Every week our staff of CD Reviewers bring you the best in Independent CD releases. Making a Scene is considered the number 1 resource for the independent musician and the fans that love them.
Judy Wexler’s seventh album, “No Wonder,” takes a fresh approach to the Great American Songbook, featuring collaborations with longtime pianist Jeff Collela and a talented ensemble. The album blends jazz with pop, folk, and rock influences, showcasing Wexler’s emotional storytelling and nuanced vocal interpretations across various standards and lesser-known songs.
Dayna Stephens’ album “Hopium,” set for release on February 7, 2025, blends hope and reality through seven original compositions. Featuring a quintet, the music navigates emotions of optimism and disillusionment. Each track showcases Stephens’ saxophones and the contributions of talented collaborators, culminating in an engaging exploration of life’s uncertainties.
John Mailander’s album “Forecast: Let the World In” showcases a genreless blend of mostly instrumental, improvised music featuring violin, keys, and various instruments. The collection, designed as a continuous suite, offers exploration through cinematic compositions. Highlights include “Heartland” and a cover of Nick Drake’s “Road,” blending earthiness with otherworldly sounds.
The collection “Peace” celebrates the late Frank Bey’s music, featuring eleven tracks mostly recorded with his longtime collaborators. Notably, it includes covers of classics like “Change Is Gonna Come” and “Imagine.” Bey’s powerful live performances are remembered fondly, while Sallie Bengston’s efforts revitalize his legacy for newer audiences.
Sullivan Fortner’s latest album, “Southern Nights,” features his vibrant piano work alongside bassist Peter Washington and drummer Marcus Gilmore. The recording showcases an eclectic mix of live jazz without edits, highlighting Fortner’s artistry and New Orleans heritage. The album promises an engaging experience, set for release on February 14, 2025.
Charles “Wigg” Walker, an octogenarian soul artist, releases his first album in over a decade, “This Love Is Gonna Last.” Despite the challenges of the music industry, the album showcases his versatility in soul, R&B, and ballads. Walker’s deep emotional connection to the music, especially after losing his wife, stands out as he delivers genuine soul that resonates with audiences.
Larkin Poe’s seventh album, Bloom, showcases the Lovell sisters’ evolution from bluegrass prodigies to masters of a signature roots-rock sound infused with blues and pop elements. Entirely self-produced, the album features dynamic tracks like “Mockingbird” and “Easy Love Pt. 1,” highlighting their songwriting prowess, vocal harmony, and instrumental versatility.
Christopher Whitley’s album “Almost as Soft as Silence” showcases his solo violin talent and innovative composition skills using a historical Stradivari instrument. The spontaneous vignettes explore free improvisation, blending acoustic and electronic elements. Whitley’s expressive performances reveal his deep musical expertise, offering captivating and emotionally resonant soundscapes.
Thomas Marriott’s album “Screen Time” features nine tracks combining arrangements of TV shows and movies alongside original pieces. Collaborating with prominent musicians, Marriott showcases a range of styles from energetic swing to mellow ballads, delivering captivating trumpet performances. The album reflects his recent accolades and contribution to Seattle’s jazz scene.
Jacopo Ferrazza’s album “Prometheus,” featuring a 5tet ensemble, blends jazz, rock, classical, and chamber music into a compelling soundscape. It begins with a prologue and original compositions like “The Cave,” showcasing each musician’s role in narrating the Prometheus myth. The album is set for release on January 24, 2025.
Marianne Solivan’s fifth album, “Break’s Over,” showcases her impressive vocal talent alongside musicians like Buster Williams, Brandon McCune, and Jay Sawyer. Blending standards and original pieces, Solivan demonstrates emotional depth and adaptability. With a background in jazz education and collaborations with top artists, she’s a notable figure in the jazz scene.
Dan Fortin’s “Cannon” is an evocative experimental jazz album featuring a range of talented musicians. Since his 2015 debut, Fortin has captivated with his unique blend of electric and double bass, synthesizers, and avant-garde influences. The collaborative compositions invite listeners to explore innovative soundscapes, challenging and rewarding their imagination.
Erik Jekabson’s album “Breakthrough” blends chamber orchestra and jazz, showcasing a unique fusion with 15 musicians. The music, influenced by minimalist composers, features expressive trumpet solos and highlights various instruments. Each track presents engaging twists, ultimately creating a landmark work that elevates the combination of classical and jazz genres.
Eugenie Jones, a Seattle-based vocalist and songwriter, releases her self-titled album, showcasing six original songs and seven covers. Collaborating with notable musicians, Jones blends various genres while honoring African American songwriting traditions. Her dynamic performances emphasize impressive vocal control and emotional depth, marking a significant evolution from her previous work, “Players.”
Macha Gharibian, an Armenian singer and composer, blends various cultural influences in her album “Phenomenal Women,” inspired by Maya Angelou’s poem. With a trio featuring female vocalists, Gharibian explores themes of empowerment through diverse musical styles, including African chants and reggae, while reflecting on her heritage and personal experiences.
The album “Some Days Are Better – The Lost Scores” celebrates Kenny Wheeler’s music, coinciding with what would have been his 95th birthday. Featuring performances by the Royal Academy of Music Jazz Orchestra and Frost Jazz Orchestra, it revives his previously unheard work from the 1970s, showcasing his creative evolution as a composer and musician.
Antoine Cara’s album “Status Quo” showcases a collaboration of elite musicians in a high-energy jazz fusion style, blending funk, Latin jazz, and pop. Despite its captivating rhythms and vibrant solos, some tracks reveal a repetitive quality. Cara’s intent was to create feel-good music that breaks creative loops.
Mafalda Minnozzi’s fourth jazz album for the US market showcases her joyful soprano vocals, accompanied by Paul Ricci’s guitar and a talented ensemble of Brazilian musicians. With a blend of pop and Latin influences, Minnozzi’s unique approach to scat singing and emotional delivery contribute to a captivating musical experience.
Big Al and The Heavyweights, hailing from South Louisiana, release their eighth album “Blues Power” after the loss of keyboardist Wayne Lohr, returning to their original lineup. The album features energetic tracks blending blues, funk, and zydeco, showcasing new members’ contributions. It captures the essence of American Roots music, inviting listeners to celebrate and enjoy.
Eldritch Priest, a Vancouver-based composer and guitarist, blends improvisational techniques and experimental jazz in his solo album “Dormitive Virtue.” With a focus on freedom of expression and unique compositions, Priest has gained recognition for his innovative performances and insightful writings on music. His work challenges listeners’ perceptions of sound and creativity.
John Calvin’s album “Greener Fields & Fairer Seas” reflects his journey of growth and resilience following personal losses and societal injustices. It features poetic lyrics emphasizing kindness amid adversity, blending various musical influences. Produced during the pandemic, the album delivers heartfelt emotions, addressing themes of mortality, parenthood, and universal experiences with death.
Petra Onderuf, a Slovakian violinist and composer, explores unique musical expressions in her jazz project “An Odd Time of Day.” With influences from her cultural roots, she blends classical techniques and improvisation. The album showcases her original compositions, featuring captivating arrangements and performances by distinguished musicians, creating a rich auditory experience.
“Forq’s” album “Big Party” showcases funk and fusion through a collaborative effort of skilled improvisers led by keyboardist Henry Hey. Known for eclectic influences, the group blends various genres, including reggae and blues. Featuring energetic performances and innovative arrangements, this album offers a vibrant musical journey perfect for fans of rhythm-driven music.
Alan Chaubert’s album “Just the Three of Us” features him skillfully playing trumpet and piano simultaneously, alongside bassist Belden Bullock and drummer Jon Di Flore. The album includes unique renditions of tunes by Monk and Haden, showcasing Chaubert’s impressive talent. This remarkable project is a delight for jazz enthusiasts.
The Ryan Middagh Jazz Orchestra’s album “Tenor Madness” pays homage to iconic saxophonists while showcasing Nashville’s finest musicians. With a mix of originals and arrangements, including a tribute to the Big Band era, the 21-member ensemble excels in collaboration, emphasizing creative leadership and ensemble dynamics over solo supremacy.
Jae Sinnett’s “The Blur the Lines Project” reinterprets classic rock songs through a jazz lens, featuring a quintet that includes tenor saxophonist Ada Rovati. The album, lasting about 37 minutes, showcases Sinnett’s drumming alongside familiar rock melodies. Notable tracks include “Tom Sawyer,” “Frankenstein,” and “Immigrant Song,” highlighted by improvised sections.
Bill O’Connell’s album “Touch” features a dynamic trio with Santi Debriano and Billy Hart. O’Connell’s compositions showcase lyrical expressiveness and rhythmic excitement, particularly in the title track and a vibrant take on “Maiden Voyage.” The musicians’ camaraderie creates an engaging atmosphere, making this album a delightful and enduring experience.
“Passion & Regrets” by Sunny Bleau, produced by Mick Kolassa, showcases the singer-songwriter’s talents alongside guitarist Nic Cocco and a talented band. The album features heartfelt tracks exploring themes of love, regret, and self-discovery, with standout songs like “Waitin’ On A Man” and “S-H-E-E-E-W-O-M-A-N,” highlighting Bleau’s dynamic vocals and lyrical depth.
Peggy Lee and Cole Schmidt’s album “Forever Stories of Moving Parties” features unique compositions blending cello, guitar, and various instruments in an experimental jazz format. Their collaboration, steeped in improvisation and creativity, gathers a diverse ensemble that enhances the music’s richness. The album artfully captures the essence of connection and celebration.
Diane Coll’s album “Up from the Mud” explores themes of healing from relational trauma, transitioning from dark introspection to brighter tones. The album features ethereal soundscapes and resonates with her experience as a mental health therapist. Closing with the hopeful “All Is Well,” it artistically embodies the interplay of pain and joy.
HeavyDrunk, a Nashville-based blues-soul group, and Watermelon Slim, an award-winning blues artist, collaborate in “Bluesland Theme Park,” blending Delta blues, gospel, soul, and rock. The album features vibrant tracks like “Watermelon Girl” and “Road, Food & Cheap Motels,” showcasing personal reflections and inviting listeners to experience a musical carnival.
Dave Murphy’s seventh album, “A Heart So Rare,” explores themes of human fallibility through the lens of divorce, incorporating elements of surrender and forgiveness. A cancer survivor and respected performer, Murphy’s heartfelt songwriting and collaboration with notable musicians create a poignant reflection on life and hope for redemption.
Eugenie Jones is a Seattle-based jazz vocalist and songwriter known for her engaging compositions and four previous albums. Her upcoming release features original songs and classic interpretations, showcasing her versatility. Recognized as a ‘Jazz Hero’ for her nonprofit work, she combines artistry with a commitment to community welfare.
Karl Latham’s “Living Standards II” features a star-studded lineup aiming to transform iconic rock tracks into jazz. With transformative arrangements, Latham and his ensemble explore classics like “Rock and Roll Woman” and “Layla,” emphasizing improvisation while maintaining their original essence. The album is set for release on January 17, 2025.
Noel Okimoto’s album “HO’IHI” features a septet exploring diverse jazz forms, including hard bop and samba, showcasing originals and tributes to jazz legends. The interplay of talented Hawaiian musicians creates an uplifting experience, with notable contributions from various instrumentalists. Although not groundbreaking, the music offers a refreshing insight into Hawaiian jazz.
Yosef Gutman Levitt collaborates with Peter Broderick on the album “River of Eden,” blending jazz and classical music. Featuring traditional Jewish folk songs and a soothing atmosphere, the album emphasizes spirituality and intimacy. With an all-acoustic setup, it invites listeners on a meditative journey, enhancing its significance with each listen.
Terry Waldo & The Gotham City Band’s album “Treasury Vol. 1” celebrates Ragtime music, led by Waldo’s energetic piano. Featuring vocalists Tatiana Eva-Marie and Veronica Swift, the album includes classic pieces like “Blame It on the Blues” and showcases Waldo’s expertise, rooted in his mentorship with Eubie Blake, preserving this unique musical genre.
The Jessica Jones Quartet’s album “Edible Flowers” showcases the creativity of tenor saxophonists Jessica and Tony Jones, supported by Stomu Takeishi on bass and Deszon Claiborne on drums. The album features strong melodies and inventive arrangements, blending avant-garde and free jazz elements. Their unique interpretations highlight their musicianship and collaborative spirit.
Groovology, a Honolulu-based quartet led by Aaron Aranita, debuts with “Almost Home,” featuring diverse instrumentation and compositions by all members. The album includes the intriguing title track, complex rhythms, and a blend of genres including blues, Latin, and Brazilian. The band’s musicality shines through in its varied material and arrangements.
Lucia Sarmiento’s debut album “Escape” showcases her unique sound as a contemporary jazz artist. Influenced by jazz legends, she blends genres and demonstrates creativity through original compositions. Her talent has earned her roles in prominent bands, and this album marks a significant milestone in her musical journey, promising future success.
Satoko Fujii’s album “Yama Kawa Umi,” featuring Natsuki Tamura and Ramon Lopez, showcases her prolific and intense piano style. The trio’s music reflects a water journey, balancing explosive energy with serene moments. Composed mainly by Fujii and Tamura, it explores a dynamic interplay of sound, culminating in a compelling musical experience.
Brent Laidler’s “Hidden Gems” album reinterprets music from the 1920s, blending new melodies with restructured chords. Comprising talented musicians, the album features tracks like “Haba Verde” with Latin rhythms and “Gemani,” inspired by Cannonball Adderly. Laidler, an independent businessman and jazz clinician, showcases innovative compositions that highlight his ensemble’s skill.
The album “Force & Grace” by the ensemble Blue Moods showcases the compositions of Freddie Hubbard, featuring saxophonist Diego Rivera without a trumpeter. With various pianists alternating, the quartet delivers a mix of energetic and tender performances, highlighting Hubbard’s melodic richness and rhythmic diversity, particularly through Afro-Cuban influences.
Tom Clarke’s list of Ten Favorite Roots and Blues Albums of 2024 highlights a spectrum of contemporary and traditional influences within the genre. Featuring both legendary and emerging artists, the selections showcase powerful lyrics, soulful instrumentation, and the ongoing significance of roots and blues music through innovative sounds and heartfelt performances.
Ed Alstrom’s musical journey is diverse, encompassing blues, Broadway, and award-winning performances with notable artists. His album “Flee Though None Pursue” features vivid storytelling and eclectic sounds, with tracks exploring themes of love, truth, and personal struggles. Alstrom combines impressive musicianship with thoughtful lyrics, highlighting his unique artistic voice.
Stephen Clair’s eleventh studio album “Transmissions,” co-produced with Will Bryant, showcases his lifelong passion for music and storytelling. With meticulous arrangements and diverse sounds, the album features catchy tracks like “Vegas Sunrise” and “Swept Away.” Clair’s personal reflections and unique style shine through, offering listeners a joyful and engaging experience.
Richard Ludmerer’s top indie blues releases of 2024 celebrate a mix of tradition and innovation within the genre. The collection features diverse artists, including breakout stars and veterans, showcasing powerful guitar solos, heartfelt harmonica, and gripping storytelling. This year’s selection spans various blues styles, highlighting the genre’s evolution and enduring impact.
Neff Irizarry’s album “Cambio” features eleven original compositions blending Afro-Cuban and contemporary jazz influences, showcasing his guitar prowess. Collaborating with seasoned musicians, Irizarry creates vibrant Latin jazz soundscapes, highlighted by energetic percussion and expressive vibraphone solos. The album reflects his educational background and unique artistic style.
Joel Jeschke’s debut album, “Time & Place,” features his compositions blended with influences from metal, rock, pop, and jazz. The ensemble, including talented members like Aretha Tillotson and Holly Sangster, showcases experimental sounds and meaningful themes. Jeschke, a skilled drummer, leads the group through captivating performances that highlight their unique musical talents.
James Robert “Bob” Mosley, born December 4, 1942, is an American bass player and vocalist known for his work with Moby Grape and his solo career. Despite struggles with schizophrenia, he produced notable songs such as “Mr. Blues” and “Gypsy Wedding.” Mosley now enjoys life in California with his wife, Connie.