Every week our staff of CD Reviewers bring you the best in Independent CD releases. Making a Scene is considered the number 1 resource for the independent musician and the fans that love them.
The album “From Bach to Ellington, Live” features pianist Michael Arbenz and saxophonist Andy Sheppard, blending the elegance of Duke Ellington with Bach’s intricate music. Recorded live at Bird’s Eye Jazz Club, the duo showcases emotional depth and creativity through a unique juxtaposition of jazz improvisation and Baroque counterpoint.
Jamie Shew, a vocalist and educator, navigates grief through music after losing her husband. With a diverse background in music education, she releases an album titled “Spicy Classy and a Little Sassy,” showcasing her arrangements and original compositions. While some songs stray from jazz, the collaboration with pianist Jeremy Siskind shines.
Vibraphonist Behn Gillece’s eighth album, “Pivot Point,” fuses traditional forms with contemporary sounds, showcasing a talented quintet including Willie Morris and Jon Davis. Featuring compositions that balance intricate improvisations and memorable melodies, the album explores bluesy themes with a fresh perspective while maintaining strong ensemble dynamics throughout its tracks.
Forrest McDonald, a veteran musician originally from Texas, has released his sixteenth album, “Songs From My Soul,” after a five-year hiatus. The album features predominantly original songs, showcasing his guitar skills and heartfelt lyrics. McDonald’s rich career includes collaborations with notable artists and numerous awards, reinforcing his significance in blues music.
Dyer Davis, an emerging American singer-songwriter known for his Southern blues-rock style, releases his follow-up album “Kiss The Ring.” Featuring songs like “I Ain’t Lyin'” and “Damned,” Davis explores themes of life and struggle. He aims to deepen his impact in the blues scene after his acclaimed debut, “Dog Bites Back.”
Ed Palermo’s album “Prog vs. Fusion: A War of the Ages” presents a humorous clash between progressive rock and jazz fusion. With unique arrangements, the big band covers various iconic artists, showcasing Palermo’s love for diverse music styles. The album features 19 tracks, blending genres and incorporating spoken word, effectively engaging listeners.
The Dave Bass Trio’s album “Nuevo-Vol. 2” features pianist Dave Bass alongside Tyler Miles on double bass and Steve Helfand on drums. The trio delivers a blend of bebop, classical, and Latin influences, highlighted by original compositions and creative arrangements. Dave Bass’s unique style showcases his impressive technical skill and diverse musical inspirations.
Larry McCray’s “Heartbreak City” showcases his soulful blues mastery through ten new tracks. Opening with “Try to Be a Good Man,” McCray addresses values while reflecting on his upbringing. The album, supported by producers Joe Bonamassa and Josh Smith, features a strong band and heartfelt themes, establishing McCray as a prominent figure in soul-blues-rock.
Mercedes Nicole, a Blues singer from a strict Baptist background, gained recognition after her debut at the Westport Blues Festival. Her 2020 album “Constellation” includes original works and covers, showcasing her musical evolution. The album highlights her passion for Blues, receiving international airplay and featuring talented musicians, capturing the essence of her artistry.
The George Crotty Trio, featuring cellist/composer George Crotty, bassist John Murchison, and percussionist Jeremy Smith, blends multicultural influences, creating a unique contemporary jazz sound. Formed in 2019, Crotty’s compositions incorporate elements from European jazz and Hindustani music, showcasing techniques like fingerpicking and thematic depth across eight original tracks.
Mark Masters conducted the albums “Sam Rivers 100” and “Dance, Eternal Spirits, Dance!” featuring tenor saxophonist Billy Harper. “Sam Rivers 100” celebrates Rivers’ centennial, focusing on complex arrangements of his works, while “Dance” showcases Harper’s melodic compositions spanning 1972-2000, highlighting his powerful solos in an expanded ensemble.
Joaquín Núñez’s debut album “Ruta de la Clave” with Habana Safari showcases a reinvention of Afro-Cuban jazz, blending folkloric rhythms with modern jazz sophistication. Featuring collaborations with Dayramir González, the album presents vibrant compositions celebrating Cuban music’s evolution, inviting listeners to dance while highlighting cultural connections and musical dynamics.
Joanne Shaw Taylor’s latest album, “Black & Gold,” showcases her evolution as a British blues-rock artist. Partnering with Joe Bonamassa and producer Kevin Shirley, she explores pop-infused, radio-friendly songs while maintaining her signature guitar style. The album features confessional lyrics and collaborations, highlighting her growth as a songwriter across eleven tracks.
“Oblique Rhyme” by Joe Santa Maria and David Tranchina showcases a talented Southern California jazz quartet. The album features original compositions from each member, blending diverse musical styles while emphasizing emotional depth over technicality. Highlights include Santa Maria’s “War Crime” and Tranchina’s “Hidden Lake,” highlighting the group’s creativity and collaboration.
North Mississippi Allstars’ twelfth album, “Still Shakin’,” showcases their evolving sound while honoring their roots. Featuring collaborations from various artists, the album blends their signature Hill Country sound with punk and psychedelic elements. It delivers an eclectic collection of tracks, emphasizing the band’s dynamic live performances and diverse musical influences.
Gregg Allman’s concert on May 15, 1984, at a D.C. club showcased his unique blend of emotional blues and R&B. Supported by a talented band, Allman delivered powerful performances of both solo and Allman Brothers songs. This archival release highlights his enduring legacy and exceptional musicality, marking a significant chapter in his career.
Kieran Brown’s debut album showcases her impressive vocals across various jazz styles, featuring skilled instrumentalists and unique arrangements. Highlights include her interpretations of classic songs and the original composition “Little Bits of Magic.” Brown’s talent and passion reflect her commitment to the jazz vocal community, promising a bright future ahead.
Greg Murphy releases his eighth album, “Snap Happy,” featuring a trio with bassist Obasi Akoto and drummer Steve Johns, along with guitarist Mark Whitfield and vocalist Sy Smith on select tracks. The album blends straight-ahead jazz, free improvisation, and fusion, showcasing energetic performances of both originals and covers, reflecting versatility and finesse.
Eric Wilson Adams, a musician from South Dakota, began his career in a rock band at fourteen. His latest album, “Losing Ground,” features a blend of rock, country, and blues, with tracks reflecting on love, loneliness, and life experiences. Inducted into the South Dakota Rock Hall of Fame, he continues to inspire listeners.
The Alexis P. Suter Band’s album “Just Stay High,” produced by Byron Isaacs and featuring original songs and covers, showcases their growth since Suter’s early performances. The collection, arising from collaborative songwriting, reflects on life and love, emphasizing deep connections within the band and resonating messages of resilience and unity.
Tyreek McDole, a promising 25-year-old Haitian American baritone, showcases his talent on the debut album “Open Up Your Senses.” Winning the Sarah Vaughan International Jazz Vocal Competition in 2023 distinguishes him in jazz. Featuring cultural elements and engaging collaborations, McDole’s rich voice and unique interpretations solidify his place among the new jazz greats.
James Moody’s live album at the Blue Note showcases his humor, musical mastery, and collaboration with renowned musicians. With spirited performances of signature pieces like “Moody’s Mood for Love” and vibrant improvisations, Moody captivates the audience, blending jazz with hip hop styles. The album is both a historical tribute and an entertaining experience.
Willie Buck and Bob Corritore, ambassadors of classic Chicago blues, release their collaborative album “Oh Yeah.” Buck, influenced by Muddy Waters, has a rich history in blues music. Corritore, a skilled harmonica player, opened The Rhythm Room in Phoenix. The album features original tracks and blues classics, showcasing their musical synergy and talent.
The Nicolas Ferron Trio’s debut album “Multiverse” blends psychedelic rock and experimental jazz, showcasing Ferron’s guitar skills and unique compositions. While the B3 organ shines, the drumming lacks a solid groove, affecting the overall feel. The music evokes diverse influences, steering away from traditional jazz elements, and is described as more experimental with rock roots.
Rusty Ends, influenced by blues and country music, began his musical journey in Kentucky. He fronted various bands and focused solely on blues in 1992. His latest album “The Last of the Boogiemen” features a mix of original tracks and covers, highlighting his roots and the rich blend of musical styles.
Susan Anders’s album “Now I’m a Kite” reflects her nomadic experiences, exploring themes of loss, resilience, and new beginnings. Recorded mostly in Santa Fe, the folk-pop sound accompanies deeply emotional lyrics addressing personal struggles, including her father’s passing and her partner’s health issues. Anders’s insightful songwriting showcases vulnerability and perseverance.
The Pete McGuinness Jazz Orchestra’s album “Mixed Bag,” celebrates its 20th Anniversary with a blend of standards and original compositions. Bandleader Pete McGuinness, transitioning from trombone to vocals due to health issues, showcases his smooth singing style and innovative arrangements. The orchestra’s dynamic performance features talented musicians and impressive solos.
The Gil Evans Project’s posthumous live album, “Shades of Sound,” showcases Frank Kimbrough’s remarkable piano artistry alongside a 22-piece orchestra at Jazz Standard in 2014. Featuring original and classic arrangements, this recording preserves Evans’ vibrant orchestration style while honoring Kimbrough’s legacy, providing an energetic musical experience enriched by a live audience.
Stefan Hegerat’s band, Stef.in, releases their second album “Icterus II,” blending jazz, rock, and electronics. The quartet, featuring guitars, bass, and drums, creates an experimental soundscape. Key tracks include “Here’s to Circle” and “Aku San Zan,” showcasing rhythmic complexities and melodic intricacies that cater to an acquired taste in music.
Patrick Zimmerli’s 14th album, “Songs of Innocence,” showcases his trio’s blend of light yet intense sounds, drawing inspiration from William Blake’s poetry. The music ranges from bright and joyous pieces to reflective and darker tones, exploring themes of innocence and complexity. The album’s concise length highlights its emotional depth and dynamism.
The SteelDrivers, a bluegrass band from Nashville, debuted in 2008 and achieved Grammy recognition, winning Best Bluegrass Album in 2015. Their latest release, “Outrun,” features new lead singer Matt Dame. The album showcases their signature storytelling style, promising to captivate both bluegrass fans and newcomers alike.
The Jay Willie Blues Band, led by Jay Willie and featuring Bobby T. Torello, releases their seventh album “Still Raisin’ Cane” with Zoho Music. This album includes traditional and contemporary blues covers, highlighted by the original title track. It pays tribute to blues legends and showcases an enduring musical legacy.
V&BT, a Norwegian band formed in 2016, aims to create an engaging live experience. Their debut album, “Diamonds at the Rainbow’s End,” features original songs blending blues, blues-rock, and pop. With strong vocals and authentic instrumentation, the album showcases themes of longing and hope, and is poised to expand their fanbase.
Alyn Cosker’s album “Onta” features a diverse ensemble blending jazz with Scottish cultural elements. Highlights include Karen Matheson’s ethereal vocals and dynamic tracks like “Lullapalew” and “Cassillis,” showcasing intricate rhythms and creative arrangements. Recorded internationally, the album reflects Cosker’s innovative drumming and musical fusion, offering a captivating experience.
Lisa Mann, a blues artist inspired by icons like Etta James, has a remarkable career, with numerous albums and awards, including Blues Music Awards for Best Instrumentalist. Terrie Odabi, a powerful soul blues vocalist, contributes to Mann’s latest album, “The Great Women In Blues,” showcasing classic tracks and strong musical collaboration.
James Davis’ Beveled, with talented musicians from the Chicago Modern Jazz scene, presents their album “Arc and Edge,” showcasing unique horn arrangements alongside a bass and drum rhythm section. The compositions evoke warmth and creativity, featuring intricate solos and rich orchestrations, with each track offering a delightful musical experience.
Shelby Means, a singer-songwriter and bassist from Kentucky, has released her self-titled debut solo album, showcasing 13 vibrant bluegrass songs. With contributions from Nashville’s elite musicians, the album highlights her artistry and storytelling. Means navigates personal themes, blending traditional bluegrass with modern influences, promising a bright future in the music industry.
Blues musician Alan Arena, known for his two top 10 albums in New England, recorded a new album titled “Deceived” at The Music Room in Cape Cod with producer Paul Nelson. The album features an impressive lineup of musicians and includes seven original tracks along with a cover of “Mother Earth,” celebrating caregivers and musical influences.
“Live From Death Row” features Keith LaMar, an inmate facing execution, performing spoken word with pianist Albert Marquès and a jazz ensemble. This historic release, recorded in Brooklyn, showcases LaMar’s reflections on freedom and justice through music’s healing power. The project advocates for the voices of those impacted by state-sponsored violence.
The Spike Wilner Trio’s album “The Children & the Warlock” is a tribute to Wilner’s mentor, Harry Whitaker, featuring special guest George Garzone on saxophone. The album blends bebop and straight-ahead jazz with soulful improvisations, showcasing the trio’s musical skills and emotional depth. Each track captivates, particularly the title piece and “Moment to Moment.”
The “Mingus in Argentina” double disc captures the electrifying performances of Charles Mingus and his quintet in Buenos Aires during June 1977. The album showcases their musical camaraderie, improvisational skills, and unique energy, with highlights including solos from Ricky Ford and iconic pieces like “Goodbye Pork Pie Hat.” A must-have for jazz enthusiasts.
Paquito D’Rivera’s “La Fleur de Cayenne” features the Madrid-New York Connection Band, a group of Cuban and Colombian musicians. This album showcases an array of original compositions and Latin styles, blending Cuban son, Argentinian tango, and Venezuelan rhythms. D’Rivera’s clarinet and ensemble deliver vibrant, lyrical performances, marking their first recording after two decades together.
Roy Head, a Texas music legend born in 1941, co-founded “Roy Head and The Traits” in 1957. Known for blue-eyed soul, his hit “Treat Her Right” gained fame. The posthumous album “Last Time Around,” completed after his 2020 death, showcases his versatility through emotional tracks, celebrating his impactful musical legacy.
Masha Campagne’s fourth album, “Alegre Menina,” reflects her artistic journey and roots, influenced by her grandfather’s jazz legacy. After relocating from Russia to San Francisco, she found success in jazz festivals and collaborations. This album features original compositions and Brazilian classics, showcasing her authentic vocal style and rich musical arrangements.
Emma Wilson, a British Rhythm & Blues artist, released her third EP, “A Spoonful Of Willie Dixon,” on Select-O-Hits Records. The six-song collection features classic blues tracks by Willie Dixon, showcasing Emma’s vocal talent alongside skilled musicians. Inspired by her visits to Memphis, this live-recorded EP highlights her deep respect for blues music.
Marty Ehrlich’s Trio Exaltation returns with “Images of Time,” featuring bassist John Hébert and drummer Nasheet Waits. The album showcases Ehrlich’s artistry with seven original compositions and two by Andrew Hill, reflecting Hill’s influence. The trio’s interplay reveals their deep connection, blending composition and improvisation to honor Hill’s legacy.
Jeffrey Broussard, a prominent zydeco musician from Louisiana, honors Creole traditions through his music, mastering multiple instruments from a young age. He co-founded Zydeco Force and later formed Jeffrey Broussard and the Creole Cowboys, blending traditional sounds with modern influences. His latest work, “Boots and Boujee,” showcases his talent and dedication.
Brad “Guitar” Wilson, an acclaimed California-based guitarist-singer-songwriter, showcases his talent in his new album, “Buckle Up!”. Featuring eight originals and six covers, the album highlights his soulful sound and impressive performances. With a history of collaborating with renowned artists, Brad’s music resonates through captivating tracks and vibrant performances across California.
David Riddel’s “Dr. Purgatory: The Consumption” is a multidisciplinary album blending modern jazz with a tragic folktale theme. Featuring a skilled ensemble and accompanied by a 46-page illustrated book, Riddel’s compositions draw inspiration from literature and mythology, resulting in technically proficient and emotionally engaging music that invites imaginative exploration.
Marina Pacowski’s “New Jazz Standards Volume 7” celebrates the intricate compositions of Carl Saunders, showcasing her vocal and piano talent alongside renowned musicians. Tracks range from joyful arrangements to heartfelt tributes, with standout moments of improvisation and scat singing. Pacowski’s connection to Saunders’ music unites artistic excellence and emotional depth.