CD Reviews Jazz

David Riddel’s “Dr. Purgatory: The Consumption” is a multidisciplinary album blending modern jazz with a tragic folktale theme. Featuring a skilled ensemble and accompanied by a 46-page illustrated book, Riddel’s compositions draw inspiration from literature and mythology, resulting in technically proficient and emotionally engaging music that invites imaginative exploration.

Shuffle Demons, a celebrated Toronto jazz ensemble, marks 40 years in music with their eleventh album on ALMA Records. The group blends contemporary sounds with classic jazz influences, showcasing dynamic horn arrangements and creative compositions. Their music spans various genres, driven by themes of change and identity, highlighting their cultural significance in jazz.

SEXTET, featuring accomplished musicians like Charlie Burnham and Tony Jones, blends spiritual themes with street-level accessibility, evident in tracks like “I Shall Not Want” and “The Beginning of the Universe.” Their album “Pitch, Rhythm and Consciousness” showcases original compositions and improvisations, striving to elevate consciousness through relatable lyrics and dynamic instrumentation.

Triology’s album “The Slow Road” features a collaboration of award-winning Canadian jazz musicians, including Scott Hamilton on tenor saxophone. Highlights include Jodi Proznick’s waltz “Luna” and a unique, sultry interpretation of Jobim’s “Luiza.” The group’s mastery and melodic clarity make for an enchanting listening experience, showcasing their talents in jazz.

Catalyst, featuring the Dave Sharp Worlds Quartet and guitarist Elden Kelly, explores the music of composer Gregg Hill, blending jazz with global influences. Artists from diverse backgrounds create a rich soundscape, incorporating elements from various traditions. The album showcases innovative arrangements, captivating improvisations, and highlights Hill’s broad musical reach, affirming its brilliance.

“Oblique Rhyme” is a jazz quartet album featuring Joe Santa Maria, David Tranchina, Gary Fukushima, and Colin Woodford. Although it showcases their technical prowess, the album emphasizes depth and personal expression. Each artist contributes unique compositions, exploring a range of emotional and musical landscapes, ultimately achieving a cohesive and inspired sound.

Saxophonist Jordan VanHemert’s fifth album, “Survival of the Fittest,” features a mix of covers and originals that emphasize resilience against prejudice. Collaborating with notable musicians, VanHemert confronts personal and societal struggles, while embracing themes of hope and defiance through vibrant post-bop compositions. The album balances grief with cathartic expression.

Champian Fulton and Klas Lindquist’s album “At Home,” recorded in an intimate setting, features ten classic songs from the Great American Songbook plus a contemporary piece and an original collaboration. Their musical synergy captivates listeners through expressive vocals, improvisational clarinet and saxophone solos, showcasing their mastery and dynamic artistry throughout the performance.

The Winnipeg Jazz Orchestra’s eighth album, “East Meets West: Connections,” showcases new works by Canadian composers Fred Stride and Jean-Nicolas Trottier, emphasizing jazz connections across the country. The album features vibrant solos from talented musicians and highlights the orchestra’s contributions to Manitoba’s cultural scene since 1997, including educational outreach initiatives.

Ellie Martin’s album “Morning Glories” features thirteen original tracks blending jazz and pop influences, reflecting her journey as a mother and cancer survivor. With compositions celebrating life and nature, her vibrant songs, like “Love and Light” and “Spring’s Around the Corner,” highlight her education and artistic evolution.

Becca Wilkins’ album “Reverie” showcases her emotive vocals set against a backdrop of classic French chansons, featuring compositions by legends like Edith Piaf and Charles Aznavour. The music transcends language barriers, connecting deeply with audiences. Wilkins, influenced by her time in Normandy, breathes new life into this musical tradition.

Kandace Springs’ second album, a tribute to Billie Holiday’s “Lady in Satin,” features her unique interpretations of the original tracks, supported by the lush Orquestra Classica de Espinho. While it showcases Springs’ beautiful voice, it lacks the emotional depth associated with Holiday’s recordings. The project reflects Springs’ aspirations of honoring Holiday and recording with an orchestra.

Joanie Pallatto and Bradley Parker-Sparrow, a married couple and co-owners of Southport Records, present their duo album featuring original compositions primarily by Parker-Sparrow. With Chicago as their backdrop, they celebrate over 156 recordings in jazz and contemporary classical music, showcasing their artistic journey through thought-provoking lyrics and melodies.

Esthesis Quartet’s third album, “Sound and Fury,” serves as a tribute to the late Ron Miles, featuring guest guitarist Bill Frisell. The album reflects on themes of grief, leading from denial to acceptance through a series of compositions. It showcases emotional improvisations intertwined with collaborative expressions from the ensemble.

Gillian Margot and Geoffrey Keezer create an outstanding duo in their latest album, showcasing their mastery in interpreting classic and contemporary songs. Margot’s emotive vocals paired with Keezer’s exceptional piano skills result in a captivating performance. The album radiates spontaneity and creativity, making each track a delightful listening experience.

Billy Mohler’s new quartet, The Eternal, features established musicians Jeff Parker and Damion Reid alongside rising star Devin Daniels. The album explores deep emotional themes and diverse musical styles, showcasing Mohler’s growth as a composer and bandleader. Each track highlights the group’s synergy while reflecting personal connections and relationships.

Kris Adams and Peter Perfido present “Away,” featuring compositions by guitarist Mike O’Neil. The album showcases Adams’ vocal prowess on complex melodies, supported by Bob Degen’s expressive piano and Andre Buser’s bass. Their collaboration reflects a deeply personal tribute to O’Neil’s musical legacy, blending jazz with inventive improvisation.

“Rose Room” celebrates its 15th anniversary with a new album showcasing their signature Gypsy Jazz style. Led by violinist Seonaid Aitken, the ensemble features award-winning musicians performing classic jazz standards and original arrangements that blend Scottish tradition with 1930s influences. Notable tracks include “It’s Been A Long, Long Time” and “Lady Be Good.”

Gabriel Mark Hasselbach’s latest album, “Count Your Lucky Stars,” showcases his talents as a trumpet player and composer. With an energetic blend of jazz, including tracks like “Sunseeker,” “Positive Space,” and “We Are,” the album features notable collaborators and melodic arrangements that inspire movement and emotion, making it a compelling listen.

Nick Adema’s album “Urban Chaos” reflects his emotional journey following his mother’s death in 2022 and his move to Amsterdam. Featuring a core quartet and special guests, the album blends jazz with electronic elements, showcasing Adema’s skills in composition and trombone. Highlights include collaborative improvisations and heartfelt melodies.

Susan Pereira’s album “Tudo Azul,” performed with her band Sabor Brazil, celebrates Brazilian music through infectious rhythms and melodies. Composed and arranged by Pereira, it features talented musicians like Claudio Roditi and Romero Lubambo. With vibrant tracks like “O Morro Nao Tem Vez” and “Baiao da Chuva,” the album radiates joy and cultural richness.

Kurt Rosenwinkel and Jean-Paul Brodbeck’s album “The Brahms Project” features innovative jazz arrangements of Johannes Brahms’ compositions. The quartet’s blend of guitar, piano, bass, and drums reimagines classic pieces, showcasing a fusion of jazz and classical music. While the album excels in creativity, it lacks prominent swing elements typical in jazz.

Frank Kimbrough’s album, The Call, is his second posthumous solo piano recording, featuring a mix of jazz standards by Ellington, Gillespie, and Gershwin, alongside original compositions. Recorded in 2010, it showcases his melodic variation, harmonics, and improvisational skills, highlighting his unique style as a solo artist in the jazz genre.

Sacha Boutros’ “The Love Trilogy” features her emotional vocals accompanied by talented musicians. The release includes the French classic “J’attendrai,” the American standard “What’ll I Do?,” and “La Vie En Rose.” As a Grammy-nominated artist, Boutros, a global peace ambassador, seeks to unite people through her jazz across multiple languages.

Kenny Dorham’s live album “Blue Bossa in the Bronx,” recorded in 1967, features an exceptional lineup, including Sonny Red, Cedar Walton, and Paul Chambers. The performance captures their artistry, though drummer Denis Charles’s style contrasts with the others. Overall, the release is a valuable jazz historical piece for collectors and enthusiasts.

Spike Wilner Trio’s album “The Children & The Warlock,” featuring George Garzone, pays tribute to late mentor Harry Whitaker and drummer Anthony Pinciotti. The trio, alongside Garzone, explores improvisational jazz, blending personal and adventurous styles. Notable tracks include “Hey, Open Up!” and “Moment to Moment,” highlighting their musical chemistry and dedication to spontaneity.

Mehmet Ali Sanlıkol’s album “7 Shades of Melancholia” showcases his unique blend of jazz, classical, and Turkish traditional music through a small ensemble. Comprising original compositions and adaptations, the album explores themes of melancholia rooted in Turkish culture. Sanlıkol’s innovations include his digital microtonal piano, enhancing the emotional depth of the work.

Shiri Zorn and George Muscatello’s album “Looking for the Light” showcases their innovative jazz interpretations. Zorn’s captivating vocals and Muscatello’s masterful guitar create a unique sound, enhanced by percussionist Mauricio Zottarelli. The trio blends diverse musical influences, delivering fresh arrangements and original compositions, making this a notable listening experience.

Gilad Hekselman’s album “Downhill From Here” features a skilled trio with bassist Larry Grenadier and drummer Marcus Gilmore, showcasing Hekselman’s songwriting and guitar work. The compositions blend jazz with ‘70s influences, offering memorable melodies like the title track and a unique take on ‘Alfie,’ illustrating Hekselman’s accessible style.

Jed Levy’s album “Faces and Places” showcases his versatility as a tenor saxophonist after decades in music. Featuring a powerhouse quartet, the album includes twelve tracks that blend jazz with Afro-Cuban rhythms. Highlights include the dynamic “Email,” the reflective “Coming to Terms,” and the innovative “Leading Tone,” culminating in a rich musical experience.

Lorraine Feather’s album “The Green World” showcases her unique storytelling through lyrics and diverse musical styles, blending rock and jazz. With engaging compositions by notable artists, Feather presents an emotional, theatrical experience. Though not strictly a jazz singer, her voice and lyrics create captivating narratives, reminiscent of Broadway performances.

The Chicago Jazz Orchestra’s album “More Amor” pays tribute to jazz legend Wes Montgomery featuring guitarist Bobby Broom. The album showcases orchestral arrangements that capture Montgomery’s influence, blending jazz with pop and R&B. With ten tracks, it reflects the era when big bands innovated jazz standards, highlighting Broom’s talent and emotional depth.

Diego Rivera releases his ninth album, “West Circle,” showcasing his saxophone talents alongside a supportive rhythm section. This deeply emotive work addresses tragedy, notably a shooting at Michigan State University. With a mix of original compositions and covers, Rivera explores diverse styles, proving his artistry and emotional depth within the jazz scene.

Deb Bowman, an independent artist, showcases her pure soprano voice across diverse genres in her album “Reflection.” Featuring arrangements by pianist Dean Fransen, she performs classics by renowned composers, including “Moon River” and “Somewhere Over the Rainbow,” highlighting her storytelling talent and theatrical background. Bowman’s interpretations leave a lasting impact.

Sean Imboden, an Indianapolis-based saxophonist, debuts as a big band leader with “Communal Heart,” featuring his 17-piece orchestra. The album includes original compositions like “Fire Spirit” and “Dance of Inquiry.” Inspired by his musician parents, Imboden emphasizes community and hard work, reflecting Midwestern pride in his music.

Gabriela Martina and Maxim Lubarsky’s album “Explorations in Sound” showcases their innovative blend of vocals and piano, pushing jazz boundaries through improvisation and wordless expressions. Gabriela, a Swiss artist with extensive experience, combines her yodeling roots with contemporary jazz elements, offering audiences unique and imaginative musical experiences filled with creativity and freedom.

Doctor Professor Leonard King collaborates with Planet D Nonet to create a live tribute album honoring Joe Williams, showcasing King’s vocal and drumming talents. The album features a range of songs, including blues and ballads, reflecting King’s deep appreciation for Williams’ artistry, while demonstrating the diverse capabilities of the ensemble.

Yotam Silberstein’s “Standards Vol. 2” features bassist John Patitucci and drummer Billy Hart, with tenor saxophonist George Coleman appearing briefly. This mellow album presents lesser-known standards, including “Blue Gardenia” and “Answer Me My Love,” highlighted by unique arrangements. Silberstein’s intricate guitar work showcases both homage and innovation throughout the collection.

Jeffrey Gimble’s album “Brand New Key” showcases his vocal talent across various genres, including R&B and jazz. Notable tracks include a funky rendition of “Bye Bye Blackbird,” emotional delivery of “Tryin’ Times,” and a smooth Brazilian jazz performance in Portuguese. The exceptional musicianship of the band enhances Gimble’s unique style and charisma.

Tobias Meinhart’s fifth album, “Sonic River,” metaphorically relates jazz improvisation to flowing water, reflecting his upbringing and daily life. It blends music with literature, featuring spoken word by Sara Serpa. The album showcases a dynamic quintet with meditative and intense moments. Overall, it presents Meinhart’s most realized work to date.

Judy Whitmore, a talented vocalist and author, releases her fifth album with the Chris Walden Orchestra, celebrating the Great American Songbook. The album features jazz and cabaret arrangements, showcasing songs like “I’ll Take Romance” and “Let’s Fall in Love,” highlighting Whitmore’s vocal prowess and emotional depth. Release date: April 24, 2025.

Drummer and composer Phil Haynes demonstrates his wide musical scope in two new albums: “Return to Electric” and “Transition(s).” The former revisits jazz-rock fusion with covers and originals showcasing his trio’s dynamic interplay, while the latter, with guitarist Ben Monder, explores atmospheric improvisation, highlighting their enduring chemistry despite a long hiatus.

Susan Hinkson’s debut jazz album “Just in Time” features her laid-back vocal style supported by a talented band. Opening with “One for My Baby,” she showcases her natural storytelling ability and swing. Though transitioning from a career in urban strategy, Hinkson’s potential shines through, suggesting she could evolve into a formidable jazz singer.

Kneebody returns with their first studio album in six years, “Reach,” featuring a reformed lineup. This album blends genres, showcasing jazz, prog-rock, and R&B influences. The band emphasizes collaboration through spontaneous songwriting, with each member contributing tracks. Despite geographic challenges, they remain committed to their evolving sound and legacy in music.