Transcendence, a trio featuring Bob Gluck, Christopher Dean Sullivan, and Karl Latham, pays tribute to Pat Metheny by interpreting five of his compositions alongside works by Keith Jarrett and Herbie Hancock. The album showcases their innovative sound, with Gluck using synthesizers to evoke Metheny’s guitar style and Sullivan’s prominent bass solos.
Ben Sidran’s album “Are We There Yet – Live at the Sunside” features a dozen tracks, with nine original compositions showcasing his unique blend of jazz and philosophical lyrics. Recorded in Paris, the album reflects Sidran’s enduring career, emphasizing his thought-provoking songs and the dynamic performances of his ensemble, despite some excessive monologues.
Mira Choquette, a multi-lingual vocalist, collaborates with Armenian jazz musicians, including pianist Samvel Gasparyan, to create a diverse jazz album. Their performances of classic songs showcase emotional depth and cultural fusion. The project evolved from a duo concept to a fuller ensemble, reflecting the unique atmosphere of Armenia.
Itai Kriss’s album “Daybreak” showcases his talents as a flautist and composer. Featuring an ensemble with Adam Birnbaum, Luke Sellick, and special guests, the album captures the progression of a day through vivid melodies, jazz improvisations, and diverse musical styles, concluding with a joyous gospel piece, “In the Light.”
Meltem Ege’s album “Solitude” merges English and Turkish lyrics, reflecting her cultural roots and emotional complexity. Featuring jazz and pop elements, it includes collaborations with international musicians and showcases Ege’s dynamic vocal style. Notable tracks like “Anlayana” and “Aklinda Kalmasin” highlight her creativity, blending genres and influences seamlessly.
Joe Kennedy collaborates with the David Hughes Quartet on “Time Travel,” featuring original compositions and jazz standards. The album showcases Kennedy’s piano and organ skills, highlighted in tracks like “Tony’s Turnaround” and “Mineshaft.” The quintet delivers a captivating blend of influences, enriched by strong solos from featured musicians.
The album “Llegue” by Jason T. Reddish revisits the legacy of his father’s band, Reddish Fetish, which fused jazz, rock, and world music in the 1960s. Featuring various talented musicians, it revitalizes classic tunes and incorporates fresh arrangements, showcasing Reddish’s journey as a bandleader and producer in contemporary jazz.
Something Blue highlights the evolution of Posi-Tone Records, founded by Marc Free and Nick O’Toole. The label, renowned for straight-ahead jazz, celebrates its 30th anniversary with an album featuring compositions from the ‘90s, interpreted by a talented sextet. The musicians showcase vibrant performances, blending traditional and contemporary jazz influences seamlessly.
Paloma Dineli Chesky’s album features her sweet vocals paired with a blend of jazz and pop influences, showcasing her original compositions and unique stylistic sound. Collaborating with skilled musicians, she explores various genres, including Brazilian and American folk. However, some arrangements may not fully enhance her songwriting potential, suggesting a need for professional input.
Kathy Sanborn’s album “Romance Language” features her lead vocals, piano, and original compositions, showcasing her smoky, inviting voice. While the extensive layering of her harmonies and programming work well, hiring a full jazz ensemble could elevate her promising songwriting further. The album highlights her multilingual singing and smooth melodies.
“Portrait of a Moment” features the dynamic jazz trio of Tommaso Perazzo (piano), Marcello Cardillo (drums), and Buster Williams (bass). The album showcases their creative synergy through original compositions like “Back at the Right Spot” and the beautiful ballad “Christina.” Each piece reflects their unique blend of talent, emphasizing intergenerational jazz.
The album “Basie Rocks!” features Deborah Silver with The Count Basie Orchestra, blending rock music with big band jazz. It opens with a vibrant arrangement of a Rolling Stones hit and includes notable collaborations with artists like Peter Frampton and Kurt Elling, showcasing Silver’s impressive vocal style and the orchestra’s talent.
Bobby West’s album “Requiem for Mary Turner” features a poignant tribute to the lynching of Mary Turner, a victim of racial violence. With a 22-piece orchestra, West captures the emotional weight of history through evocative compositions like “Spirit Move Sunrise” and “Never Let Me Go,” showcasing healing and hope amidst despair.
Danish jazz vocalist Marie Mǿrck releases a joyful album featuring uplifting standards and engaging arrangements. With a voice reminiscent of classic artists, she showcases her talent through songs like “Look for the Silver Lining” and “Like Someone in Love,” blending sincerity and emotion. The album delights and inspires listeners.
The album “From Bach to Ellington, Live” features pianist Michael Arbenz and saxophonist Andy Sheppard, blending the elegance of Duke Ellington with Bach’s intricate music. Recorded live at Bird’s Eye Jazz Club, the duo showcases emotional depth and creativity through a unique juxtaposition of jazz improvisation and Baroque counterpoint.
Jamie Shew, a vocalist and educator, navigates grief through music after losing her husband. With a diverse background in music education, she releases an album titled “Spicy Classy and a Little Sassy,” showcasing her arrangements and original compositions. While some songs stray from jazz, the collaboration with pianist Jeremy Siskind shines.
Vibraphonist Behn Gillece’s eighth album, “Pivot Point,” fuses traditional forms with contemporary sounds, showcasing a talented quintet including Willie Morris and Jon Davis. Featuring compositions that balance intricate improvisations and memorable melodies, the album explores bluesy themes with a fresh perspective while maintaining strong ensemble dynamics throughout its tracks.
Ed Palermo’s album “Prog vs. Fusion: A War of the Ages” presents a humorous clash between progressive rock and jazz fusion. With unique arrangements, the big band covers various iconic artists, showcasing Palermo’s love for diverse music styles. The album features 19 tracks, blending genres and incorporating spoken word, effectively engaging listeners.
The Dave Bass Trio’s album “Nuevo-Vol. 2” features pianist Dave Bass alongside Tyler Miles on double bass and Steve Helfand on drums. The trio delivers a blend of bebop, classical, and Latin influences, highlighted by original compositions and creative arrangements. Dave Bass’s unique style showcases his impressive technical skill and diverse musical inspirations.
The George Crotty Trio, featuring cellist/composer George Crotty, bassist John Murchison, and percussionist Jeremy Smith, blends multicultural influences, creating a unique contemporary jazz sound. Formed in 2019, Crotty’s compositions incorporate elements from European jazz and Hindustani music, showcasing techniques like fingerpicking and thematic depth across eight original tracks.
Mark Masters conducted the albums “Sam Rivers 100” and “Dance, Eternal Spirits, Dance!” featuring tenor saxophonist Billy Harper. “Sam Rivers 100” celebrates Rivers’ centennial, focusing on complex arrangements of his works, while “Dance” showcases Harper’s melodic compositions spanning 1972-2000, highlighting his powerful solos in an expanded ensemble.
Joaquín Núñez’s debut album “Ruta de la Clave” with Habana Safari showcases a reinvention of Afro-Cuban jazz, blending folkloric rhythms with modern jazz sophistication. Featuring collaborations with Dayramir González, the album presents vibrant compositions celebrating Cuban music’s evolution, inviting listeners to dance while highlighting cultural connections and musical dynamics.
“Oblique Rhyme” by Joe Santa Maria and David Tranchina showcases a talented Southern California jazz quartet. The album features original compositions from each member, blending diverse musical styles while emphasizing emotional depth over technicality. Highlights include Santa Maria’s “War Crime” and Tranchina’s “Hidden Lake,” highlighting the group’s creativity and collaboration.
Kieran Brown’s debut album showcases her impressive vocals across various jazz styles, featuring skilled instrumentalists and unique arrangements. Highlights include her interpretations of classic songs and the original composition “Little Bits of Magic.” Brown’s talent and passion reflect her commitment to the jazz vocal community, promising a bright future ahead.
Greg Murphy releases his eighth album, “Snap Happy,” featuring a trio with bassist Obasi Akoto and drummer Steve Johns, along with guitarist Mark Whitfield and vocalist Sy Smith on select tracks. The album blends straight-ahead jazz, free improvisation, and fusion, showcasing energetic performances of both originals and covers, reflecting versatility and finesse.
Tyreek McDole, a promising 25-year-old Haitian American baritone, showcases his talent on the debut album “Open Up Your Senses.” Winning the Sarah Vaughan International Jazz Vocal Competition in 2023 distinguishes him in jazz. Featuring cultural elements and engaging collaborations, McDole’s rich voice and unique interpretations solidify his place among the new jazz greats.
James Moody’s live album at the Blue Note showcases his humor, musical mastery, and collaboration with renowned musicians. With spirited performances of signature pieces like “Moody’s Mood for Love” and vibrant improvisations, Moody captivates the audience, blending jazz with hip hop styles. The album is both a historical tribute and an entertaining experience.
The Nicolas Ferron Trio’s debut album “Multiverse” blends psychedelic rock and experimental jazz, showcasing Ferron’s guitar skills and unique compositions. While the B3 organ shines, the drumming lacks a solid groove, affecting the overall feel. The music evokes diverse influences, steering away from traditional jazz elements, and is described as more experimental with rock roots.
The Pete McGuinness Jazz Orchestra’s album “Mixed Bag,” celebrates its 20th Anniversary with a blend of standards and original compositions. Bandleader Pete McGuinness, transitioning from trombone to vocals due to health issues, showcases his smooth singing style and innovative arrangements. The orchestra’s dynamic performance features talented musicians and impressive solos.
The Gil Evans Project’s posthumous live album, “Shades of Sound,” showcases Frank Kimbrough’s remarkable piano artistry alongside a 22-piece orchestra at Jazz Standard in 2014. Featuring original and classic arrangements, this recording preserves Evans’ vibrant orchestration style while honoring Kimbrough’s legacy, providing an energetic musical experience enriched by a live audience.
Stefan Hegerat’s band, Stef.in, releases their second album “Icterus II,” blending jazz, rock, and electronics. The quartet, featuring guitars, bass, and drums, creates an experimental soundscape. Key tracks include “Here’s to Circle” and “Aku San Zan,” showcasing rhythmic complexities and melodic intricacies that cater to an acquired taste in music.
Patrick Zimmerli’s 14th album, “Songs of Innocence,” showcases his trio’s blend of light yet intense sounds, drawing inspiration from William Blake’s poetry. The music ranges from bright and joyous pieces to reflective and darker tones, exploring themes of innocence and complexity. The album’s concise length highlights its emotional depth and dynamism.
Alyn Cosker’s album “Onta” features a diverse ensemble blending jazz with Scottish cultural elements. Highlights include Karen Matheson’s ethereal vocals and dynamic tracks like “Lullapalew” and “Cassillis,” showcasing intricate rhythms and creative arrangements. Recorded internationally, the album reflects Cosker’s innovative drumming and musical fusion, offering a captivating experience.
James Davis’ Beveled, with talented musicians from the Chicago Modern Jazz scene, presents their album “Arc and Edge,” showcasing unique horn arrangements alongside a bass and drum rhythm section. The compositions evoke warmth and creativity, featuring intricate solos and rich orchestrations, with each track offering a delightful musical experience.
“Live From Death Row” features Keith LaMar, an inmate facing execution, performing spoken word with pianist Albert Marquès and a jazz ensemble. This historic release, recorded in Brooklyn, showcases LaMar’s reflections on freedom and justice through music’s healing power. The project advocates for the voices of those impacted by state-sponsored violence.
The Spike Wilner Trio’s album “The Children & the Warlock” is a tribute to Wilner’s mentor, Harry Whitaker, featuring special guest George Garzone on saxophone. The album blends bebop and straight-ahead jazz with soulful improvisations, showcasing the trio’s musical skills and emotional depth. Each track captivates, particularly the title piece and “Moment to Moment.”
The “Mingus in Argentina” double disc captures the electrifying performances of Charles Mingus and his quintet in Buenos Aires during June 1977. The album showcases their musical camaraderie, improvisational skills, and unique energy, with highlights including solos from Ricky Ford and iconic pieces like “Goodbye Pork Pie Hat.” A must-have for jazz enthusiasts.
Paquito D’Rivera’s “La Fleur de Cayenne” features the Madrid-New York Connection Band, a group of Cuban and Colombian musicians. This album showcases an array of original compositions and Latin styles, blending Cuban son, Argentinian tango, and Venezuelan rhythms. D’Rivera’s clarinet and ensemble deliver vibrant, lyrical performances, marking their first recording after two decades together.
Masha Campagne’s fourth album, “Alegre Menina,” reflects her artistic journey and roots, influenced by her grandfather’s jazz legacy. After relocating from Russia to San Francisco, she found success in jazz festivals and collaborations. This album features original compositions and Brazilian classics, showcasing her authentic vocal style and rich musical arrangements.
Marty Ehrlich’s Trio Exaltation returns with “Images of Time,” featuring bassist John Hébert and drummer Nasheet Waits. The album showcases Ehrlich’s artistry with seven original compositions and two by Andrew Hill, reflecting Hill’s influence. The trio’s interplay reveals their deep connection, blending composition and improvisation to honor Hill’s legacy.
David Riddel’s “Dr. Purgatory: The Consumption” is a multidisciplinary album blending modern jazz with a tragic folktale theme. Featuring a skilled ensemble and accompanied by a 46-page illustrated book, Riddel’s compositions draw inspiration from literature and mythology, resulting in technically proficient and emotionally engaging music that invites imaginative exploration.
Marina Pacowski’s “New Jazz Standards Volume 7” celebrates the intricate compositions of Carl Saunders, showcasing her vocal and piano talent alongside renowned musicians. Tracks range from joyful arrangements to heartfelt tributes, with standout moments of improvisation and scat singing. Pacowski’s connection to Saunders’ music unites artistic excellence and emotional depth.
Shuffle Demons, a celebrated Toronto jazz ensemble, marks 40 years in music with their eleventh album on ALMA Records. The group blends contemporary sounds with classic jazz influences, showcasing dynamic horn arrangements and creative compositions. Their music spans various genres, driven by themes of change and identity, highlighting their cultural significance in jazz.
SEXTET, featuring accomplished musicians like Charlie Burnham and Tony Jones, blends spiritual themes with street-level accessibility, evident in tracks like “I Shall Not Want” and “The Beginning of the Universe.” Their album “Pitch, Rhythm and Consciousness” showcases original compositions and improvisations, striving to elevate consciousness through relatable lyrics and dynamic instrumentation.
Triology’s album “The Slow Road” features a collaboration of award-winning Canadian jazz musicians, including Scott Hamilton on tenor saxophone. Highlights include Jodi Proznick’s waltz “Luna” and a unique, sultry interpretation of Jobim’s “Luiza.” The group’s mastery and melodic clarity make for an enchanting listening experience, showcasing their talents in jazz.
Kristen R. Bromley’s fifth album, “Wes 101,” showcases her talent as a guitarist and bandleader. Featuring her quartet, the album pays tribute to Wes Montgomery while infusing blues influences. With a background in music education, Bromley combines familiar melodies with original compositions, resulting in an uplifting musical experience.
Catalyst, featuring the Dave Sharp Worlds Quartet and guitarist Elden Kelly, explores the music of composer Gregg Hill, blending jazz with global influences. Artists from diverse backgrounds create a rich soundscape, incorporating elements from various traditions. The album showcases innovative arrangements, captivating improvisations, and highlights Hill’s broad musical reach, affirming its brilliance.
“Oblique Rhyme” is a jazz quartet album featuring Joe Santa Maria, David Tranchina, Gary Fukushima, and Colin Woodford. Although it showcases their technical prowess, the album emphasizes depth and personal expression. Each artist contributes unique compositions, exploring a range of emotional and musical landscapes, ultimately achieving a cohesive and inspired sound.
The WDR Big Band’s album explores a fusion of Bluegrass and Jazz, highlighted by Mike Marshall’s mandolin and Darol Anger’s violin. Traditional tunes and original compositions feature strong saxophone solos by Bob Mintzer. The collaborative effort showcases the talents of renowned musicians, producing a unique and vibrant Americana sound.
Saxophonist Jordan VanHemert’s fifth album, “Survival of the Fittest,” features a mix of covers and originals that emphasize resilience against prejudice. Collaborating with notable musicians, VanHemert confronts personal and societal struggles, while embracing themes of hope and defiance through vibrant post-bop compositions. The album balances grief with cathartic expression.