Jason Palmer’s “The Cross Over: Live in Brooklyn” features a stellar band, including Mark Turner and Larry Grenadier, showcasing Palmer’s talents as a composer. The album opens with “Budgets Are Moral Documents” and includes a tribute to Fannie Lou Hamer. Recognized for his unique sound, Palmer inspires and excites listeners.
Oliver “Mississippi” MacDonald is a rising British singer, guitarist, and songwriter, known for his soulful music inspired by classic American blues and soul artists. With notable releases like his album “Heavy State Loving Blues,” he has garnered praise from the music industry, showcasing his talent and promising future in the soul-blues scene.
The rise of blockchain technology is revolutionizing music streaming, offering a direct payment system that benefits artists and fans. Unlike traditional platforms like Spotify, blockchain eliminates intermediaries, ensuring musicians receive fair compensation. This innovative model fosters stronger connections between fans and artists, enhancing the overall music experience and promoting transparency in the industry.
“Live from the Midnight Circus Indie Blues Double Shot Show celebrates the evolution of blues through innovative and diverse indie artists. Featuring numerous musicians, the show honors past influences while spotlighting new original music. It emphasizes the blues as a living, emotional art form crafted with integrity. Tune into the Indie Blues Movement.”
Jerry Kalaf’s album “Safe Travels” blends jazz and chamber music, featuring compositions by Kalaf accompanied by a string quartet. Each track evokes personal memories, skillfully integrating lush arrangements and complex rhythms. Notable pieces include “263 Beacon” and “Bailing,” showcasing collaboration with musicians like Tom Ranier and Trey Henry, enhancing the album’s melodic richness.
The quartet known as “The Fury,” featuring renowned jazz musicians Mark Turner, Lage Lund, Matt Brewer, and Tyshawn Sorey, showcases their talents in a live performance in Brooklyn. Their music blends intricate compositions and impressive solos, reflecting their passion for jazz. The album highlights their individual artistry and collaborative spirit.
Guitarist and composer Jackson Potter’s sophomore album “Small Things” showcases his original works and jazz standards, highlighting his musical lineage and education. Collaborating with talented musicians, the album balances traditional jazz with adventurous styles. Potter’s standout compositions reflect his skill, making him a notable emerging talent in the jazz scene.
Mark Scott III’s debut album “Soft Light” features eleven self-composed tracks performed by his jazz trio. The music reflects his journey from rock to jazz, showcasing inventive solos and a mix of grooves. Influenced by Coltrane and Metheny, Scott, a Texas native, also teaches at Tarleton State University.
Steve Howell’s ninth album, “Yeah Man,” features a blend of country blues and timeless pop tunes, showcasing his fingerpicking prowess alongside The Mighty Men band. Howell revitalizes forgotten songs, emphasizing their emotional depth. The album includes tracks like “Long Lonesome Blues” and “20% Alcohol,” reflecting Howell’s roots in Southern acoustic blues and jazz traditions.
Making a Scene showcases the “LIVE from the Midnight Circus” podcast featuring John ‘Greyhound’ Maxwell, highlighting Indie Blues artists who innovate while honoring traditional roots. This vibrant music genre reflects reality and connects emotionally with listeners. The platform celebrates the diversity and creativity within the blues movement, empowering future talents.
Making a Scene features an interview with 18-year-old singer-songwriter FINICK, based in Minneapolis. Known for their whimsical indie folk sound, FINICK merges personal emotions with imaginative storytelling, drawing inspiration from artists like Brandi Carlisle and Phoebe Bridgers. Their music aims to provide an escape for listeners.
Rick Roe leads a trio of Detroit musicians, including Grammy winner Robert Hurst and drummer Nate Winn, in a tribute to Lansing composer Gregg Hill. Their performances highlight Hill’s well-crafted compositions, blending jazz and gospel influences. Each musician showcases their talent, creating a refreshing sound that resonates with both emotion and creativity.
Nashville’s HeavyDrunk, led by Rob Robinson, blends blues, gospel, soul, and rock in their album Holywater. Inspired by Southern culture, Robinson intertwines his culinary and musical passions. The nine-piece band delivers energetic performances, highlighted by rich vocals and infectious grooves. The album features original songs and a unique blend of influences.
Jennifer Porter, an acclaimed musician and actress, showcases her versatility in “Sun Come and Shine Redux.” Featuring enhanced tracks and a blend of styles from jazz to blues, the album highlights Porter’s exceptional vocals and songwriting. With collaborations from talented musicians, the project illustrates her poetic reflections and celebrates her roots in music.
Satoko Fujii’s “Altitude 1100 Meters” marks her first composition for string ensemble, capturing her experience in Japan’s mountains. The five-part suite blends gorgeous melodies with her trademark intensity, showcasing unique sounds and collaborative improvisation among Japanese musicians. The album reflects Fujii’s innovative approach and profound emotional atmosphere.
Eldad Tarmu’s “Silver on Aluminum” celebrates Horace Silver’s compositions through innovative arrangements for a vibraphone, bass, and drum trio. Featuring talented musicians, the album highlights Tarmu’s vibraphone skills, especially in tracks like “No Smokin’” and “Gregory is Here,” showcasing their energetic performances and musicianship.
John “Greyhound” Maxwell is a celebrated slide guitarist and mandolin player, recognized for his authentic blues sound influenced by musical legends. With a career spanning decades, he embraces emotion over technicality. His recent accolades include high rankings in blues competitions and contributions to films, solidifying his status in the music scene as he approaches 60.
Lucero’s latest release, “Unplugged: Liberty & Lament,” features acoustic renditions of 20 songs by frontman Ben Nichols and pianist Rick Steff. The double LP showcases a mix of popular and obscure tracks, highlighting Steff’s captivating piano work alongside Nichols’ emotive vocals. While the uniformity may feel repetitive, several standout pieces capture the band’s essence.
Joe Alterman’s album “Brisket for Breakfast” features Houston Person on tenor saxophone, showcasing a blend of bluesy jazz tunes performed live with an Atlanta-based trio. The album includes seven familiar songs, celebrated for Alterman’s dynamic piano and Person’s smooth saxophone. Their collaboration highlights deep musical chemistry and soulful performances.
Cédric Hanriot’s project “Time is Color/A Luminous World” blends jazz, funk, and soul, reflecting themes of spirituality and quantum physics through dynamic compositions. Featuring a diverse lineup, the music combines original pieces with spoken word elements, creating a unique sound that transcends genres while emphasizing emotional expression and creativity.
Bob Corritore’s “Doin’ The Shout!” is his twenty-first album and features new recordings from 2023-2024. Collaborating with various artists, the album includes diverse tracks showcasing his exceptional harmonica skills. With a vibrant sound and masterful performances, it promises to be a notable addition to the blues genre.
“Live from the Midnight Circus Indie Blues Double Shot Show celebrates the evolution of blues through innovative and diverse indie artists. Featuring numerous musicians, the show honors past influences while spotlighting new original music. It emphasizes the blues as a living, emotional art form crafted with integrity. Tune into the Indie Blues Movement.”
Jimmy Vivino, known for his role as Conan O’Brien’s musical director, has released a new album, “Gonna Be 2 Of Those Days,” showcasing his songwriting talent. The album features notable collaborations and a mix of blues influences. Rich Pagano co-produced this collection, highlighting Vivino’s diverse musical journey from television to live performances.
Stefan Smulovitz’s album “Bow & Brush: 12 Scores of Nadina Tandy” showcases an innovative collaboration with visual artist Nadina Tandy. Featuring twelve compositions, Smulovitz integrates diverse sounds, including violin and electronic elements, creating rich, evocative landscapes. The album package includes Tandy’s artwork, enhancing the immersive artistic experience.
Doug MacDonald, a prolific Southern California jazz guitarist, presents his latest album featuring Latin and Afro-Cuban arrangements of jazz standards. Alongside talented musicians, he showcases original compositions and innovative arrangements, transforming classic tunes like “Prisoner of Love.” The album highlights MacDonald’s unique sound and strong rhythmic foundation, driven by skilled pianist Bill Cantos and bassist Hussain Jiffry.
Judy Wexler’s seventh album, “No Wonder,” takes a fresh approach to the Great American Songbook, featuring collaborations with longtime pianist Jeff Collela and a talented ensemble. The album blends jazz with pop, folk, and rock influences, showcasing Wexler’s emotional storytelling and nuanced vocal interpretations across various standards and lesser-known songs.
Dayna Stephens’ album “Hopium,” set for release on February 7, 2025, blends hope and reality through seven original compositions. Featuring a quintet, the music navigates emotions of optimism and disillusionment. Each track showcases Stephens’ saxophones and the contributions of talented collaborators, culminating in an engaging exploration of life’s uncertainties.
John Mailander’s album “Forecast: Let the World In” showcases a genreless blend of mostly instrumental, improvised music featuring violin, keys, and various instruments. The collection, designed as a continuous suite, offers exploration through cinematic compositions. Highlights include “Heartland” and a cover of Nick Drake’s “Road,” blending earthiness with otherworldly sounds.
The collection “Peace” celebrates the late Frank Bey’s music, featuring eleven tracks mostly recorded with his longtime collaborators. Notably, it includes covers of classics like “Change Is Gonna Come” and “Imagine.” Bey’s powerful live performances are remembered fondly, while Sallie Bengston’s efforts revitalize his legacy for newer audiences.
Sullivan Fortner’s latest album, “Southern Nights,” features his vibrant piano work alongside bassist Peter Washington and drummer Marcus Gilmore. The recording showcases an eclectic mix of live jazz without edits, highlighting Fortner’s artistry and New Orleans heritage. The album promises an engaging experience, set for release on February 14, 2025.
Charles “Wigg” Walker, an octogenarian soul artist, releases his first album in over a decade, “This Love Is Gonna Last.” Despite the challenges of the music industry, the album showcases his versatility in soul, R&B, and ballads. Walker’s deep emotional connection to the music, especially after losing his wife, stands out as he delivers genuine soul that resonates with audiences.
Larkin Poe’s seventh album, Bloom, showcases the Lovell sisters’ evolution from bluegrass prodigies to masters of a signature roots-rock sound infused with blues and pop elements. Entirely self-produced, the album features dynamic tracks like “Mockingbird” and “Easy Love Pt. 1,” highlighting their songwriting prowess, vocal harmony, and instrumental versatility.
Making a Scene Presents the podcast, Live from the Midnight Circus, featuring Todd Partridge. It celebrates Indie Blues artists who innovate while honoring their roots. The music reflects their reality with truth and emotional depth. Tune in to experience the diversity and power of contemporary blues, empowering both artists and listeners.
Ellie Rollins, a talented singer-songwriter from California, blends country, rock, blues, gospel, and bluegrass in her music. After 20 years in Hawaii, she now lives in Los Angeles. With her upcoming album, Wind in the Trees, and its first single, she aims to share her heartfelt storytelling and resonate deeply with listeners.
Making a Scene features Gerry Casey’s interview with Conal Montgomery from the Irish rock band Black Dog Moon, formed in 2020. The band is gaining recognition for its powerful performances and unique sound. Their debut album, releasing on June 28, 2024, is highly anticipated, promising to captivate rock fans.
Christopher Whitley’s album “Almost as Soft as Silence” showcases his solo violin talent and innovative composition skills using a historical Stradivari instrument. The spontaneous vignettes explore free improvisation, blending acoustic and electronic elements. Whitley’s expressive performances reveal his deep musical expertise, offering captivating and emotionally resonant soundscapes.
Thomas Marriott’s album “Screen Time” features nine tracks combining arrangements of TV shows and movies alongside original pieces. Collaborating with prominent musicians, Marriott showcases a range of styles from energetic swing to mellow ballads, delivering captivating trumpet performances. The album reflects his recent accolades and contribution to Seattle’s jazz scene.
Todd Partridge, a musician since age 18, has created a unique sound blending various American musical styles. Known for his work with King Of The Tramps, he recently released his solo album “Autumn Never Knows.” Partridge emphasizes the healing power of music, aiming to uplift audiences through heartfelt performances.
Jacopo Ferrazza’s album “Prometheus,” featuring a 5tet ensemble, blends jazz, rock, classical, and chamber music into a compelling soundscape. It begins with a prologue and original compositions like “The Cave,” showcasing each musician’s role in narrating the Prometheus myth. The album is set for release on January 24, 2025.
Marianne Solivan’s fifth album, “Break’s Over,” showcases her impressive vocal talent alongside musicians like Buster Williams, Brandon McCune, and Jay Sawyer. Blending standards and original pieces, Solivan demonstrates emotional depth and adaptability. With a background in jazz education and collaborations with top artists, she’s a notable figure in the jazz scene.
Dan Fortin’s “Cannon” is an evocative experimental jazz album featuring a range of talented musicians. Since his 2015 debut, Fortin has captivated with his unique blend of electric and double bass, synthesizers, and avant-garde influences. The collaborative compositions invite listeners to explore innovative soundscapes, challenging and rewarding their imagination.
Erik Jekabson’s album “Breakthrough” blends chamber orchestra and jazz, showcasing a unique fusion with 15 musicians. The music, influenced by minimalist composers, features expressive trumpet solos and highlights various instruments. Each track presents engaging twists, ultimately creating a landmark work that elevates the combination of classical and jazz genres.
Eugenie Jones, a Seattle-based vocalist and songwriter, releases her self-titled album, showcasing six original songs and seven covers. Collaborating with notable musicians, Jones blends various genres while honoring African American songwriting traditions. Her dynamic performances emphasize impressive vocal control and emotional depth, marking a significant evolution from her previous work, “Players.”
“Live from the Midnight Circus Indie Blues Double Shot Show celebrates the evolution of blues through innovative and diverse indie artists. Featuring numerous musicians, the show honors past influences while spotlighting new original music. It emphasizes the blues as a living, emotional art form crafted with integrity. Tune into the Indie Blues Movement.”
Macha Gharibian, an Armenian singer and composer, blends various cultural influences in her album “Phenomenal Women,” inspired by Maya Angelou’s poem. With a trio featuring female vocalists, Gharibian explores themes of empowerment through diverse musical styles, including African chants and reggae, while reflecting on her heritage and personal experiences.
The album “Some Days Are Better – The Lost Scores” celebrates Kenny Wheeler’s music, coinciding with what would have been his 95th birthday. Featuring performances by the Royal Academy of Music Jazz Orchestra and Frost Jazz Orchestra, it revives his previously unheard work from the 1970s, showcasing his creative evolution as a composer and musician.
Antoine Cara’s album “Status Quo” showcases a collaboration of elite musicians in a high-energy jazz fusion style, blending funk, Latin jazz, and pop. Despite its captivating rhythms and vibrant solos, some tracks reveal a repetitive quality. Cara’s intent was to create feel-good music that breaks creative loops.
Mafalda Minnozzi’s fourth jazz album for the US market showcases her joyful soprano vocals, accompanied by Paul Ricci’s guitar and a talented ensemble of Brazilian musicians. With a blend of pop and Latin influences, Minnozzi’s unique approach to scat singing and emotional delivery contribute to a captivating musical experience.
Big Al and The Heavyweights, hailing from South Louisiana, release their eighth album “Blues Power” after the loss of keyboardist Wayne Lohr, returning to their original lineup. The album features energetic tracks blending blues, funk, and zydeco, showcasing new members’ contributions. It captures the essence of American Roots music, inviting listeners to celebrate and enjoy.
The podcast “LIVE from the Midnight Circus” showcases the evolution of indie blues, celebrating artists inspired by traditional blues roots. It emphasizes the innovative spirit within the genre while connecting emotionally with audiences. The program champions diverse musicians who craft original music reflective of their experiences and honors the past while empowering the future of blues.