artist-owned music business

Future of the Music Business/ Marketing/ Music Business1/ Understanding Decentralized Music Industry

The Indie Artist Flywheel: How to Build a Music Career That Feeds Itself

Richard L'Hommedieu ai tools for musicians, artist owned ecosystem, artist owned fanbase, artist website strategy, artist-owned music business, direct music revenue, direct to fan music marketing, DIY musician strategy, email marketing for musicians, fan data ownership, fan owned music community, fan passport for musicians, future of independent music, independent music economy, independent musician business strategy, indie artist flywheel, indie artist revenue streams, indie music marketing strategy, merch strategy for musicians, music business flywheel, music business for independent artists, music business systems, music cooperative for artists, music fan engagement, music industry middle class, music marketing funnel, music membership model, music sponsorship strategy, touring strategy for indie artists, web3 music strategy 0 Comments May 6, 2026

The Indie Artist Flywheel offers a strategic system for independent musicians to build sustainable music careers. By creating interconnected actions that enhance fan relationships, artists can transition from endless cycles of promotion to a coherent business. Key elements include live shows, fan engagement tools, and leveraging technology, ensuring consistent revenue and growth without reliance on outside platforms.

Music Biz News/ Music Biz Resources/ Music Business1

Eleven Years of Making a Scene: Still Independent, Still Publishing, Still Building the Future

Richard L'Hommedieu AI for musicians, artist empowerment, artist owned ecosystem, artist-owned music business, blockchain music business, direct to fan music marketing, fan data for artists, home recording for musicians, independent music culture, independent music magazine, independent music reviews, indie artist community, indie artist interviews, indie artist revenue streams, Indie music business, indie music platform, indie music publication, making a Scene, Making a Scene 11 years, Making a Scene anniversary, Making A Scene magazine, music business education, music industry middle class, music industry reform, music publication anniversary, newsletter for indie musicians, recording mixing gear, release reviews, support independent artists, Web3 for musicians 0 Comments May 1, 2026

As of May 1, 2026, Making a Scene celebrates eleven years of continuous support for independent music. By producing over 9,500 posts, including 2,200 interviews and 4,200 reviews, it has built a vital archive and community. With a redesign and expanded mission, it aims to empower artists through ownership, tools, and direct fan relationships.

Future of the Music Business/ Music Business/ Music Business1/ Touring

Touring Used to Sell Records. Now Records Exist to Sell Touring. What Happens Next?

Richard L'Hommedieu ai tools for musicians, artist owned ecosystem, artist-owned music business, building a career beyond streaming, direct to fan music marketing, fan data for musicians, fan passport music strategy, future of touring for indie artists, independent artist income streams, indie artist touring strategy, live music profit margins, merch memberships and direct sales, music industry middle class, music revenue diversification, rising touring costs music industry, streaming vs touring economics, sustainable touring for musicians, touring economics for indie artists, touring used to sell records now records sell touring, Web3 for indie artists 0 Comments April 17, 2026

The music industry’s earnings have surged, yet many artists struggle financially as touring becomes increasingly expensive and less profitable. The traditional model of records promoting tours has flipped, leading to a need for artists to diversify income through memberships, direct sales, and data ownership, rather than relying solely on live performances.

Future of the Music Business/ Music Business/ Music Business1

Making Recorded Music a Product Again

Richard L'Hommedieu ai tools for musicians, alternative music revenue streams, artist owned ecosystem, artist-owned music business, Bandcamp music sales, collectible music releases, digital deluxe music editions, direct to fan music business, direct-to-fan music sales, DIY music monetization, exclusive music editions, fan data for musicians, fan reward music strategy, how to sell music directly, independent artist income ideas, indie artist direct revenue, indie artist revenue, indie music entrepreneurship, indie music marketing strategy, live mixes for fans, making recorded music a product again, music as a product, music business middle class, music fan engagement strategy, music licensing strategy, music product ideas, recorded music income streams, stem packs for sale, sync licensing for indie artists, Web3 for indie artists 0 Comments April 16, 2026

The content discusses the evolution of recorded music from being a valued product to merely serving as promotional material. It emphasizes the need for artists to innovate their offerings, transforming recordings into multiple revenue-generating forms. By leveraging direct-to-fan sales, unique editions, and access models, artists can rebuild meaningful connections and financial sustainability.

Understanding Decentralized Music Industry

Making Money Before the Release, Not After

Richard L'Hommedieu ai music marketing, artist-owned music business, audience segmentation for musicians, direct-to-fan music sales, early access music release, fan engagement music marketing, fan-funded music releases, indie artist pre-sale strategy, indie music business strategy, limited edition music drops, making money before music release, music industry middle class, music marketing with ai, music release cash flow, pre-release monetization for artists, pre-release music marketing, release strategy for independent artists, token-gated music access, web3 for indie musicians, Web3 music release strategy 0 Comments March 7, 2026

The post advocates for a shift in the music release model, encouraging artists to monetize before their music’s public debut. By leveraging AI and Web3 technologies, artists can create targeted offers, engage their fan base with meaningful stories, and secure early financial backing. This approach minimizes risks and fosters sustainable growth in the independent music sector.