CD Reviews on projects by Jazz artists
Ben Goldberg, Todd Sickafoose, and Scott Amendola collaborate in their trio recording “Here to There,” blending clarinet, bass, and electronics. This innovative work reinterprets Monk’s compositions, generating unique pieces while maintaining an experimental yet relaxed atmosphere. The album highlights intricate interplay and showcases each musician’s creativity across various compositions.
Guitarist Davy Mooney and drummer Ko Omura return with their album, The Word, featuring compositions that highlight their contrasting styles. Mooney’s pieces are darker and structured, while Omura’s are warm and free, incorporating Indian music influences. Collaborating with talented musicians, they create melodic and textured compositions that explore diverse musical landscapes.
Cliff Korman Trio’s album “Urban Tracks,” features Korman (piano), Harvie S. (bass), and Rafael Barata (drums). Korman’s mastery shines in tracks celebrating Brazilian music, like “Chelo de Malicia” and “Manha De Carnaval.” His arranging skills are highlighted in jazz standards, offering a vibrant, engaging listening experience throughout the album.
“Colouring Hockets” is John Hollenbeck’s ninth large ensemble album, featuring Germany’s NDR Bigband and percussionist Marcio Doctor. The album creatively integrates a four-piece percussion quartet, presenting a unique blend of contemporary classical, jazz, and post-rock, influenced subtly by Latin rhythms. It includes both new works and repurposed compositions, showcasing innovative timbral textures.
Elsa Nilsson’s album “Quila Quina” features flute compositions inspired by the Argentine landscape during her writing residency. Collaborating with pianist Santiago Leibson, the music blends classical and easy listening elements. While calming and beautiful, it leans more towards European Classical rather than jazz, showcasing Nilsson’s artistic expression and musical journey.
Darryl Yokley’s album “Un Mundo En Soledad” celebrates Gabriel Garcia Marquez’s novel “Cien Anos de Soledad” through jazz and Latin music. Featuring talented musicians, the work highlights Yokley’s unique cultural heritage. The album combines original compositions with vibrant arrangements, showcasing the camaraderie and musical prowess of the ensemble.
“Taking Turns” is an archival album featuring notable musicians like Jacob Bro and Lee Konitz, recorded in 2014. It emphasizes atmospheric sounds, showcasing Bro’s compositions and including influences from Paul Motian. The music flows seamlessly, creating a beautiful soundscape that invites listeners to immerse themselves for a tranquil experience.
The Caribbean Christmas Mixtape Vol. 1, created by Joy Lapps and Larnell Lewis, showcases holiday songs infused with Caribbean rhythms and joy. Featuring top Toronto musicians, the album offers fresh arrangements, notable performances like “SOCA Sleigh Ride,” and a celebration of cultural diversity, aiming to inspire and uplift through music.
Tania Grubbs Quintet’s “The Sound of Love” features vocalist Tania Grubbs alongside talented musicians. With a warm tone, Grubbs showcases jazz standards and original compositions, blending pop influences. The ensemble shines with impressive solos, especially by David Budway on piano and Ron Affif on guitar, creating an engaging listening experience.
Vanisha Gould’s album “She’s Not Shiny, She’s Not Smooth” features her storytelling through jazz-infused compositions. With a strong lyrical focus, she explores personal themes and showcases her vocal talent alongside skilled musicians. Although her spoken word moments may be less effective, Gould’s emotional delivery and unique songwriting shine through, creating memorable melodies.
“Christmastime in Rio” by Romero Lubambo and Pamela Driggs features an easy-listening blend of holiday music rooted in Brazilian influences. With Driggs’ smooth vocals and Lubambo’s guitar, the album includes classic and original songs, celebrating the holiday spirit. Highlights include “Holiday of Love,” “Christmas Love Song,” and the charming “Winter Reverie.”
Kandace Springs’ album “Run Your Race” is a tribute to her late father, showcasing her emotional and warm vocal style alongside original compositions. Inspired by musical legends like Nina Simone, she covers Billie Eilish’s “What Was I Made For?” and includes standout tracks like “Broken Keys” and “Closer To Me,” reflecting her artistic journey.
James O’Donnell’s album “Tough Talk” features a collaborative effort with talented Detroit musicians, including Alvin Paige and Mike Zaporski. O’Donnell’s trumpet and vocal performances alongside creative arrangements of classics showcase his distinctive style. The album highlights a mix of swinging funk jazz and exceptional solos, delivering an exciting listening experience.
Brass Queens, an all-female brass band formed during the pandemic, celebrates diverse musical influences in their album “Hot Tub Sessions Vol. 1.” Blending funk, soul, and jazz, they create a vibrant New Orleans atmosphere. Their debut gained acclaim, leading to a recording session with Atlantic Records and successful performances.
Neta Raanan’s debut album “Unforeseen Blossom” showcases her soft, introspective tenor saxophone tone, influenced by jazz greats. Featuring a talented ensemble, the live recording highlights improvisation and creativity. The album combines post-bop with funk, reflecting Raanan’s soaring melodies and artistic vision, marking her as a promising rising talent in modern jazz.
Ambient Monkeys, a Nashville duo featuring Denny Jiosa and Michael Moryc, incorporates the innovative RAV Vast tongue drum into their engaging music. Their album “Ephemeral Being” showcases a blend of smooth jazz and adult contemporary styles, with each track offering unique rhythms and melodies. Moryc, a veteran, utilizes this instrument due to nerve damage from service.
Donald Vega’s holiday album “All Is Merry and Bright” features vibrant jazz interpretations of classic carols. Alongside bassist Clovis Nicolas and drummer Pete Van Nostrand, Vega infuses joy and modernity into tracks like “Joy to the World” and “O Come, O Come, Emmanuel.” The album promises a delightful addition to any festive music collection.
Mon David’s sixth album, “DNA Continuum,” features eleven songs showcasing his jazz roots. Following his early successes, including wins and notable performances, he returned to jazz after exploring pop music. Collaborating with pianist Josh Nelson, the album highlights creativity and emotional depth, featuring original compositions and interpretations of classic tunes.
Star Motel: An American Music Experience features The J. & F. Band, blending influences from jazz, rock, and blues. The album, produced by Fabrizio Perissinotto, showcases intricate musicianship, highlighted by Jaimoe’s jam and various interpretations, including a vibrant take on “Route 66.” It’s essential for adventurous music enthusiasts and Allman Brothers fans alike.
Rick Braun’s latest holiday album, “It’s Christmas,” is a vibrant collection of jazz interpretations featuring a broad range of styles. Following previous projects, it includes arrangements of traditional songs and original tracks, showcasing Braun’s talent on multiple instruments. The album aims to invoke a spirited holiday atmosphere.
Entre Amigos is a jazz supergroup featuring Roy McGrath, Hana Fujisaki, Kitt Lyles, and Gustavo Cortiñas, whose self-titled debut album emphasizes spontaneous improvisation and composition. With influences from hard bop and Latin music, the quartet showcases their skills through introspective pieces, marked by emotional depth and impressive musicianship. A sequel is anticipated in 2025.
Maria Puga Lareo’s debut U.S. album showcases her jazz and Brazilian music talents, featuring a skilled orchestra co-produced with her husband, Bob Sheppard. The album includes both classic jazz standards and original compositions, highlighting Lareo’s vocal range in English and Portuguese. Critics praise her passionate performances and collaboration.
Full Cream is a jazz quartet featuring Greg Ward, Ziv Ravitz, Matthew Stevens, and Leo Genovese, formed from a combination of chance and planning. Their debut recording showcases inventive compositions blending various instruments and styles. Each member contributes unique soundscapes, resulting in an engaging mix of experimental and melodic pieces.
Steve Davis’ album “We See” features an exceptional sextet interpreting classic jazz standards. Highlights include a dynamic rendition of “Milestones” and an engaging performance of Thelonious Monk’s title tune, showcasing each musician’s talents. Davis emphasizes the importance of ‘long tones’ for developing sound, enriching the album’s intricate arrangements and superb musicianship.
The album “Three Visitors” by Scott Colley, Edward Simon, and Brian Blade showcases their deep musical connection over three decades. Opening with Simon’s “Nostalgia,” the work features various vocalists and instrumentalists, exploring themes of visitation and influence from jazz icons. The production combines tranquility with inspiring musical dialogue.
Bassist Joe Fonda’s album “Eyes on the Horizon” honors his mentor, trumpeter Wadada Leo Smith, featuring pianist Satoko Fujii and drummer Tiziano Tomoni. Composed with Wadada’s style in mind, the pieces blend improvisation with structured ensemble passages, showcasing emotional solos and deep collaboration. The work demonstrates their rich musical histories and enduring connections.
Marie Goudy’s “Paloma Sky” features a jazz/pop quintet, showcasing her compositions and arrangements. The album blends contemporary jazz with pop influences, including notable tracks like “Cardinal in the Snow” and “Her Glory.” With strong vocals from Jocelyn Barth and impressive trumpet solos from Goudy, it highlights Goudy’s jazz roots while leaning towards pop.
Angell & Crane’s album “For the Living and the Dead” showcases a blend of indie rock, jazz, and experimental music through improvisation. Comprised of Simon Angell and Tommy Crane, their dynamic duo creates an energetic soundscapes featuring guitar, drums, and synthesizers, complemented by vocalist Sarah Rossy on select tracks.
Bill Evans’ “In Norway – The Kongsberg Concert” showcases a previously unreleased live performance from June 26, 1970. Featuring Evans on piano, Eddie Gomez on bass, and Marty Morell on drums, the trio delivers captivating arrangements and improvisations. The concert encapsulates their creative synergy, with thoughtful insight from Evans on the event’s significance.
The album “CARN DAVIDSON 9” showcases the collaborative work of musicians led by William Carn and Tara Davidson, emphasizing original compositions without chordal instruments. Notable tracks include “Fire” with Dick Oatts and the Latin-influenced Pan-American Suite. Despite minor sound engineering issues, the ensemble delivers enthusiastic performances celebrated for their horn arrangements.
The collaboration “United” features bassist Dave Holland and guitarist Lionel Loueke, linked through Herbie Hancock. Despite their different backgrounds, they create a potent musical connection. The album comprises eleven tracks blending West African influences and inventive percussive guitar. The result is a mesmerizing experience that emphasizes music’s unifying power.
Art Baden’s album, “How Much of it is Real?”, features a talented ensemble that includes tenor saxophonist Baden, bassist Jay Anderson, drummer Jeff “Tain” Watts, and vibraphonist Joe Locke. The compositions explore themes of life cycles and emotional challenges stemming from personal losses, with tracks like “Chaotic Neutral” and “Animal Intelligence” showcasing deep creativity during turbulent times.
Phil Haynes’ trio, Duke & Strays, showcases their latest album, Day Dream, blending traditional jazz with modernist elements of Duke Ellington and Billy Strayhorn. Featuring a mix of well-known and obscure tracks, the trio’s unique style combines playful spontaneity with delicate interpretations, highlighting resilience and artistry from its seasoned members.
Diana Panton’s “Soft Winds and Roses” features her smooth vocals covering pop classics. With a blend of familiar tunes like “Your Song” and intimate arrangements, she showcases her emotional depth. Despite being labeled a jazz singer, her repertoire leans towards pop, reflecting her strong fan base and numerous accolades.
Andrew Hill Sextet Plus Ten’s “A Beautiful Day, Revisited” showcases Andrew Hill’s genius through enhanced live recordings from his Birdland performances in 2002. The double disc features original compositions and improvisational depth, highlighting Hill’s legacy in modern jazz and his exceptional skills as a composer and pianist.
Kristin Korb’s album “Sweet Dreams” creatively reinterprets Eurythmics’ songs through jazz arrangements, showcasing her talents as a bassist, vocalist, and arranger. Drawing inspiration from fan favorites and Eurythmics’ catalog, Korb transforms iconic tracks into captivating jazz pieces, celebrating both the original music and her own artistry in a male-dominated genre.
Maria Schafer’s album “Here For You” showcases her jazzy compositions, including original songs and arrangements. Accompanied by talented musicians, the album features lively tracks like “You Said It” and “Release Me.” Schafer, an emerging vocalist and songwriter, continues to impress with her creativity and unique style, promising a bright future in music.
The Visions Jazz Ensemble, led by Sam Butler and Garrett Fasig, presents a unique album featuring modern jazz arrangements of college fight songs. With notable contributions from musicians like Wycliffe Gordon, the project blends historical melodies with contemporary jazz, showcasing the evolution of the genre while celebrating its roots.
Randy Hoexter’s album “Tomorrowsville” showcases contemporary jazz with classical influences, featuring a talented ensemble. Notable tracks include “Rosetta Stone,” blending North African rhythms, and “The Dragonfly,” evoking flight. Hoexter’s tribute to Horace Silver, “Argentum,” shines with intricate horn lines, while “Diaspora” and “Particle Accelerator” emphasize rhythmic vitality and hope.
Margaret Slovak and Chris Maresh create soothing music with nylon string guitar and acoustic bass, emphasizing harmony and warmth. Their album features traditional holiday tunes alongside unique arrangements, aiming to provide comfort and peace. The duo’s synergy offers a fresh interpretation of familiar songs, making it perfect for seasonal gatherings.
Zach Adleman’s debut album features a talented ensemble with Adleman on drums and composition, producing a blend of powerful melodies and grooves. The tracks reflect personal narratives and landscapes, showcasing improvisation and instrumental highlights. With compelling arrangements, the album is a testament to excellence in contemporary jazz.
The Joymakers’ album “Down Where the Bluebonnets Grow” showcases a vibrant blend of New Orleans jazz, traditional jazz, and bluegrass influences. Musicians like Colin Hancock and Lauryn Gould deliver lively performances, recalling the nostalgic sounds of the 1920s and 1930s. The music is joyful and engaging, providing a fresh appreciation for this under-recorded genre.
Pete Rodriguez’s debut album, “I’m Pete Rodriguez Vol. 1,” showcases his fierce identity and musical prowess as a trumpeter and composer. It features nine original tracks blending defiance, empathy, and personal reflections, addressing his struggles as a son of a salsero, military veteran, and educator. The quintet’s collaboration highlights diverse compositions and emotional depth.
Samara Joy’s album “Portrait” showcases her vocal talent and lyricism, featuring a mix of Latin arrangements and innovative compositions. Her unique approach shines through in tracks like “Reincarnation of A Lovebird.” The album highlights her growth as an artist, revealed by heartfelt lyrics and collaborative energy with her skilled band.
Dwayne Clemons’ album “Center of Gravity: Live at Smalls” features a talented ensemble celebrating his three-decade connection to Smalls club. His early musical influences shaped his journey, leading to a tumultuous past, including prison time. Now based in Copenhagen, this album showcases his exceptional talent in a heartfelt homecoming.
Edison Herbert’s album “All I Need” features a blend of original compositions and covers, including “My Cherie Amour.” The smooth jazz style showcases Herbert’s guitar prowess but lacks a strong drumming backbone. While the original tracks are engaging, a more supportive production could elevate Herbert’s notable talent further.
Thollem McDonas’s album “Infinite-Sum Game,” a solo piano performance recorded live in Palermo, celebrates his eclectic musical journey. Spanning 60 minutes, it blends classical, jazz, and experimental genres, showcasing dynamic comprovisations. Each piece explores varied emotions and techniques, culminating in a thrilling auditory adventure that highlights McDonas’s unique approach to music.
Geof Bradfield’s tenth album, “Colossal Abundance,” features a 12-piece ensemble performing his original compositions alongside works by jazz greats. Drawing inspiration from the mbira music of Zimbabwe, Bradfield incorporates African rhythms and spiritual themes, showcasing his mastery of woodwinds. The album blends cultural richness with imaginative arrangements, reflecting deep musical exploration.
“Sanctuary,” the second co-led album by violinist Jason Anick and pianist Jason Yeager, blends European classical and American jazz, reflecting personal evolution during chaotic times. The duo authored half the tracks, showcasing creativity and emotional depth. Featuring talented musicians, the album strikes a compelling balance between sensitivity and vibrant improvisation.
Randy Ingram’s trio album, “Aries Dance,” showcases his melodic and harmonic prowess alongside bassist Drew Gress and drummer Billy Hart. The album features subtle compositions influenced by notable pianists and incorporates Brazilian and Portuguese elements. With thoughtful interpretations of standards, Ingram delivers a captivating listening experience that stands out in the genre.