Kinan Azmeh, a Syrian composer and clarinetist based in Brooklyn, presents his quartet CityBand in a profound exploration of Arab jazz. His compositions, influenced by the Syrian uprising, convey emotional connections to his homeland. The album reflects themes of hope, freedom, and cultural roots, combining artistry to address global atrocities.
Mosaic: the Music of Gregg Hill features acclaimed bassist Rodney Whitaker’s arrangements of ten compositions by Gregg Hill, showcasing a talented ensemble. With notable performances from trumpeter Terell Stafford and saxophonist Tim Warfield, the album blends various jazz influences, emphasizing intricate melodies and improvisation. The result is high-caliber, straight-ahead jazz.
Ariane Racicot’s album “Dancing With Fire” showcases her award-winning talent as a jazz pianist and composer. Blending classical, jazz, Latin, and metal influences, her compositions evoke a range of emotions. The album features strong collaborations with bassist Antoine Rochefort and drummer Guillaume Picard, creating a dramatic and textured sound experience.
The Perceptions Trio, debuting with “The Wicked Crew,” blends jazz and pop influences through compositions by saxophonist Charley Rose, guitarist Silvan Joray, and drummer Paulo Almeida. Their ten-track album features a mix of meditative and energetic pieces, characterized by ethereal soundscapes and intricate interplay, marking a promising beginning for this Swiss trio.
Deepstaria Enigmatica The Eternal Now Is the Heart of a New Tomorrow ESP-Disc What do you think of when Scott Bomar of the Bo-Keys and Sam Phillips Recording Studio appear on the jacket of an album? Likely it’s the likes of Bomar’s main band or Al Green, William Bell, Cyndi Lauper, or John Nemeth, a […]
Brûlez Les Meubles, a Quebec-based avant-garde music group, debuted in 2016 and features prominent improvisers. Their latest release, “Folio #5,” lacks drums, creating a distinct sound. The collaboration between founders Louis Beaudoin-de la Sablonnière and Eric Normand invites notable musicians, blending spontaneity with melody in unique compositions.
Nanami Haruta, a promising young trombonist and composer, has emerged in the jazz scene, influenced by her mentors at Michigan State University. Her debut album features notable musicians and showcases her talent through original compositions and collaborations. With recognition including the Outstanding Student Award, Haruta continues to grow as an artist.
Coleman Mellett’s posthumous release “Sing You a Brand New Song” showcases his talents as a guitarist and vocalist. Featuring renowned musicians, the album blends jazz with folk and pop influences. Crafted by his wife and friend, it features eleven originals and highlights his songwriting, offering a poignant tribute to Mellett’s legacy.
The Alpine Session features twin brothers Michael and Florian Arbenz collaborating with jazz legend Ron Carter. Recorded in Switzerland, the album showcases their musical journey shaped by diverse influences, from Django Reinhardt to Miles Davis. Their deep familial musical roots and innovative spirit manifest in this enjoyable production, earning repeated listens.
Candi Staton, nearing her 85th birthday, releases “Back To My Roots,” featuring a mix of covers and originals. The album celebrates her musical heritage and includes collaborations with various artists. Staton delivers heartfelt performances, reflecting on civil rights and personal experiences, while maintaining her signature gospel sound.
Julia Hülsmann’s latest album, “Under the Surface,” features her quartet along with trumpeter Hildegunn Øiseth, who also plays the goat horn. The music blends contemporary classical and jazz, showcasing compositions that highlight Hülsmann’s European roots. Enjoyable tracks include “They Stumble, They Walk” and “Milkweed Monarch,” emphasizing instrumental talent.
Benjamin Lackner’s “Spindrift” offers a profound exploration of “dream jazz” within the ECM label’s signature restrained sound. Featuring noted artists, the album emphasizes interplay among horns and a subtle rhythm section, creating a meditative atmosphere. Despite its dark themes, Lackner infuses beauty and hope throughout this reflective jazz experience.
Strat Andriotis, a Greek-Canadian guitarist and composer, blends blues and jazz influences, notably from Miles Davis and Jimi Hendrix. His album “Exits” showcases eight original tracks with varying trios, emphasizing his adaptability across genres. The project highlights his compositional talent and technical proficiency on the guitar.
Elaine Dame’s album “Reminiscing” features her distinctive jazz interpretations of 1970s pop tunes, showcasing her vocal talent and energy. Collaborating with musicians like Chris Madsen, she transforms songs like “Tell Me Something Good” and “Use Me” into fresh jazz arrangements infused with Latin rhythms, highlighting the versatility of well-written music.
Steve Smith’s trio, featuring keyboardist Manuel Valera and bassist Janek Gwizdala, explores new jazz renditions of Journey songs and Vital Information tracks in their album “New Perspective.” The ensemble showcases complex arrangements and energetic performances, blending fusion elements and honoring musical influences. Their live shows promise a lively and engaging experience.
Russ Anixter’s Hippie Big Band showcases a unique blend of jazz and rock through powerful arrangements and skilled musicianship. Featuring impactful solos and an energetic rhythm section, the album includes notable tracks like “What is Hip?” and a medley of “Freedom Jazz Dance” with “Free Man in Paris.” The musicians create a robust sound despite the smaller ensemble size.
JON IRABAGON SERVER FARM Irabbagast Records Jon Irabagon, tenor & sopranino saxophones/effects/composer; Miles Okazaki & Wendy Eisenberg, guitars; Matt Mitchell, piano/Fender Rhodes/Prophet-6; Michael Formanek, acoustic bass; Chris Lightcap, electric bass; Dan Weiss, drums; Levy Lorenzo, kulintang/laptop/electronics/vibraphone; Mazz Swift, violin/voice; Peter Evans, trumpet/flugelhorn. Chicago-based saxophonist and composer, Jon Irabagon, has assembled his largest ensemble to date. […]
Arturo O’Farrill’s Afro Latin Jazz Orchestra releases “Mundoagua- Celebrating Carla Bley,” an album honoring his mentor. It includes three movements addressing global crises, climate issues, and the corrupt politics surrounding water. The work reflects O’Farrill’s commitment to social commentary through music, alongside a tribute to Bley’s final composition, “Blue Palestine.”
Omar Thomas presents “Griot Songs,” a project with his Large Ensemble that celebrates storytelling through music. Featuring original compositions and tributes, it showcases his classical training and contemporary jazz influences. Notably recognized with numerous accolades, Thomas’ album is set for release on February 7th, coinciding with Black History Month.
Joe Elefante’s album “Wheel of Dharma” marks his return to the jazz scene after a long hiatus. Following personal tragedy, Elefante, along with talented musicians, showcases his passion through original compositions. The album reflects his journey, creativity, and tribute to his late wife, featuring memorable tracks like “Bad Dancing” and “The One Who Knows.”
The Dan Pitt Quintet’s album “Horizontal Depths” showcases an innovative blend of genres, merging jazz, rock, and folk. Featuring powerful electric guitar and expressive saxophone solos, each composition highlights Pitt’s artistic growth since 2019. The music often balances structured arrangements with improvisational potential, exploring themes of depth and motion.
Joe McPhee revives the essence of free jazz poetry, echoing legends like Ken Nordine. A key figure in NYC’s ’70s scene, McPhee blends spoken word and music, reflecting on myriad experiences, cultures, and societal issues. His recent works include poetry-focused albums and memoirs, demonstrating his enduring artistic exploration and vibrant creativity.
Jason Palmer’s “The Cross Over: Live in Brooklyn” features a stellar band, including Mark Turner and Larry Grenadier, showcasing Palmer’s talents as a composer. The album opens with “Budgets Are Moral Documents” and includes a tribute to Fannie Lou Hamer. Recognized for his unique sound, Palmer inspires and excites listeners.
Jerry Kalaf’s album “Safe Travels” blends jazz and chamber music, featuring compositions by Kalaf accompanied by a string quartet. Each track evokes personal memories, skillfully integrating lush arrangements and complex rhythms. Notable pieces include “263 Beacon” and “Bailing,” showcasing collaboration with musicians like Tom Ranier and Trey Henry, enhancing the album’s melodic richness.
The quartet known as “The Fury,” featuring renowned jazz musicians Mark Turner, Lage Lund, Matt Brewer, and Tyshawn Sorey, showcases their talents in a live performance in Brooklyn. Their music blends intricate compositions and impressive solos, reflecting their passion for jazz. The album highlights their individual artistry and collaborative spirit.
Guitarist and composer Jackson Potter’s sophomore album “Small Things” showcases his original works and jazz standards, highlighting his musical lineage and education. Collaborating with talented musicians, the album balances traditional jazz with adventurous styles. Potter’s standout compositions reflect his skill, making him a notable emerging talent in the jazz scene.
Mark Scott III’s debut album “Soft Light” features eleven self-composed tracks performed by his jazz trio. The music reflects his journey from rock to jazz, showcasing inventive solos and a mix of grooves. Influenced by Coltrane and Metheny, Scott, a Texas native, also teaches at Tarleton State University.
Rick Roe leads a trio of Detroit musicians, including Grammy winner Robert Hurst and drummer Nate Winn, in a tribute to Lansing composer Gregg Hill. Their performances highlight Hill’s well-crafted compositions, blending jazz and gospel influences. Each musician showcases their talent, creating a refreshing sound that resonates with both emotion and creativity.
Satoko Fujii’s “Altitude 1100 Meters” marks her first composition for string ensemble, capturing her experience in Japan’s mountains. The five-part suite blends gorgeous melodies with her trademark intensity, showcasing unique sounds and collaborative improvisation among Japanese musicians. The album reflects Fujii’s innovative approach and profound emotional atmosphere.
Eldad Tarmu’s “Silver on Aluminum” celebrates Horace Silver’s compositions through innovative arrangements for a vibraphone, bass, and drum trio. Featuring talented musicians, the album highlights Tarmu’s vibraphone skills, especially in tracks like “No Smokin’” and “Gregory is Here,” showcasing their energetic performances and musicianship.
Joe Alterman’s album “Brisket for Breakfast” features Houston Person on tenor saxophone, showcasing a blend of bluesy jazz tunes performed live with an Atlanta-based trio. The album includes seven familiar songs, celebrated for Alterman’s dynamic piano and Person’s smooth saxophone. Their collaboration highlights deep musical chemistry and soulful performances.
Cédric Hanriot’s project “Time is Color/A Luminous World” blends jazz, funk, and soul, reflecting themes of spirituality and quantum physics through dynamic compositions. Featuring a diverse lineup, the music combines original pieces with spoken word elements, creating a unique sound that transcends genres while emphasizing emotional expression and creativity.
Stefan Smulovitz’s album “Bow & Brush: 12 Scores of Nadina Tandy” showcases an innovative collaboration with visual artist Nadina Tandy. Featuring twelve compositions, Smulovitz integrates diverse sounds, including violin and electronic elements, creating rich, evocative landscapes. The album package includes Tandy’s artwork, enhancing the immersive artistic experience.
Doug MacDonald, a prolific Southern California jazz guitarist, presents his latest album featuring Latin and Afro-Cuban arrangements of jazz standards. Alongside talented musicians, he showcases original compositions and innovative arrangements, transforming classic tunes like “Prisoner of Love.” The album highlights MacDonald’s unique sound and strong rhythmic foundation, driven by skilled pianist Bill Cantos and bassist Hussain Jiffry.
Judy Wexler’s seventh album, “No Wonder,” takes a fresh approach to the Great American Songbook, featuring collaborations with longtime pianist Jeff Collela and a talented ensemble. The album blends jazz with pop, folk, and rock influences, showcasing Wexler’s emotional storytelling and nuanced vocal interpretations across various standards and lesser-known songs.
Dayna Stephens’ album “Hopium,” set for release on February 7, 2025, blends hope and reality through seven original compositions. Featuring a quintet, the music navigates emotions of optimism and disillusionment. Each track showcases Stephens’ saxophones and the contributions of talented collaborators, culminating in an engaging exploration of life’s uncertainties.
Sullivan Fortner’s latest album, “Southern Nights,” features his vibrant piano work alongside bassist Peter Washington and drummer Marcus Gilmore. The recording showcases an eclectic mix of live jazz without edits, highlighting Fortner’s artistry and New Orleans heritage. The album promises an engaging experience, set for release on February 14, 2025.
Christopher Whitley’s album “Almost as Soft as Silence” showcases his solo violin talent and innovative composition skills using a historical Stradivari instrument. The spontaneous vignettes explore free improvisation, blending acoustic and electronic elements. Whitley’s expressive performances reveal his deep musical expertise, offering captivating and emotionally resonant soundscapes.
Thomas Marriott’s album “Screen Time” features nine tracks combining arrangements of TV shows and movies alongside original pieces. Collaborating with prominent musicians, Marriott showcases a range of styles from energetic swing to mellow ballads, delivering captivating trumpet performances. The album reflects his recent accolades and contribution to Seattle’s jazz scene.
Jacopo Ferrazza’s album “Prometheus,” featuring a 5tet ensemble, blends jazz, rock, classical, and chamber music into a compelling soundscape. It begins with a prologue and original compositions like “The Cave,” showcasing each musician’s role in narrating the Prometheus myth. The album is set for release on January 24, 2025.
Marianne Solivan’s fifth album, “Break’s Over,” showcases her impressive vocal talent alongside musicians like Buster Williams, Brandon McCune, and Jay Sawyer. Blending standards and original pieces, Solivan demonstrates emotional depth and adaptability. With a background in jazz education and collaborations with top artists, she’s a notable figure in the jazz scene.
Dan Fortin’s “Cannon” is an evocative experimental jazz album featuring a range of talented musicians. Since his 2015 debut, Fortin has captivated with his unique blend of electric and double bass, synthesizers, and avant-garde influences. The collaborative compositions invite listeners to explore innovative soundscapes, challenging and rewarding their imagination.
Erik Jekabson’s album “Breakthrough” blends chamber orchestra and jazz, showcasing a unique fusion with 15 musicians. The music, influenced by minimalist composers, features expressive trumpet solos and highlights various instruments. Each track presents engaging twists, ultimately creating a landmark work that elevates the combination of classical and jazz genres.
Eugenie Jones, a Seattle-based vocalist and songwriter, releases her self-titled album, showcasing six original songs and seven covers. Collaborating with notable musicians, Jones blends various genres while honoring African American songwriting traditions. Her dynamic performances emphasize impressive vocal control and emotional depth, marking a significant evolution from her previous work, “Players.”
Macha Gharibian, an Armenian singer and composer, blends various cultural influences in her album “Phenomenal Women,” inspired by Maya Angelou’s poem. With a trio featuring female vocalists, Gharibian explores themes of empowerment through diverse musical styles, including African chants and reggae, while reflecting on her heritage and personal experiences.
The album “Some Days Are Better – The Lost Scores” celebrates Kenny Wheeler’s music, coinciding with what would have been his 95th birthday. Featuring performances by the Royal Academy of Music Jazz Orchestra and Frost Jazz Orchestra, it revives his previously unheard work from the 1970s, showcasing his creative evolution as a composer and musician.
Antoine Cara’s album “Status Quo” showcases a collaboration of elite musicians in a high-energy jazz fusion style, blending funk, Latin jazz, and pop. Despite its captivating rhythms and vibrant solos, some tracks reveal a repetitive quality. Cara’s intent was to create feel-good music that breaks creative loops.
Mafalda Minnozzi’s fourth jazz album for the US market showcases her joyful soprano vocals, accompanied by Paul Ricci’s guitar and a talented ensemble of Brazilian musicians. With a blend of pop and Latin influences, Minnozzi’s unique approach to scat singing and emotional delivery contribute to a captivating musical experience.
Eldritch Priest, a Vancouver-based composer and guitarist, blends improvisational techniques and experimental jazz in his solo album “Dormitive Virtue.” With a focus on freedom of expression and unique compositions, Priest has gained recognition for his innovative performances and insightful writings on music. His work challenges listeners’ perceptions of sound and creativity.
Petra Onderuf, a Slovakian violinist and composer, explores unique musical expressions in her jazz project “An Odd Time of Day.” With influences from her cultural roots, she blends classical techniques and improvisation. The album showcases her original compositions, featuring captivating arrangements and performances by distinguished musicians, creating a rich auditory experience.