Jim Hynes

Pianist Charles Chen’s album “Building Characters” explores character portraits in jazz, paying tribute to influential musicians. Each track evokes a musician and fictional character, blending styles from Duke Ellington to modern influences. The ensemble features prominent artists, delivering passionate solos and indelible melodies, fulfilling jazz tradition while celebrating Asian-American Heritage Month.

Noah Haidu’s “Standards III” features a fresh trio alongside veteran musicians, resulting in a diverse mix recorded in multiple studios. Highlights include original tracks and classic standards, showcasing both emerging talents and established artists. While the album has its strengths, it falls short compared to Haidu’s previous works, yet invites anticipation for future projects.

Jeff Walton’s debut album “Pack Animals” showcases his late blooming career as a tenor saxophonist and composer. A former public school teacher, Walton incorporates diverse influences from choral music and improvisation. The album features dynamic pieces like “NQT” and “Blues for George,” reflecting his musical community and personal history.

Something Blue highlights the evolution of Posi-Tone Records, founded by Marc Free and Nick O’Toole. The label, renowned for straight-ahead jazz, celebrates its 30th anniversary with an album featuring compositions from the ‘90s, interpreted by a talented sextet. The musicians showcase vibrant performances, blending traditional and contemporary jazz influences seamlessly.

Vibraphonist Behn Gillece’s eighth album, “Pivot Point,” fuses traditional forms with contemporary sounds, showcasing a talented quintet including Willie Morris and Jon Davis. Featuring compositions that balance intricate improvisations and memorable melodies, the album explores bluesy themes with a fresh perspective while maintaining strong ensemble dynamics throughout its tracks.

Mark Masters conducted the albums “Sam Rivers 100” and “Dance, Eternal Spirits, Dance!” featuring tenor saxophonist Billy Harper. “Sam Rivers 100” celebrates Rivers’ centennial, focusing on complex arrangements of his works, while “Dance” showcases Harper’s melodic compositions spanning 1972-2000, highlighting his powerful solos in an expanded ensemble.

Greg Murphy releases his eighth album, “Snap Happy,” featuring a trio with bassist Obasi Akoto and drummer Steve Johns, along with guitarist Mark Whitfield and vocalist Sy Smith on select tracks. The album blends straight-ahead jazz, free improvisation, and fusion, showcasing energetic performances of both originals and covers, reflecting versatility and finesse.

The Gil Evans Project’s posthumous live album, “Shades of Sound,” showcases Frank Kimbrough’s remarkable piano artistry alongside a 22-piece orchestra at Jazz Standard in 2014. Featuring original and classic arrangements, this recording preserves Evans’ vibrant orchestration style while honoring Kimbrough’s legacy, providing an energetic musical experience enriched by a live audience.

Patrick Zimmerli’s 14th album, “Songs of Innocence,” showcases his trio’s blend of light yet intense sounds, drawing inspiration from William Blake’s poetry. The music ranges from bright and joyous pieces to reflective and darker tones, exploring themes of innocence and complexity. The album’s concise length highlights its emotional depth and dynamism.

Paquito D’Rivera’s “La Fleur de Cayenne” features the Madrid-New York Connection Band, a group of Cuban and Colombian musicians. This album showcases an array of original compositions and Latin styles, blending Cuban son, Argentinian tango, and Venezuelan rhythms. D’Rivera’s clarinet and ensemble deliver vibrant, lyrical performances, marking their first recording after two decades together.

Marty Ehrlich’s Trio Exaltation returns with “Images of Time,” featuring bassist John Hébert and drummer Nasheet Waits. The album showcases Ehrlich’s artistry with seven original compositions and two by Andrew Hill, reflecting Hill’s influence. The trio’s interplay reveals their deep connection, blending composition and improvisation to honor Hill’s legacy.

Catalyst, featuring the Dave Sharp Worlds Quartet and guitarist Elden Kelly, explores the music of composer Gregg Hill, blending jazz with global influences. Artists from diverse backgrounds create a rich soundscape, incorporating elements from various traditions. The album showcases innovative arrangements, captivating improvisations, and highlights Hill’s broad musical reach, affirming its brilliance.

“Oblique Rhyme” is a jazz quartet album featuring Joe Santa Maria, David Tranchina, Gary Fukushima, and Colin Woodford. Although it showcases their technical prowess, the album emphasizes depth and personal expression. Each artist contributes unique compositions, exploring a range of emotional and musical landscapes, ultimately achieving a cohesive and inspired sound.

Saxophonist Jordan VanHemert’s fifth album, “Survival of the Fittest,” features a mix of covers and originals that emphasize resilience against prejudice. Collaborating with notable musicians, VanHemert confronts personal and societal struggles, while embracing themes of hope and defiance through vibrant post-bop compositions. The album balances grief with cathartic expression.

Kandace Springs’ second album, a tribute to Billie Holiday’s “Lady in Satin,” features her unique interpretations of the original tracks, supported by the lush Orquestra Classica de Espinho. While it showcases Springs’ beautiful voice, it lacks the emotional depth associated with Holiday’s recordings. The project reflects Springs’ aspirations of honoring Holiday and recording with an orchestra.

Esthesis Quartet’s third album, “Sound and Fury,” serves as a tribute to the late Ron Miles, featuring guest guitarist Bill Frisell. The album reflects on themes of grief, leading from denial to acceptance through a series of compositions. It showcases emotional improvisations intertwined with collaborative expressions from the ensemble.

Billy Mohler’s new quartet, The Eternal, features established musicians Jeff Parker and Damion Reid alongside rising star Devin Daniels. The album explores deep emotional themes and diverse musical styles, showcasing Mohler’s growth as a composer and bandleader. Each track highlights the group’s synergy while reflecting personal connections and relationships.

Frank Kimbrough’s album, The Call, is his second posthumous solo piano recording, featuring a mix of jazz standards by Ellington, Gillespie, and Gershwin, alongside original compositions. Recorded in 2010, it showcases his melodic variation, harmonics, and improvisational skills, highlighting his unique style as a solo artist in the jazz genre.

Spike Wilner Trio’s album “The Children & The Warlock,” featuring George Garzone, pays tribute to late mentor Harry Whitaker and drummer Anthony Pinciotti. The trio, alongside Garzone, explores improvisational jazz, blending personal and adventurous styles. Notable tracks include “Hey, Open Up!” and “Moment to Moment,” highlighting their musical chemistry and dedication to spontaneity.

Mehmet Ali Sanlıkol’s album “7 Shades of Melancholia” showcases his unique blend of jazz, classical, and Turkish traditional music through a small ensemble. Comprising original compositions and adaptations, the album explores themes of melancholia rooted in Turkish culture. Sanlıkol’s innovations include his digital microtonal piano, enhancing the emotional depth of the work.

Gilad Hekselman’s album “Downhill From Here” features a skilled trio with bassist Larry Grenadier and drummer Marcus Gilmore, showcasing Hekselman’s songwriting and guitar work. The compositions blend jazz with ‘70s influences, offering memorable melodies like the title track and a unique take on ‘Alfie,’ illustrating Hekselman’s accessible style.

Jed Levy’s album “Faces and Places” showcases his versatility as a tenor saxophonist after decades in music. Featuring a powerhouse quartet, the album includes twelve tracks that blend jazz with Afro-Cuban rhythms. Highlights include the dynamic “Email,” the reflective “Coming to Terms,” and the innovative “Leading Tone,” culminating in a rich musical experience.

Diego Rivera releases his ninth album, “West Circle,” showcasing his saxophone talents alongside a supportive rhythm section. This deeply emotive work addresses tragedy, notably a shooting at Michigan State University. With a mix of original compositions and covers, Rivera explores diverse styles, proving his artistry and emotional depth within the jazz scene.

Yotam Silberstein’s “Standards Vol. 2” features bassist John Patitucci and drummer Billy Hart, with tenor saxophonist George Coleman appearing briefly. This mellow album presents lesser-known standards, including “Blue Gardenia” and “Answer Me My Love,” highlighted by unique arrangements. Silberstein’s intricate guitar work showcases both homage and innovation throughout the collection.

Tobias Meinhart’s fifth album, “Sonic River,” metaphorically relates jazz improvisation to flowing water, reflecting his upbringing and daily life. It blends music with literature, featuring spoken word by Sara Serpa. The album showcases a dynamic quintet with meditative and intense moments. Overall, it presents Meinhart’s most realized work to date.

Drummer and composer Phil Haynes demonstrates his wide musical scope in two new albums: “Return to Electric” and “Transition(s).” The former revisits jazz-rock fusion with covers and originals showcasing his trio’s dynamic interplay, while the latter, with guitarist Ben Monder, explores atmospheric improvisation, highlighting their enduring chemistry despite a long hiatus.

Kneebody returns with their first studio album in six years, “Reach,” featuring a reformed lineup. This album blends genres, showcasing jazz, prog-rock, and R&B influences. The band emphasizes collaboration through spontaneous songwriting, with each member contributing tracks. Despite geographic challenges, they remain committed to their evolving sound and legacy in music.

David Hajdu Lives of The Saints  Sunnyside David Hajdu is a writer-producer who has written the lyrics for Lives of The Saints. These saints are not those of the canon of the Catholic Church but ordinary individuals who have attained that status in his mind.  These are women who did exceptional work but suffered in […]

Gustavo Cortiñas’ album “The Crisis Knows No Borders” explores the ramifications of global warming through a jazz quartet. Each track addresses themes like economic disparity, resource depletion, and climate skepticism. Musically, Cortiñas creates a diverse soundscape reflecting tensions in society. The project encourages deep reflection amidst ongoing environmental challenges.

Geoffrey Dean Quartet’s second album, “Conceptions,” showcases original jazz compositions blending straight-ahead styles with modern elements. The ensemble, comprised of Dean, trumpeter Justin Copeland, bassist Harish Raghaven, and drummer Eric Binder, emphasizes collaboration and individual expression. Each track offers distinct themes, demonstrating their musical synergy and creativity.

Hiromi releases her 13th studio album, OUT THERE, featuring a dynamic jazz-fusion style with her Sonicwonder band. The double LP includes the four-part suite “OUT THERE” and showcases vibrant tracks like “XYZ” and “Balloon Pop.” Collaborating with vocalist Michelle Willis, Hiromi combines energy and creativity, delivering an exhilarating musical experience.

Candid Records has released remastered albums, including Jaki Byard’s “Blues for Smoke,” Nancy Harrow’s “Wild Women Don’t Have the Blues,” and Memphis Slim’s “Memphis Slim, U.S.A.” These historic records from the early ’60s feature pristine sound quality and showcase the artists’ unique blends of jazz and blues, reflecting their rich musical backgrounds.

Trombonist Altin Sencalar releases his sixth album, “Unleashed,” marking a creative evolution as he explores challenging tempos and composition techniques. Featuring a dynamic ensemble, including Greg Tardy and Behn Gillece, the album juxtaposes aggressive solos with diverse rhythms and styles, showcasing Sencalar’s mastery and promising future direction in jazz.

Branford Marsalis Quartet’s album “Belonging” pays tribute to Keith Jarrett’s 1974 work, blending jazz with classical influences. Featuring pianist Joey Calderazzo, bassist Eric Revis, and drummer Justin Faulkner, the quartet demonstrates a unique synergy, intertwining various styles including swing and soul-jazz. The album highlights each member’s exceptional talent, showcasing their telepathic connection.

Yelena Eckemoff’s album “Scenes from the Dark Ages” blends medieval inspirations with modern jazz fusion and prog-rock elements, featuring collaborations with Italian musicians. The music incorporates diverse instruments and reflects her childhood dreams. Ambitious and unique, the album appeals to both jazz and rock fans, showcasing Eckemoff’s innovative artistry.

Sharel Cassity’s album “Gratitude” features renowned musicians including Christian McBride, Lewis Nash, and Cyrus Chestnut, celebrating community and mentorship. Blending infectious hooks with emotional improvisation, the album showcases Cassity’s artistry on various tracks. Highlights include “Magnetism” and “The Promise,” offering a joyful listening experience designed to uplift spirits.

Guitarist Ray Suhy and pianist Lewis Porter lead a jazz quartet with Joris Teepe and Rudy Royston. Their album “What Happens Next” features eight original tracks, blending influences from Coltrane and Monk. The music showcases diverse styles, including modal improvisation, Indian classical elements, and vibrant swing, resulting in an exciting exploration of jazz.

Jim Snidero’s album “Bird Feathers” is a tribute to jazz legend Charlie Parker, reflecting Snidero’s deep admiration for Parker’s music. The album features a chordless trio with bassist Peter Washington and drummer Joe Farnsworth, showcasing interpretations of Parker’s pieces. Snidero’s artistry and performance solidify his position among the top alto saxophonists.

The Christoph Irniger Quintet, based in Switzerland, showcases their live album “Human Intelligence,” featuring a blend of composed pieces and improvisation. Captured in Germany, the performance highlights unique tracks, reflecting emotional journeys and struggles. The quintet’s dynamic transitions keep listeners engaged, drawing comparisons to modern jazz influences.