Mid/Side processing is a powerful mixing technique that allows engineers to independently adjust the center and edges of a stereo mix, enhancing width and clarity. By utilizing specific plugins for EQ, compression, and saturation, users can solve common mix problems and create a balanced sound that’s three-dimensional without losing focus or depth.
Making a Scene Brings you a Comprehensive Review of Izotope Ozone 11 Izotope Ozone 11 is a highly acclaimed audio mastering software that has been widely praised by audio professionals for its exceptional range of features and tools. With its intuitive interface and advanced capabilities, it provides users with everything they need to enhance and […]
A Review of the Warm Audio WA-CX12 Microphone When it comes to recording music, having high-quality equipment is essential. Microphones are especially important to ensure the best possible sound. The Warm Audio WA-CX12 is a microphone that has been gaining popularity among music producers and audio engineers. Warm Audio designed the WA-CX12 as a faithful […]
Making a Scene Presents a Review of the Warm Audio WA-67 Microphone The Warm Audio WA-67 is a microphone that has been making waves in the audio industry as a faithful recreation of the famous Neumann U67. The Neumann U67 was a popular microphone in the 1960s and is still considered one of the best […]
The Difference Between Compression and Limiting Introduction Compression and limiting are two frequently used audio processing techniques that audio engineers use in music production, mixing, and mastering. While they might seem similar, they serve different purposes and have distinct characteristics. In this blog post, we will explore the differences between compression and limiting and when […]
Making a Scene Takes a Look at the new Studio One 5.5 Update Even with the pending acquisition of Presonus by Fender Musical Instruments, the team at Presonus is still rolling out updates to their flagship DAW “Studio One”. The new 5.5 update adds some powerful new features to their “Project Page” that will making […]
There are a few essential purchases you can make for your recording studio setup that will impact your sound. One of those is your choosing the right preamps! Today we are going to look at the Warm Audio WA-412 their 4 channel preamp inspired by the API 3124 . Automated Processes Incorporated or API was […]
Creating your own home studio is full of decisions on what hardware and what software to purchase. When it comes to your main DAW (Digital Audio Workstation) software your choices come down to Sustainability, Features, Platform, workflow, and budget. Sustainability When you are purchasing a DAW you are investing in the company that makes it! […]
Whether you are a home recording musician, or you own a commercial recording studio one of the biggest ongoing investments you make are for good quality plugins. Keeping up with what is new in analog modeling plugin technology can be daunting to say the least. If you are at all like me, you have a […]
I see a lot of questions on various discussion groups asking how to best mic specific instruments. Many of the answers will be a mixed bag of various techniques, all of which are valid and should be absorbed into your bag of tricks. But they are all quite different from one another, and will yield […]
Many audio textbooks, audio schools, and audio engineers will advise you that it’s always best to attenuate rather than gain an EQ control. This has traditionally been considered best practice in the industry for two main reasons. 

With most EQs, especially analog EQs, adding gain to a band causes an audible phase shift in the […]
HISTORY In the Early days of recording, music was cut directly to a disk from a single microphone. In the studio, the art of mixing fell to the music “Conductor” whose job it was to move the musicians who were recording either closer or further back from the microphone. By the 1930’s the radio broadcasting […]
Time to Start your Project So, you raised some money, and now you are ready to take your project into the studio. There are so many things to consider before you start writing those checks. Let’s face it, recording a CD can be a very expensive project. So, lets see what we can do to […]
When you are looking to get into the music business on your own, there is a lot of preparation that goes into marketing your sound and your brand. Your fans won’t have anything to grasp onto if you aren’t generating songs, making it all the more crucial for musicians to have a studio at home […]
In the sea of plugins available to home recording musicians, it is not very often that I run across one that actually becomes part of my “Must Have” Toolbox. The Waves “Abby Road – ADT” (Artificial Double Track) is just that plugin. Since day one, I have found that the ADT to be an essential […]
Recently Boz Digital Labs released Transgressor, which is a transient designer that allows you to eq the transient and the sustain separately. This plugin seems like it was created with my workflow in mind, so when I got the chance to get a review copy I was stoked! Let me explain. I tend to […]
Gain Staging: What to know, & why you shouldn’t stress too much about it! By Brandon S Hire Noise Floor (This is a script to a video that will be included in an upcoming series on post production. I decided to make the script its own post because of the amount of confusion there is […]
3 Reasons Why Pre-Production Is Essential Steve Perrino of Compass Audio Most musicians agree that there is a huge difference between your live show and your recordings. There is a lot of energy in a live performance due to volume and visuals, but there are certain things that you need to do in a recording […]
Drum triggers. What they are, and how they work. A drum trigger is a microphone. Nothing more. It picks up the sound of the drum and sends the audio to the source. The source usually is an audio to midi converter either in the box or outside of the box, but that doesn’t have to […]
Back in the day, we had hardware. Since then, we started using software. Over the years, we’ve become better and better at developing this software so that it fools the trained ear into thinking it’s hardware. We make it move, overload, have noise, and try to recreate the exact sonic imprint of the hardware. We’ve […]
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