Will Wilde’s album, “The Blues Is Still Alive,” is his sixth release and first with Vizztone Label Group. Featuring all new songs written by Wilde, the album showcases his vocals and harmonica skills, along with contributions from talented musicians. It celebrates the enduring spirit of the blues with lively lyrics and strong melodies.
Brûlez Les Meubles, a Quebec-based avant-garde music group, debuted in 2016 and features prominent improvisers. Their latest release, “Folio #5,” lacks drums, creating a distinct sound. The collaboration between founders Louis Beaudoin-de la Sablonnière and Eric Normand invites notable musicians, blending spontaneity with melody in unique compositions.
“Live from the Midnight Circus Indie Blues Double Shot Show celebrates the evolution of blues through innovative and diverse indie artists. Featuring numerous musicians, the show honors past influences while spotlighting new original music. It emphasizes the blues as a living, emotional art form crafted with integrity. Tune into the Indie Blues Movement.”
Nanami Haruta, a promising young trombonist and composer, has emerged in the jazz scene, influenced by her mentors at Michigan State University. Her debut album features notable musicians and showcases her talent through original compositions and collaborations. With recognition including the Outstanding Student Award, Haruta continues to grow as an artist.
Coleman Mellett’s posthumous release “Sing You a Brand New Song” showcases his talents as a guitarist and vocalist. Featuring renowned musicians, the album blends jazz with folk and pop influences. Crafted by his wife and friend, it features eleven originals and highlights his songwriting, offering a poignant tribute to Mellett’s legacy.
The Alpine Session features twin brothers Michael and Florian Arbenz collaborating with jazz legend Ron Carter. Recorded in Switzerland, the album showcases their musical journey shaped by diverse influences, from Django Reinhardt to Miles Davis. Their deep familial musical roots and innovative spirit manifest in this enjoyable production, earning repeated listens.
Sean Chambers, a Florida-born blues guitarist, gained prominence through tribute bands and tours with Hubert Sumlin. His career spans multiple albums, including “Live From Daryl’s House Club,” which showcases his songwriting and features Savoy Brown’s rhythm section. The album pays tribute to late artists and captures his musical journey.
Candi Staton, nearing her 85th birthday, releases “Back To My Roots,” featuring a mix of covers and originals. The album celebrates her musical heritage and includes collaborations with various artists. Staton delivers heartfelt performances, reflecting on civil rights and personal experiences, while maintaining her signature gospel sound.
Julia Hülsmann’s latest album, “Under the Surface,” features her quartet along with trumpeter Hildegunn Øiseth, who also plays the goat horn. The music blends contemporary classical and jazz, showcasing compositions that highlight Hülsmann’s European roots. Enjoyable tracks include “They Stumble, They Walk” and “Milkweed Monarch,” emphasizing instrumental talent.
Benjamin Lackner’s “Spindrift” offers a profound exploration of “dream jazz” within the ECM label’s signature restrained sound. Featuring noted artists, the album emphasizes interplay among horns and a subtle rhythm section, creating a meditative atmosphere. Despite its dark themes, Lackner infuses beauty and hope throughout this reflective jazz experience.
Captain’s Audio Project, led by James Cook, is a debut album showcasing his songwriting and multi-instrumental talents. Influenced by his experiences and a variety of musical genres, the album features emotive lyrics and a diverse sound, including contributions from a skilled horn section. It’s a captivating introduction to his artistic journey.
Sean McConnell’s 15th album, “Skin,” showcases his skills as a songwriter and collaborator. Co-produced with a talented team, the album explores deep themes such as sobriety, faith, and personal growth. Each track offers listeners open-ended reflections, highlighting the expansive journey of self-discovery beneath the skin.
Making a Scene presents “LIVE from the Midnight Circus,” a podcast celebrating Indie Blues. This show highlights artists who embrace the blues’ evolution, maintaining its roots while innovating. By honoring past influences and exploring new music, these musicians create emotionally resonant work that connects deeply with listeners, fostering the Indie Blues movement.
Dean Zucchero, originally from New York’s East Village, has evolved through various music scenes, including a nine-year European stint and a return to New Orleans. Amid the Covid pandemic, he revitalized local music through the “Acoustic Blues Series” and a mini Jazz Fest, laying the groundwork for a new solo album celebrating community and resilience.
Strat Andriotis, a Greek-Canadian guitarist and composer, blends blues and jazz influences, notably from Miles Davis and Jimi Hendrix. His album “Exits” showcases eight original tracks with varying trios, emphasizing his adaptability across genres. The project highlights his compositional talent and technical proficiency on the guitar.
Elaine Dame’s album “Reminiscing” features her distinctive jazz interpretations of 1970s pop tunes, showcasing her vocal talent and energy. Collaborating with musicians like Chris Madsen, she transforms songs like “Tell Me Something Good” and “Use Me” into fresh jazz arrangements infused with Latin rhythms, highlighting the versatility of well-written music.
Gerry Casey interviews Robbert Duijf, a passionate and heartfelt songwriter from Ireland, notable for his sincere music and deep audience connections. Robbert’s songs, including “First Train Out,” convey personal narratives, inviting listeners to engage emotionally through laughter and tears. His artistry emphasizes the significance of connection in today’s world.
Steve Smith’s trio, featuring keyboardist Manuel Valera and bassist Janek Gwizdala, explores new jazz renditions of Journey songs and Vital Information tracks in their album “New Perspective.” The ensemble showcases complex arrangements and energetic performances, blending fusion elements and honoring musical influences. Their live shows promise a lively and engaging experience.
Russ Anixter’s Hippie Big Band showcases a unique blend of jazz and rock through powerful arrangements and skilled musicianship. Featuring impactful solos and an energetic rhythm section, the album includes notable tracks like “What is Hip?” and a medley of “Freedom Jazz Dance” with “Free Man in Paris.” The musicians create a robust sound despite the smaller ensemble size.
Andy Hanson, an Eau Claire, WI-based musician, embarks on a solo journey through folk and Americana with his debut album, “Roots.” This album delves into personal experiences and memories, reflecting how our past shapes us. Inspired by folklore and contemporary influences, it aims to empower listeners to confront their struggles.
JON IRABAGON SERVER FARM Irabbagast Records Jon Irabagon, tenor & sopranino saxophones/effects/composer; Miles Okazaki & Wendy Eisenberg, guitars; Matt Mitchell, piano/Fender Rhodes/Prophet-6; Michael Formanek, acoustic bass; Chris Lightcap, electric bass; Dan Weiss, drums; Levy Lorenzo, kulintang/laptop/electronics/vibraphone; Mazz Swift, violin/voice; Peter Evans, trumpet/flugelhorn. Chicago-based saxophonist and composer, Jon Irabagon, has assembled his largest ensemble to date. […]
McKenna Moonah Blues Duo, comprised of Canadian musicians Mike McKenna and Jay Moonah, releases their new album “Breaking News.” The duo, also restaurateurs, showcases their talent with a mix of bluesy tracks and engaging lyrics. Both are Maple Blues Award nominees, delivering an EP that promises to captivate listeners.
Arturo O’Farrill’s Afro Latin Jazz Orchestra releases “Mundoagua- Celebrating Carla Bley,” an album honoring his mentor. It includes three movements addressing global crises, climate issues, and the corrupt politics surrounding water. The work reflects O’Farrill’s commitment to social commentary through music, alongside a tribute to Bley’s final composition, “Blue Palestine.”
“Live from the Midnight Circus Indie Blues Double Shot Show celebrates the evolution of blues through innovative and diverse indie artists. Featuring numerous musicians, the show honors past influences while spotlighting new original music. It emphasizes the blues as a living, emotional art form crafted with integrity. Tune into the Indie Blues Movement.”
Massy Ferguson’s seventh album, “You Can’t Tell Me I’m Not What I Used to Be,” showcases a departure from their traditional sound, blending lush instrumentation with layers and textures. Produced by Damien Jurado, the album features both familiar heartland rock and riskier psychedelic elements, resulting in an uneven but adventurous collection of songs.
Omar Thomas presents “Griot Songs,” a project with his Large Ensemble that celebrates storytelling through music. Featuring original compositions and tributes, it showcases his classical training and contemporary jazz influences. Notably recognized with numerous accolades, Thomas’ album is set for release on February 7th, coinciding with Black History Month.
Mark “Muleman” Massey, a Mississippi native and former Parchman prisoner, transitioned from incarceration to music, playing alongside blues legends. His new album “Been A Long, Long Time” features original songs and classic covers, showcasing his talent and experiences. Recognized by the Library of Congress, he continues inspiring others through music.
Tommy Castro & The Painkillers’ album “Closer to the Bone” showcases a blend of blues, R&B, and rock, featuring ten covers and four originals. Castro demonstrates his dynamism as a vocalist and guitarist, aided by notable guests. This album is poised to delight blues enthusiasts, encouraging a jubilant response.
Matt “The Rattlesnake” Lesch’s sophomore album, “Blues Cut Like Glass,” follows his debut “Furious Strike.” Written and arranged by Lesch, the album features a mix of original songs showcasing his blues guitar skills. Recorded at Blue Lotus Studio, it highlights various collaborations and includes heartfelt performances, making it highly recommended.
Joe Elefante’s album “Wheel of Dharma” marks his return to the jazz scene after a long hiatus. Following personal tragedy, Elefante, along with talented musicians, showcases his passion through original compositions. The album reflects his journey, creativity, and tribute to his late wife, featuring memorable tracks like “Bad Dancing” and “The One Who Knows.”
Mother Coyote, the new alias of singer-songwriter Andriana Lehr, emerges with her EP “When The War Comes,” created alongside producer Andy Thompson. It reflects personal and collective change, featuring rich soundscapes and profound, personal lyrics that explore themes of birth, death, and healing, offering illumination during challenging times.
Making a Scene showcases the “LIVE from the Midnight Circus” podcast featuring John ‘Greyhound’ Maxwell, highlighting Indie Blues artists who innovate while honoring traditional roots. This vibrant music genre reflects reality and connects emotionally with listeners. The platform celebrates the diversity and creativity within the blues movement, empowering future talents.
ReverbNation has unveiled Levels, an exclusive program aimed at supporting independent artists with essential resources, financial backing, and personalized services. This initiative addresses industry challenges, offering advances for recording and marketing, comprehensive distribution, and dedicated concierge services. Selected artists will benefit from tailored assistance to foster their creative journeys and career growth.
The Dan Pitt Quintet’s album “Horizontal Depths” showcases an innovative blend of genres, merging jazz, rock, and folk. Featuring powerful electric guitar and expressive saxophone solos, each composition highlights Pitt’s artistic growth since 2019. The music often balances structured arrangements with improvisational potential, exploring themes of depth and motion.
Joe McPhee revives the essence of free jazz poetry, echoing legends like Ken Nordine. A key figure in NYC’s ’70s scene, McPhee blends spoken word and music, reflecting on myriad experiences, cultures, and societal issues. His recent works include poetry-focused albums and memoirs, demonstrating his enduring artistic exploration and vibrant creativity.
Jason Palmer’s “The Cross Over: Live in Brooklyn” features a stellar band, including Mark Turner and Larry Grenadier, showcasing Palmer’s talents as a composer. The album opens with “Budgets Are Moral Documents” and includes a tribute to Fannie Lou Hamer. Recognized for his unique sound, Palmer inspires and excites listeners.
Oliver “Mississippi” MacDonald is a rising British singer, guitarist, and songwriter, known for his soulful music inspired by classic American blues and soul artists. With notable releases like his album “Heavy State Loving Blues,” he has garnered praise from the music industry, showcasing his talent and promising future in the soul-blues scene.
The rise of blockchain technology is revolutionizing music streaming, offering a direct payment system that benefits artists and fans. Unlike traditional platforms like Spotify, blockchain eliminates intermediaries, ensuring musicians receive fair compensation. This innovative model fosters stronger connections between fans and artists, enhancing the overall music experience and promoting transparency in the industry.
“Live from the Midnight Circus Indie Blues Double Shot Show celebrates the evolution of blues through innovative and diverse indie artists. Featuring numerous musicians, the show honors past influences while spotlighting new original music. It emphasizes the blues as a living, emotional art form crafted with integrity. Tune into the Indie Blues Movement.”
Jerry Kalaf’s album “Safe Travels” blends jazz and chamber music, featuring compositions by Kalaf accompanied by a string quartet. Each track evokes personal memories, skillfully integrating lush arrangements and complex rhythms. Notable pieces include “263 Beacon” and “Bailing,” showcasing collaboration with musicians like Tom Ranier and Trey Henry, enhancing the album’s melodic richness.
The quartet known as “The Fury,” featuring renowned jazz musicians Mark Turner, Lage Lund, Matt Brewer, and Tyshawn Sorey, showcases their talents in a live performance in Brooklyn. Their music blends intricate compositions and impressive solos, reflecting their passion for jazz. The album highlights their individual artistry and collaborative spirit.
Guitarist and composer Jackson Potter’s sophomore album “Small Things” showcases his original works and jazz standards, highlighting his musical lineage and education. Collaborating with talented musicians, the album balances traditional jazz with adventurous styles. Potter’s standout compositions reflect his skill, making him a notable emerging talent in the jazz scene.
Mark Scott III’s debut album “Soft Light” features eleven self-composed tracks performed by his jazz trio. The music reflects his journey from rock to jazz, showcasing inventive solos and a mix of grooves. Influenced by Coltrane and Metheny, Scott, a Texas native, also teaches at Tarleton State University.
Steve Howell’s ninth album, “Yeah Man,” features a blend of country blues and timeless pop tunes, showcasing his fingerpicking prowess alongside The Mighty Men band. Howell revitalizes forgotten songs, emphasizing their emotional depth. The album includes tracks like “Long Lonesome Blues” and “20% Alcohol,” reflecting Howell’s roots in Southern acoustic blues and jazz traditions.
Making a Scene showcases the “LIVE from the Midnight Circus” podcast featuring John ‘Greyhound’ Maxwell, highlighting Indie Blues artists who innovate while honoring traditional roots. This vibrant music genre reflects reality and connects emotionally with listeners. The platform celebrates the diversity and creativity within the blues movement, empowering future talents.
Making a Scene features an interview with 18-year-old singer-songwriter FINICK, based in Minneapolis. Known for their whimsical indie folk sound, FINICK merges personal emotions with imaginative storytelling, drawing inspiration from artists like Brandi Carlisle and Phoebe Bridgers. Their music aims to provide an escape for listeners.
Rick Roe leads a trio of Detroit musicians, including Grammy winner Robert Hurst and drummer Nate Winn, in a tribute to Lansing composer Gregg Hill. Their performances highlight Hill’s well-crafted compositions, blending jazz and gospel influences. Each musician showcases their talent, creating a refreshing sound that resonates with both emotion and creativity.
Nashville’s HeavyDrunk, led by Rob Robinson, blends blues, gospel, soul, and rock in their album Holywater. Inspired by Southern culture, Robinson intertwines his culinary and musical passions. The nine-piece band delivers energetic performances, highlighted by rich vocals and infectious grooves. The album features original songs and a unique blend of influences.
Jennifer Porter, an acclaimed musician and actress, showcases her versatility in “Sun Come and Shine Redux.” Featuring enhanced tracks and a blend of styles from jazz to blues, the album highlights Porter’s exceptional vocals and songwriting. With collaborations from talented musicians, the project illustrates her poetic reflections and celebrates her roots in music.
Satoko Fujii’s “Altitude 1100 Meters” marks her first composition for string ensemble, capturing her experience in Japan’s mountains. The five-part suite blends gorgeous melodies with her trademark intensity, showcasing unique sounds and collaborative improvisation among Japanese musicians. The album reflects Fujii’s innovative approach and profound emotional atmosphere.