CD Reviews on projects by Jazz artists
Jaleel Shaw’s album “Painter of the Invisible” marks his return after thirteen years, reflecting personal experiences and profound societal themes. The compositions honor figures like James Baldwin and Tamir Rice, while showcasing collaborations with talented musicians. Shaw’s heartfelt music captures joy, grief, and ancestral wisdom, ensuring memories endure through every note.
Lafayette Gilchrist’s 2023 album “Move with Love,” features his ensemble New Volcanoes, blending various musical styles. The joyful recording, performed at Club Car, emphasizes love in turbulent times. Notable tracks include “Cut Through the Chase” and “Bamboozled,” showcasing his influential jazz roots and determination to connect through music.
Yosef Gutman Levitt’s album “Shir Yedidot” showcases his soothing and spiritual music, blending traditional Chabad nigunim with original compositions. Featuring notable musicians like Yonathan Avishai and Yagel Haroush, the album creates accessible melodies that appeal beyond cultural boundaries, inviting listeners to experience its calming beauty throughout.
Roger Glenn’s album “My Latin Heart” showcases his remarkable talents on various instruments, blending Afro-Caribbean and Brazilian jazz. Influenced by a rich family musical background, Glenn’s compositions reflect his love for Latin music. His unique style shines through original songs like “Zambo’s Mambo” and “A Night of Love,” emphasizing cultural fusion.
The Billy Lester Trio’s album “High Standards” features innovative reinterpretations of classic jazz songs, showcasing Lester’s impressive piano skills and unique improvisational style. Alongside Marcello Testa on double bass and Nicola Stranieri on drums, the trio delivers dynamic performances that reinvent familiar melodies into fresh compositions. This creative approach defines the album as one of the year’s standout releases.
Lili Maljic’s album “The Nearness of You” pays tribute to mentor Jim Rotondi, a revered jazz trumpeter and educator. Featuring strong arrangements and Maljic’s unique vocals, the album showcases classic standards reimagined, including “Shadow of Your Smile” and “Easy to Love.” Maljic demonstrates her emerging talent and potential as a vocalist and arranger.
Peter Lin’s AAPI Jazz Collective, featuring prominent Asian American musicians, creates an innovative album titled “Identity.” Their diverse repertoire includes original works and film scores, blending jazz with cultural themes. Highlights are fluid solos, rich arrangements, and a reflection of resilience in each piece. The album celebrates both musical creativity and Asian heritage.
Sinne Eeg and Jacob Christoffersen’s album “Shikiori” showcases their two-decade collaboration, blending Japanese and Danish cultures through jazz. Recorded in Matsunaga’s ancestral cottage, the album features original compositions and covers, highlighting Eeg’s dynamic vocals and Christoffersen’s piano mastery, creating a rich and spiritual musical experience.
Felipe Salles’ album “Camera Obscura” fuses chamber music and jazz, drawing inspiration from the early camera’s concept of projecting not-quite-reality images. Featuring a range of instruments and arrangements, Salles creates vivid soundscapes with the Cushman Quartet. The album showcases his creative compositions, blending cultural depth and artistic beauty.
Madre Vaca is a jazz quartet featuring Jarrett Carter, Jonah Pierre, Thomas Milovac, and Benjamin Shorstein. Their album “Yukon” showcases their versatility, blending straight-ahead jazz, ballads, and contemporary grooves. Renowned for their compositions, the group highlights creativity and comfort in their sound, making this album a notable release.
Art Hirahara’s album “Peace Unknown” features a four-horn septet, primarily shaped by producer Marc Free’s vision. The compositions blend homage and innovation, reflecting varied moods and complex harmonies. Notable tracks include ballads and dynamic pieces, showcasing collaborative arrangements and improvisation, ultimately demonstrating the spontaneous creativity of the ensemble.
Emma Smith’s album “Bitter Orange” showcases her powerful vocals, blending humor and heartbreak in her music. Raised in a musical family, she draws inspiration from her grandfather and iconic performers. Award-winning and acclaimed, Smith delivers a range of tunes with emotional depth, demonstrating her dynamic voice and engaging presence.
Antonia Bennett, daughter of jazz icon Tony Bennett, is establishing her presence as a vocalist. After years of performing with her father, she has released five albums, including her latest, “Expressions,” which blends jazz standards and contemporary pop elements. With her vocal talent, she has the potential for mainstream success.
Yotam Ben-Or’s album “Impermanence” features a quartet exploring themes of acceptance through original music inspired by Israeli and Latin cultures. With standout performances from pianist Gabriel Chakarji and special guests Lars Danielsson and Esther Quansah, the album showcases Ben-Or’s harmonica talent, offering a vibrant and soulful jazz experience.
“Tappin’ Thru Life” is an autobiographical musical celebrating Maurice and Gregory Hines, showcasing their singing, tap dancing, and acting talents. The album, capturing the essence of their stage show, features big band standards and highlights vocal and dance performances from various artists. It honors their legacy and contributions to the arts.
Theon Cross’s live album, “Affirmations: Live at Blue Note NYC,” showcases his dynamic tuba performances infused with elements from various genres like hip-hop and reggae. With an energetic band, including Isaiah Collier and Nikos Ziarkas, Cross delivers a vibrant and unconventional jazz experience, filled with intricate solos and spontaneous grooves. It’s a compelling contribution to contemporary jazz.
Anaïs Reno’s sophomore album, “Lady of the Lavender Mist,” showcases her evolution as a jazz artist with a unique voice influenced by Ella Fitzgerald. This collection features emotional interpretations of standards in both English and French, highlighted by her original lyrics to Duke Ellington’s composition. The album reflects themes of joy and personal struggle.
Allan Harris’s second live album, “The Poetry of Jazz: Live at Blue Llama,” showcases his remarkable ability to blend jazz, poetry, and original compositions. Featuring renowned poets and classic pieces, Harris delivers emotive performances, demonstrating his deep connection to Harlem’s history and his artistic versatility. The album is a profound exploration of themes like love and resistance.
Entre Amigos, a Chicago supergroup, releases their second album, “Magpie: The Music of Joe Clark,” featuring compositions by Joe Clark. The quartet displays a blend of styles, led by saxophonist Roy McGrath and pianist Hana Fujisaki. Their dynamic performances pay tribute to Clark’s diverse musical legacy, showcasing exceptional musicianship.
“Standard Deviation” is the second album by drummer Mike Clark and saxophonist Mike Zilber, featuring a New York ensemble. The quartet reimagines jazz standards and classics with innovative arrangements, challenging yet inviting. Highlights include “Blues for Chambers” and a funky “Hallelujah.” The album captures a blend of tradition and fresh interpretations.
Daniel DeLorenzo’s album features original compositions blending traditional jazz with contemporary grooves. The trio, including Casey Toll and Theous Jones, showcases a strong camaraderie and highlights DeLorenzo’s unique guitar technique. Tracks like “Clam Chowder” and “Emergently” captivate with catchy melodies, while “Windfall” ventures into a contemporary jazz style.
Victoria Cardona, a multi-talented singer and songwriter, showcases her Cuban heritage in her debut album “Que Pasó.” Blending vibrant rhythms and heartfelt lyrics, she explores themes of resilience and escape from communist Cuba. With a mix of instruments and rich harmonies, Cardona’s music is infectious and dance-worthy, promising broader recognition.
Ron Rieder’s album “Dia Precioso!” showcases eight original compositions infused with Latin jazz, featuring arrangements by Ricardo Monzón and performed by top Boston musicians. The album blends Afro-Cuban rhythms, sambas, and tangos, creating a vibrant listening experience. Notable tracks include “Beautiful Day,” “I Fell into a Meme,” and “Dizzy Hechizo.”
Nick Biello’s album “New America” showcases his original compositions that blend jazz with classical and Latin influences. Notable tracks include “Bel Canto,” “Queen of Jordan,” and “Before the Flood,” highlighting the talents of Biello and his ensemble. The music evokes a range of emotions, celebrating inclusion and joy through expertly crafted melodies.
Camila Meza’s album “Portal” showcases her bilingual, jazz-infused sound, enriched with Latin American and electronic influences. Featuring original compositions inspired by her personal journey through motherhood, her soothing vocals and guitar work blend beautifully. With contributions from notable musicians, the album invites meditation and spans genres, highlighting Meza’s unique artistry.
Grupo Pagan, led by Edgar Pagan, fuses Latin and rock music with jazz influences. With over twenty years of performance, their album “Power,” produced by GRAMMY winner Jimmy Haslip, showcases original compositions featuring hypnotic vocals and diverse rhythms. The group delivers captivating, energetic music that resonates with contemporary society.
Kaze, a unique avant-garde quartet featuring notable musicians including Koichi Makigami, Satoko Fujii, and Christian Pruvost, showcases an innovative blend of improvisation and vocals. Their album includes tracks with whimsical elements, such as “Make A Change,” which highlights Makigami’s extraordinary vocal range. The music promises surprising creativity and humor.
Tessa Souter’s album “Shadows and Silence: The Erik Satie Project” celebrates the centennial of composer Erik Satie’s death. Showcasing her lyrical prowess and blending French and English, Souter delivers stunning interpretations. The project evokes deep emotion, featuring collaborations and originally penned lyrics, marking it as a significant artistic achievement in jazz music.
Jennifer Lee’s album “Glimpse,” her fourth release, showcases her evolution as a composer and vocalist. Collaborating with guitarist Peter Sprague, the album features original songs and tributes to her husband. Lee’s warm, Brazilian-influenced voice and songwriting shine throughout, marking a significant growth since her earlier works.
Pianist Charles Chen’s album “Building Characters” explores character portraits in jazz, paying tribute to influential musicians. Each track evokes a musician and fictional character, blending styles from Duke Ellington to modern influences. The ensemble features prominent artists, delivering passionate solos and indelible melodies, fulfilling jazz tradition while celebrating Asian-American Heritage Month.
Patrick Zimmerli TRIO’s album “Songs of Innocence,” features original compositions blending sincerity and complexity. Tracks like “60 Morningside” and “Wedding Song” showcase uplifting melodies, while “Dreamscape” explores the darker realms of dreams. The energetic “Torsion” highlights the dynamic interplay between piano and sax, concluding with a strikingly abrupt finish.
Saul Dautch’s album “Music for the People” showcases his baritone saxophone skills, influenced by jazz legends. The quintet features varied compositions, including original pieces and a tribute to mentor Pepper Adams. Dautch’s heartfelt liner notes reflect gratitude for his journey in music over five years in New York City.
Sumi Tonooka’s “Under the Surface” features the Alchemy Sound Project, expanding her trio into a septet. The album, inspired by tree roots’ collaboration, showcases masterful compositions and performances, particularly highlighting Tonooka’s innovative piano work alongside talented musicians. The diverse interplay and arrangements create an engaging musical experience.
Noah Haidu’s “Standards III” features a fresh trio alongside veteran musicians, resulting in a diverse mix recorded in multiple studios. Highlights include original tracks and classic standards, showcasing both emerging talents and established artists. While the album has its strengths, it falls short compared to Haidu’s previous works, yet invites anticipation for future projects.
Jeff Walton’s debut album “Pack Animals” showcases his late blooming career as a tenor saxophonist and composer. A former public school teacher, Walton incorporates diverse influences from choral music and improvisation. The album features dynamic pieces like “NQT” and “Blues for George,” reflecting his musical community and personal history.
Julian Shore’s album “Sub Rosa,” featuring Martin Nevin on bass and Allan Mednard on drums, is an original jazz collection characterized by its mysterious, abstract compositions. The album showcases Shore’s evolution with his bandmates, highlighting intricate solos and emotional depth that invites personal connections, making it a significant contribution to contemporary jazz.
Benny Benack III, a charismatic trumpeter-vocalist-composer, shines in his live album “This is the Life.” Recently recognized as a leading rising star, he showcases his talents alongside family and peers. The album features original compositions and standards, highlighting Benack’s joyful energy, versatile vocals, and impressive musicianship in a vibrant performance.
Transcendence, a trio featuring Bob Gluck, Christopher Dean Sullivan, and Karl Latham, pays tribute to Pat Metheny by interpreting five of his compositions alongside works by Keith Jarrett and Herbie Hancock. The album showcases their innovative sound, with Gluck using synthesizers to evoke Metheny’s guitar style and Sullivan’s prominent bass solos.
Ben Sidran’s album “Are We There Yet – Live at the Sunside” features a dozen tracks, with nine original compositions showcasing his unique blend of jazz and philosophical lyrics. Recorded in Paris, the album reflects Sidran’s enduring career, emphasizing his thought-provoking songs and the dynamic performances of his ensemble, despite some excessive monologues.
Mira Choquette, a multi-lingual vocalist, collaborates with Armenian jazz musicians, including pianist Samvel Gasparyan, to create a diverse jazz album. Their performances of classic songs showcase emotional depth and cultural fusion. The project evolved from a duo concept to a fuller ensemble, reflecting the unique atmosphere of Armenia.
Itai Kriss’s album “Daybreak” showcases his talents as a flautist and composer. Featuring an ensemble with Adam Birnbaum, Luke Sellick, and special guests, the album captures the progression of a day through vivid melodies, jazz improvisations, and diverse musical styles, concluding with a joyous gospel piece, “In the Light.”
Amina Claudine Myers, celebrated as a NEA Jazz Master, blends her gospel roots with avant-garde influences in her album “Solace of the Mind.” Featuring original compositions like “African Blues” and reimagined tunes, her music evokes meditation and emotional depth, reflecting her rich musical journey within the AACM and beyond.
Meltem Ege’s album “Solitude” merges English and Turkish lyrics, reflecting her cultural roots and emotional complexity. Featuring jazz and pop elements, it includes collaborations with international musicians and showcases Ege’s dynamic vocal style. Notable tracks like “Anlayana” and “Aklinda Kalmasin” highlight her creativity, blending genres and influences seamlessly.
Joe Kennedy collaborates with the David Hughes Quartet on “Time Travel,” featuring original compositions and jazz standards. The album showcases Kennedy’s piano and organ skills, highlighted in tracks like “Tony’s Turnaround” and “Mineshaft.” The quintet delivers a captivating blend of influences, enriched by strong solos from featured musicians.
The album “Llegue” by Jason T. Reddish revisits the legacy of his father’s band, Reddish Fetish, which fused jazz, rock, and world music in the 1960s. Featuring various talented musicians, it revitalizes classic tunes and incorporates fresh arrangements, showcasing Reddish’s journey as a bandleader and producer in contemporary jazz.
Something Blue highlights the evolution of Posi-Tone Records, founded by Marc Free and Nick O’Toole. The label, renowned for straight-ahead jazz, celebrates its 30th anniversary with an album featuring compositions from the ‘90s, interpreted by a talented sextet. The musicians showcase vibrant performances, blending traditional and contemporary jazz influences seamlessly.
Paloma Dineli Chesky’s album features her sweet vocals paired with a blend of jazz and pop influences, showcasing her original compositions and unique stylistic sound. Collaborating with skilled musicians, she explores various genres, including Brazilian and American folk. However, some arrangements may not fully enhance her songwriting potential, suggesting a need for professional input.
Kathy Sanborn’s album “Romance Language” features her lead vocals, piano, and original compositions, showcasing her smoky, inviting voice. While the extensive layering of her harmonies and programming work well, hiring a full jazz ensemble could elevate her promising songwriting further. The album highlights her multilingual singing and smooth melodies.
“Portrait of a Moment” features the dynamic jazz trio of Tommaso Perazzo (piano), Marcello Cardillo (drums), and Buster Williams (bass). The album showcases their creative synergy through original compositions like “Back at the Right Spot” and the beautiful ballad “Christina.” Each piece reflects their unique blend of talent, emphasizing intergenerational jazz.
The album “Basie Rocks!” features Deborah Silver with The Count Basie Orchestra, blending rock music with big band jazz. It opens with a vibrant arrangement of a Rolling Stones hit and includes notable collaborations with artists like Peter Frampton and Kurt Elling, showcasing Silver’s impressive vocal style and the orchestra’s talent.