Bobby West’s album “Requiem for Mary Turner” features a poignant tribute to the lynching of Mary Turner, a victim of racial violence. With a 22-piece orchestra, West captures the emotional weight of history through evocative compositions like “Spirit Move Sunrise” and “Never Let Me Go,” showcasing healing and hope amidst despair.
Danish jazz vocalist Marie Mǿrck releases a joyful album featuring uplifting standards and engaging arrangements. With a voice reminiscent of classic artists, she showcases her talent through songs like “Look for the Silver Lining” and “Like Someone in Love,” blending sincerity and emotion. The album delights and inspires listeners.
The album “From Bach to Ellington, Live” features pianist Michael Arbenz and saxophonist Andy Sheppard, blending the elegance of Duke Ellington with Bach’s intricate music. Recorded live at Bird’s Eye Jazz Club, the duo showcases emotional depth and creativity through a unique juxtaposition of jazz improvisation and Baroque counterpoint.
Jamie Shew, a vocalist and educator, navigates grief through music after losing her husband. With a diverse background in music education, she releases an album titled “Spicy Classy and a Little Sassy,” showcasing her arrangements and original compositions. While some songs stray from jazz, the collaboration with pianist Jeremy Siskind shines.
Vibraphonist Behn Gillece’s eighth album, “Pivot Point,” fuses traditional forms with contemporary sounds, showcasing a talented quintet including Willie Morris and Jon Davis. Featuring compositions that balance intricate improvisations and memorable melodies, the album explores bluesy themes with a fresh perspective while maintaining strong ensemble dynamics throughout its tracks.
Ed Palermo’s album “Prog vs. Fusion: A War of the Ages” presents a humorous clash between progressive rock and jazz fusion. With unique arrangements, the big band covers various iconic artists, showcasing Palermo’s love for diverse music styles. The album features 19 tracks, blending genres and incorporating spoken word, effectively engaging listeners.
The Dave Bass Trio’s album “Nuevo-Vol. 2” features pianist Dave Bass alongside Tyler Miles on double bass and Steve Helfand on drums. The trio delivers a blend of bebop, classical, and Latin influences, highlighted by original compositions and creative arrangements. Dave Bass’s unique style showcases his impressive technical skill and diverse musical inspirations.
The George Crotty Trio, featuring cellist/composer George Crotty, bassist John Murchison, and percussionist Jeremy Smith, blends multicultural influences, creating a unique contemporary jazz sound. Formed in 2019, Crotty’s compositions incorporate elements from European jazz and Hindustani music, showcasing techniques like fingerpicking and thematic depth across eight original tracks.
Mark Masters conducted the albums “Sam Rivers 100” and “Dance, Eternal Spirits, Dance!” featuring tenor saxophonist Billy Harper. “Sam Rivers 100” celebrates Rivers’ centennial, focusing on complex arrangements of his works, while “Dance” showcases Harper’s melodic compositions spanning 1972-2000, highlighting his powerful solos in an expanded ensemble.
Joaquín Núñez’s debut album “Ruta de la Clave” with Habana Safari showcases a reinvention of Afro-Cuban jazz, blending folkloric rhythms with modern jazz sophistication. Featuring collaborations with Dayramir González, the album presents vibrant compositions celebrating Cuban music’s evolution, inviting listeners to dance while highlighting cultural connections and musical dynamics.
“Oblique Rhyme” by Joe Santa Maria and David Tranchina showcases a talented Southern California jazz quartet. The album features original compositions from each member, blending diverse musical styles while emphasizing emotional depth over technicality. Highlights include Santa Maria’s “War Crime” and Tranchina’s “Hidden Lake,” highlighting the group’s creativity and collaboration.
Kieran Brown’s debut album showcases her impressive vocals across various jazz styles, featuring skilled instrumentalists and unique arrangements. Highlights include her interpretations of classic songs and the original composition “Little Bits of Magic.” Brown’s talent and passion reflect her commitment to the jazz vocal community, promising a bright future ahead.
Greg Murphy releases his eighth album, “Snap Happy,” featuring a trio with bassist Obasi Akoto and drummer Steve Johns, along with guitarist Mark Whitfield and vocalist Sy Smith on select tracks. The album blends straight-ahead jazz, free improvisation, and fusion, showcasing energetic performances of both originals and covers, reflecting versatility and finesse.
Tyreek McDole, a promising 25-year-old Haitian American baritone, showcases his talent on the debut album “Open Up Your Senses.” Winning the Sarah Vaughan International Jazz Vocal Competition in 2023 distinguishes him in jazz. Featuring cultural elements and engaging collaborations, McDole’s rich voice and unique interpretations solidify his place among the new jazz greats.
James Moody’s live album at the Blue Note showcases his humor, musical mastery, and collaboration with renowned musicians. With spirited performances of signature pieces like “Moody’s Mood for Love” and vibrant improvisations, Moody captivates the audience, blending jazz with hip hop styles. The album is both a historical tribute and an entertaining experience.
The Nicolas Ferron Trio’s debut album “Multiverse” blends psychedelic rock and experimental jazz, showcasing Ferron’s guitar skills and unique compositions. While the B3 organ shines, the drumming lacks a solid groove, affecting the overall feel. The music evokes diverse influences, steering away from traditional jazz elements, and is described as more experimental with rock roots.
The Pete McGuinness Jazz Orchestra’s album “Mixed Bag,” celebrates its 20th Anniversary with a blend of standards and original compositions. Bandleader Pete McGuinness, transitioning from trombone to vocals due to health issues, showcases his smooth singing style and innovative arrangements. The orchestra’s dynamic performance features talented musicians and impressive solos.
The Gil Evans Project’s posthumous live album, “Shades of Sound,” showcases Frank Kimbrough’s remarkable piano artistry alongside a 22-piece orchestra at Jazz Standard in 2014. Featuring original and classic arrangements, this recording preserves Evans’ vibrant orchestration style while honoring Kimbrough’s legacy, providing an energetic musical experience enriched by a live audience.
Stefan Hegerat’s band, Stef.in, releases their second album “Icterus II,” blending jazz, rock, and electronics. The quartet, featuring guitars, bass, and drums, creates an experimental soundscape. Key tracks include “Here’s to Circle” and “Aku San Zan,” showcasing rhythmic complexities and melodic intricacies that cater to an acquired taste in music.
Patrick Zimmerli’s 14th album, “Songs of Innocence,” showcases his trio’s blend of light yet intense sounds, drawing inspiration from William Blake’s poetry. The music ranges from bright and joyous pieces to reflective and darker tones, exploring themes of innocence and complexity. The album’s concise length highlights its emotional depth and dynamism.
Alyn Cosker’s album “Onta” features a diverse ensemble blending jazz with Scottish cultural elements. Highlights include Karen Matheson’s ethereal vocals and dynamic tracks like “Lullapalew” and “Cassillis,” showcasing intricate rhythms and creative arrangements. Recorded internationally, the album reflects Cosker’s innovative drumming and musical fusion, offering a captivating experience.
James Davis’ Beveled, with talented musicians from the Chicago Modern Jazz scene, presents their album “Arc and Edge,” showcasing unique horn arrangements alongside a bass and drum rhythm section. The compositions evoke warmth and creativity, featuring intricate solos and rich orchestrations, with each track offering a delightful musical experience.
“Live From Death Row” features Keith LaMar, an inmate facing execution, performing spoken word with pianist Albert Marquès and a jazz ensemble. This historic release, recorded in Brooklyn, showcases LaMar’s reflections on freedom and justice through music’s healing power. The project advocates for the voices of those impacted by state-sponsored violence.
The Spike Wilner Trio’s album “The Children & the Warlock” is a tribute to Wilner’s mentor, Harry Whitaker, featuring special guest George Garzone on saxophone. The album blends bebop and straight-ahead jazz with soulful improvisations, showcasing the trio’s musical skills and emotional depth. Each track captivates, particularly the title piece and “Moment to Moment.”
The “Mingus in Argentina” double disc captures the electrifying performances of Charles Mingus and his quintet in Buenos Aires during June 1977. The album showcases their musical camaraderie, improvisational skills, and unique energy, with highlights including solos from Ricky Ford and iconic pieces like “Goodbye Pork Pie Hat.” A must-have for jazz enthusiasts.
Paquito D’Rivera’s “La Fleur de Cayenne” features the Madrid-New York Connection Band, a group of Cuban and Colombian musicians. This album showcases an array of original compositions and Latin styles, blending Cuban son, Argentinian tango, and Venezuelan rhythms. D’Rivera’s clarinet and ensemble deliver vibrant, lyrical performances, marking their first recording after two decades together.
Masha Campagne’s fourth album, “Alegre Menina,” reflects her artistic journey and roots, influenced by her grandfather’s jazz legacy. After relocating from Russia to San Francisco, she found success in jazz festivals and collaborations. This album features original compositions and Brazilian classics, showcasing her authentic vocal style and rich musical arrangements.
Marty Ehrlich’s Trio Exaltation returns with “Images of Time,” featuring bassist John Hébert and drummer Nasheet Waits. The album showcases Ehrlich’s artistry with seven original compositions and two by Andrew Hill, reflecting Hill’s influence. The trio’s interplay reveals their deep connection, blending composition and improvisation to honor Hill’s legacy.
David Riddel’s “Dr. Purgatory: The Consumption” is a multidisciplinary album blending modern jazz with a tragic folktale theme. Featuring a skilled ensemble and accompanied by a 46-page illustrated book, Riddel’s compositions draw inspiration from literature and mythology, resulting in technically proficient and emotionally engaging music that invites imaginative exploration.
Marina Pacowski’s “New Jazz Standards Volume 7” celebrates the intricate compositions of Carl Saunders, showcasing her vocal and piano talent alongside renowned musicians. Tracks range from joyful arrangements to heartfelt tributes, with standout moments of improvisation and scat singing. Pacowski’s connection to Saunders’ music unites artistic excellence and emotional depth.
Shuffle Demons, a celebrated Toronto jazz ensemble, marks 40 years in music with their eleventh album on ALMA Records. The group blends contemporary sounds with classic jazz influences, showcasing dynamic horn arrangements and creative compositions. Their music spans various genres, driven by themes of change and identity, highlighting their cultural significance in jazz.
SEXTET, featuring accomplished musicians like Charlie Burnham and Tony Jones, blends spiritual themes with street-level accessibility, evident in tracks like “I Shall Not Want” and “The Beginning of the Universe.” Their album “Pitch, Rhythm and Consciousness” showcases original compositions and improvisations, striving to elevate consciousness through relatable lyrics and dynamic instrumentation.
Triology’s album “The Slow Road” features a collaboration of award-winning Canadian jazz musicians, including Scott Hamilton on tenor saxophone. Highlights include Jodi Proznick’s waltz “Luna” and a unique, sultry interpretation of Jobim’s “Luiza.” The group’s mastery and melodic clarity make for an enchanting listening experience, showcasing their talents in jazz.
Kristen R. Bromley’s fifth album, “Wes 101,” showcases her talent as a guitarist and bandleader. Featuring her quartet, the album pays tribute to Wes Montgomery while infusing blues influences. With a background in music education, Bromley combines familiar melodies with original compositions, resulting in an uplifting musical experience.
Catalyst, featuring the Dave Sharp Worlds Quartet and guitarist Elden Kelly, explores the music of composer Gregg Hill, blending jazz with global influences. Artists from diverse backgrounds create a rich soundscape, incorporating elements from various traditions. The album showcases innovative arrangements, captivating improvisations, and highlights Hill’s broad musical reach, affirming its brilliance.
“Oblique Rhyme” is a jazz quartet album featuring Joe Santa Maria, David Tranchina, Gary Fukushima, and Colin Woodford. Although it showcases their technical prowess, the album emphasizes depth and personal expression. Each artist contributes unique compositions, exploring a range of emotional and musical landscapes, ultimately achieving a cohesive and inspired sound.
The WDR Big Band’s album explores a fusion of Bluegrass and Jazz, highlighted by Mike Marshall’s mandolin and Darol Anger’s violin. Traditional tunes and original compositions feature strong saxophone solos by Bob Mintzer. The collaborative effort showcases the talents of renowned musicians, producing a unique and vibrant Americana sound.
Saxophonist Jordan VanHemert’s fifth album, “Survival of the Fittest,” features a mix of covers and originals that emphasize resilience against prejudice. Collaborating with notable musicians, VanHemert confronts personal and societal struggles, while embracing themes of hope and defiance through vibrant post-bop compositions. The album balances grief with cathartic expression.
Champian Fulton and Klas Lindquist’s album “At Home,” recorded in an intimate setting, features ten classic songs from the Great American Songbook plus a contemporary piece and an original collaboration. Their musical synergy captivates listeners through expressive vocals, improvisational clarinet and saxophone solos, showcasing their mastery and dynamic artistry throughout the performance.
The Winnipeg Jazz Orchestra’s eighth album, “East Meets West: Connections,” showcases new works by Canadian composers Fred Stride and Jean-Nicolas Trottier, emphasizing jazz connections across the country. The album features vibrant solos from talented musicians and highlights the orchestra’s contributions to Manitoba’s cultural scene since 1997, including educational outreach initiatives.
Ellie Martin’s album “Morning Glories” features thirteen original tracks blending jazz and pop influences, reflecting her journey as a mother and cancer survivor. With compositions celebrating life and nature, her vibrant songs, like “Love and Light” and “Spring’s Around the Corner,” highlight her education and artistic evolution.
Becca Wilkins’ album “Reverie” showcases her emotive vocals set against a backdrop of classic French chansons, featuring compositions by legends like Edith Piaf and Charles Aznavour. The music transcends language barriers, connecting deeply with audiences. Wilkins, influenced by her time in Normandy, breathes new life into this musical tradition.
Tim Jago’s album “Time Shift” showcases a fusion of jazz and rock, featuring an all-star ensemble. Renowned musicians like saxophonist Mark Small and pianist Martin Bejerano enhance Jago’s innovative compositions. The album explores diverse tempos and rhythmic shifts, culminating in engaging arrangements that reflect life’s changes through music, making it a compelling jazz experience.
Kandace Springs’ second album, a tribute to Billie Holiday’s “Lady in Satin,” features her unique interpretations of the original tracks, supported by the lush Orquestra Classica de Espinho. While it showcases Springs’ beautiful voice, it lacks the emotional depth associated with Holiday’s recordings. The project reflects Springs’ aspirations of honoring Holiday and recording with an orchestra.
Joanie Pallatto and Bradley Parker-Sparrow, a married couple and co-owners of Southport Records, present their duo album featuring original compositions primarily by Parker-Sparrow. With Chicago as their backdrop, they celebrate over 156 recordings in jazz and contemporary classical music, showcasing their artistic journey through thought-provoking lyrics and melodies.
Esthesis Quartet’s third album, “Sound and Fury,” serves as a tribute to the late Ron Miles, featuring guest guitarist Bill Frisell. The album reflects on themes of grief, leading from denial to acceptance through a series of compositions. It showcases emotional improvisations intertwined with collaborative expressions from the ensemble.
Gillian Margot and Geoffrey Keezer create an outstanding duo in their latest album, showcasing their mastery in interpreting classic and contemporary songs. Margot’s emotive vocals paired with Keezer’s exceptional piano skills result in a captivating performance. The album radiates spontaneity and creativity, making each track a delightful listening experience.
Billy Mohler’s new quartet, The Eternal, features established musicians Jeff Parker and Damion Reid alongside rising star Devin Daniels. The album explores deep emotional themes and diverse musical styles, showcasing Mohler’s growth as a composer and bandleader. Each track highlights the group’s synergy while reflecting personal connections and relationships.
Kris Adams and Peter Perfido present “Away,” featuring compositions by guitarist Mike O’Neil. The album showcases Adams’ vocal prowess on complex melodies, supported by Bob Degen’s expressive piano and Andre Buser’s bass. Their collaboration reflects a deeply personal tribute to O’Neil’s musical legacy, blending jazz with inventive improvisation.
“Rose Room” celebrates its 15th anniversary with a new album showcasing their signature Gypsy Jazz style. Led by violinist Seonaid Aitken, the ensemble features award-winning musicians performing classic jazz standards and original arrangements that blend Scottish tradition with 1930s influences. Notable tracks include “It’s Been A Long, Long Time” and “Lady Be Good.”