach’s intricate music. Recorded live at Bird’s Eye Jazz Club, the duo showcases emotional depth and creativity through a unique juxtaposition of jazz improvisation and Baroque counterpoint.
Jamie Shew, a vocalist and educator, navigates grief through music after losing her husband. With a diverse background in music education, she releases an album titled “Spicy Classy and a Little Sassy,” showcasing her arrangements and original compositions. While some songs stray from jazz, the collaboration with pianist Jeremy Siskind shines.
Vibraphonist Behn Gillece’s eighth album, “Pivot Point,” fuses traditional forms with contemporary sounds, showcasing a talented quintet including Willie Morris and Jon Davis. Featuring compositions that balance intricate improvisations and memorable melodies, the album explores bluesy themes with a fresh perspective while maintaining strong ensemble dynamics throughout its tracks.
Forrest McDonald, a veteran musician originally from Texas, has released his sixteenth album, “Songs From My Soul,” after a five-year hiatus. The album features predominantly original songs, showcasing his guitar skills and heartfelt lyrics. McDonald’s rich career includes collaborations with notable artists and numerous awards, reinforcing his significance in blues music.
Dyer Davis, an emerging American singer-songwriter known for his Southern blues-rock style, releases his follow-up album “Kiss The Ring.” Featuring songs like “I Ain’t Lyin'” and “Damned,” Davis explores themes of life and struggle. He aims to deepen his impact in the blues scene after his acclaimed debut, “Dog Bites Back.”
Making a Scene presents a podcast featuring David M’ore, celebrating Indie Blues artists who innovate within the genre. The program honors the roots of blues while showcasing new, original music that resonates emotionally with listeners. It emphasizes the importance of diversity and the continuing evolution of blues as a living art form.
David M’ore, an Argentine guitarist, combines traditional roots with fiery passion in his music. Influenced by legends, he burst onto the Los Angeles music scene in the 1990s, known for his intense performances. Now in Northern California, his album “From the Other Side of the River” showcases his unique blend of blues, hard rock, and technical mastery.
Ed Palermo’s album “Prog vs. Fusion: A War of the Ages” presents a humorous clash between progressive rock and jazz fusion. With unique arrangements, the big band covers various iconic artists, showcasing Palermo’s love for diverse music styles. The album features 19 tracks, blending genres and incorporating spoken word, effectively engaging listeners.
The Dave Bass Trio’s album “Nuevo-Vol. 2” features pianist Dave Bass alongside Tyler Miles on double bass and Steve Helfand on drums. The trio delivers a blend of bebop, classical, and Latin influences, highlighted by original compositions and creative arrangements. Dave Bass’s unique style showcases his impressive technical skill and diverse musical inspirations.
Georgina White, a BBC Introducing artist, debuted with “Misfits” in November 2021, followed by original songs and notable covers. Her latest track, a cover of Iron Maiden’s “Hallowed Be Thy Name,” will release in May 2025. A multi-instrumentalist, she also collaborates with prominent industry figures and created The Sass Sisters trio.
Larry McCray’s “Heartbreak City” showcases his soulful blues mastery through ten new tracks. Opening with “Try to Be a Good Man,” McCray addresses values while reflecting on his upbringing. The album, supported by producers Joe Bonamassa and Josh Smith, features a strong band and heartfelt themes, establishing McCray as a prominent figure in soul-blues-rock.
Bill Poss is a multifaceted musician from Effingham, Illinois, known for his extensive work in American roots music. He founded the Moccasin Creek Festival and the nonprofit Poss Music Works NFP. Collaborating with his wife in the acoustic duo Loveseat, he fosters community through music, storytelling, and teaching across various formats.
Mercedes Nicole, a Blues singer from a strict Baptist background, gained recognition after her debut at the Westport Blues Festival. Her 2020 album “Constellation” includes original works and covers, showcasing her musical evolution. The album highlights her passion for Blues, receiving international airplay and featuring talented musicians, capturing the essence of her artistry.
The George Crotty Trio, featuring cellist/composer George Crotty, bassist John Murchison, and percussionist Jeremy Smith, blends multicultural influences, creating a unique contemporary jazz sound. Formed in 2019, Crotty’s compositions incorporate elements from European jazz and Hindustani music, showcasing techniques like fingerpicking and thematic depth across eight original tracks.
Mark Masters conducted the albums “Sam Rivers 100” and “Dance, Eternal Spirits, Dance!” featuring tenor saxophonist Billy Harper. “Sam Rivers 100” celebrates Rivers’ centennial, focusing on complex arrangements of his works, while “Dance” showcases Harper’s melodic compositions spanning 1972-2000, highlighting his powerful solos in an expanded ensemble.
The podcast “Live from the Midnight Circus Indie Blues Double Shot Show” showcases the evolution of Indie Blues, highlighting diverse artists who innovate while honoring their roots. It emphasizes the genre as a living art form, promoting musicians who create original music with emotional depth, connecting with listeners through truth and integrity.
Joaquín Núñez’s debut album “Ruta de la Clave” with Habana Safari showcases a reinvention of Afro-Cuban jazz, blending folkloric rhythms with modern jazz sophistication. Featuring collaborations with Dayramir González, the album presents vibrant compositions celebrating Cuban music’s evolution, inviting listeners to dance while highlighting cultural connections and musical dynamics.
Joanne Shaw Taylor’s latest album, “Black & Gold,” showcases her evolution as a British blues-rock artist. Partnering with Joe Bonamassa and producer Kevin Shirley, she explores pop-infused, radio-friendly songs while maintaining her signature guitar style. The album features confessional lyrics and collaborations, highlighting her growth as a songwriter across eleven tracks.
“Oblique Rhyme” by Joe Santa Maria and David Tranchina showcases a talented Southern California jazz quartet. The album features original compositions from each member, blending diverse musical styles while emphasizing emotional depth over technicality. Highlights include Santa Maria’s “War Crime” and Tranchina’s “Hidden Lake,” highlighting the group’s creativity and collaboration.
North Mississippi Allstars’ twelfth album, “Still Shakin’,” showcases their evolving sound while honoring their roots. Featuring collaborations from various artists, the album blends their signature Hill Country sound with punk and psychedelic elements. It delivers an eclectic collection of tracks, emphasizing the band’s dynamic live performances and diverse musical influences.
Gregg Allman’s concert on May 15, 1984, at a D.C. club showcased his unique blend of emotional blues and R&B. Supported by a talented band, Allman delivered powerful performances of both solo and Allman Brothers songs. This archival release highlights his enduring legacy and exceptional musicality, marking a significant chapter in his career.
Kieran Brown’s debut album showcases her impressive vocals across various jazz styles, featuring skilled instrumentalists and unique arrangements. Highlights include her interpretations of classic songs and the original composition “Little Bits of Magic.” Brown’s talent and passion reflect her commitment to the jazz vocal community, promising a bright future ahead.
Greg Murphy releases his eighth album, “Snap Happy,” featuring a trio with bassist Obasi Akoto and drummer Steve Johns, along with guitarist Mark Whitfield and vocalist Sy Smith on select tracks. The album blends straight-ahead jazz, free improvisation, and fusion, showcasing energetic performances of both originals and covers, reflecting versatility and finesse.
Eric Wilson Adams, a musician from South Dakota, began his career in a rock band at fourteen. His latest album, “Losing Ground,” features a blend of rock, country, and blues, with tracks reflecting on love, loneliness, and life experiences. Inducted into the South Dakota Rock Hall of Fame, he continues to inspire listeners.
Making a Scene presents a podcast episode featuring The Rev Douglas highlighting the evolution of Indie Blues. This genre embraces creativity and diversity while honoring its roots. The artists convey emotional truths through original music, celebrating both past influences and contemporary themes, and inviting listeners to join the Indie Blues movement.
The Kung Fu Hippies’ new album celebrates 25 years of music, showcasing their chemistry and diverse vocal talents. Standout tracks include the introspective “Brutus” and the soulful “It Seems To Me (That One Song).” Despite facing personal challenges, the band’s resilience fuels their vibrant, cohesive sound, reflecting their Minnesota rock roots.
The Alexis P. Suter Band’s album “Just Stay High,” produced by Byron Isaacs and featuring original songs and covers, showcases their growth since Suter’s early performances. The collection, arising from collaborative songwriting, reflects on life and love, emphasizing deep connections within the band and resonating messages of resilience and unity.
Cirkus Prütz is a dynamic Swedish rock band blending blues, classic rock, and Southern groove. Known for electrifying live performances, their 2019 album “White Jazz – Black Magic” received acclaim for heavy riffs and insightful lyrics. With a unique sound that honors rock legends while embracing modernity, they resonate authentically with listeners.
Tyreek McDole, a promising 25-year-old Haitian American baritone, showcases his talent on the debut album “Open Up Your Senses.” Winning the Sarah Vaughan International Jazz Vocal Competition in 2023 distinguishes him in jazz. Featuring cultural elements and engaging collaborations, McDole’s rich voice and unique interpretations solidify his place among the new jazz greats.
Antonio Andrade is a seasoned singer-songwriter known for his unique blend of folk, rock, and humor. With a music career spanning over 45 years, he has released nine albums, including the acclaimed “Here We Go!” Critics praise his inventive covers and original works reflecting on life experiences. Andrade remains dedicated to his craft, engaging passionately with fans.
James Moody’s live album at the Blue Note showcases his humor, musical mastery, and collaboration with renowned musicians. With spirited performances of signature pieces like “Moody’s Mood for Love” and vibrant improvisations, Moody captivates the audience, blending jazz with hip hop styles. The album is both a historical tribute and an entertaining experience.
The Nicolas Ferron Trio’s debut album “Multiverse” blends psychedelic rock and experimental jazz, showcasing Ferron’s guitar skills and unique compositions. While the B3 organ shines, the drumming lacks a solid groove, affecting the overall feel. The music evokes diverse influences, steering away from traditional jazz elements, and is described as more experimental with rock roots.
Willie Buck and Bob Corritore, ambassadors of classic Chicago blues, release their collaborative album “Oh Yeah.” Buck, influenced by Muddy Waters, has a rich history in blues music. Corritore, a skilled harmonica player, opened The Rhythm Room in Phoenix. The album features original tracks and blues classics, showcasing their musical synergy and talent.
Rusty Ends, influenced by blues and country music, began his musical journey in Kentucky. He fronted various bands and focused solely on blues in 1992. His latest album “The Last of the Boogiemen” features a mix of original tracks and covers, highlighting his roots and the rich blend of musical styles.
The podcast “Live from the Midnight Circus Indie Blues Double Shot Show” showcases the evolution of Indie Blues, highlighting diverse artists who innovate while honoring their roots. It emphasizes the genre as a living art form, promoting musicians who create original music with emotional depth, connecting with listeners through truth and integrity.
Susan Anders’s album “Now I’m a Kite” reflects her nomadic experiences, exploring themes of loss, resilience, and new beginnings. Recorded mostly in Santa Fe, the folk-pop sound accompanies deeply emotional lyrics addressing personal struggles, including her father’s passing and her partner’s health issues. Anders’s insightful songwriting showcases vulnerability and perseverance.
The Pete McGuinness Jazz Orchestra’s album “Mixed Bag,” celebrates its 20th Anniversary with a blend of standards and original compositions. Bandleader Pete McGuinness, transitioning from trombone to vocals due to health issues, showcases his smooth singing style and innovative arrangements. The orchestra’s dynamic performance features talented musicians and impressive solos.
The Gil Evans Project’s posthumous live album, “Shades of Sound,” showcases Frank Kimbrough’s remarkable piano artistry alongside a 22-piece orchestra at Jazz Standard in 2014. Featuring original and classic arrangements, this recording preserves Evans’ vibrant orchestration style while honoring Kimbrough’s legacy, providing an energetic musical experience enriched by a live audience.
Stefan Hegerat’s band, Stef.in, releases their second album “Icterus II,” blending jazz, rock, and electronics. The quartet, featuring guitars, bass, and drums, creates an experimental soundscape. Key tracks include “Here’s to Circle” and “Aku San Zan,” showcasing rhythmic complexities and melodic intricacies that cater to an acquired taste in music.
Patrick Zimmerli’s 14th album, “Songs of Innocence,” showcases his trio’s blend of light yet intense sounds, drawing inspiration from William Blake’s poetry. The music ranges from bright and joyous pieces to reflective and darker tones, exploring themes of innocence and complexity. The album’s concise length highlights its emotional depth and dynamism.
Susan Anders is a versatile singer-songwriter known for her blend of Americana, folk, pop, and jazz. After starting her career in California, she moved to Los Angeles and formed the band Susan’s Room. Following a successful solo career launched in Nashville, she is set to release her new album in 2025. Additionally, she is a respected vocal coach.
The SteelDrivers, a bluegrass band from Nashville, debuted in 2008 and achieved Grammy recognition, winning Best Bluegrass Album in 2015. Their latest release, “Outrun,” features new lead singer Matt Dame. The album showcases their signature storytelling style, promising to captivate both bluegrass fans and newcomers alike.
The Jay Willie Blues Band, led by Jay Willie and featuring Bobby T. Torello, releases their seventh album “Still Raisin’ Cane” with Zoho Music. This album includes traditional and contemporary blues covers, highlighted by the original title track. It pays tribute to blues legends and showcases an enduring musical legacy.
Making a Scene presents a podcast episode featuring The Rev Douglas highlighting the evolution of Indie Blues. This genre embraces creativity and diversity while honoring its roots. The artists convey emotional truths through original music, celebrating both past influences and contemporary themes, and inviting listeners to join the Indie Blues movement.
V&BT, a Norwegian band formed in 2016, aims to create an engaging live experience. Their debut album, “Diamonds at the Rainbow’s End,” features original songs blending blues, blues-rock, and pop. With strong vocals and authentic instrumentation, the album showcases themes of longing and hope, and is poised to expand their fanbase.
Alyn Cosker’s album “Onta” features a diverse ensemble blending jazz with Scottish cultural elements. Highlights include Karen Matheson’s ethereal vocals and dynamic tracks like “Lullapalew” and “Cassillis,” showcasing intricate rhythms and creative arrangements. Recorded internationally, the album reflects Cosker’s innovative drumming and musical fusion, offering a captivating experience.