Every week our staff of CD Reviewers bring you the best in Independent CD releases. Making a Scene is considered the number 1 resource for the independent musician and the fans that love them.
Mira Choquette, a multi-lingual vocalist, collaborates with Armenian jazz musicians, including pianist Samvel Gasparyan, to create a diverse jazz album. Their performances of classic songs showcase emotional depth and cultural fusion. The project evolved from a duo concept to a fuller ensemble, reflecting the unique atmosphere of Armenia.
Itai Kriss’s album “Daybreak” showcases his talents as a flautist and composer. Featuring an ensemble with Adam Birnbaum, Luke Sellick, and special guests, the album captures the progression of a day through vivid melodies, jazz improvisations, and diverse musical styles, concluding with a joyous gospel piece, “In the Light.”
Amina Claudine Myers, celebrated as a NEA Jazz Master, blends her gospel roots with avant-garde influences in her album “Solace of the Mind.” Featuring original compositions like “African Blues” and reimagined tunes, her music evokes meditation and emotional depth, reflecting her rich musical journey within the AACM and beyond.
Meltem Ege’s album “Solitude” merges English and Turkish lyrics, reflecting her cultural roots and emotional complexity. Featuring jazz and pop elements, it includes collaborations with international musicians and showcases Ege’s dynamic vocal style. Notable tracks like “Anlayana” and “Aklinda Kalmasin” highlight her creativity, blending genres and influences seamlessly.
Teskey is an independent blues band formed in 2024, featuring Brandon Teskey, Brandon Gaddy, Matt Baldwin, and Peter Murphy. Their debut album “White Wolf” includes eleven original songs addressing themes such as heartbreak and resilience. The emotive instrumentals and lyrics reflect personal struggles, especially Teskey’s wife’s battle with cancer.
Joe Kennedy collaborates with the David Hughes Quartet on “Time Travel,” featuring original compositions and jazz standards. The album showcases Kennedy’s piano and organ skills, highlighted in tracks like “Tony’s Turnaround” and “Mineshaft.” The quintet delivers a captivating blend of influences, enriched by strong solos from featured musicians.
The album “Llegue” by Jason T. Reddish revisits the legacy of his father’s band, Reddish Fetish, which fused jazz, rock, and world music in the 1960s. Featuring various talented musicians, it revitalizes classic tunes and incorporates fresh arrangements, showcasing Reddish’s journey as a bandleader and producer in contemporary jazz.
Something Blue highlights the evolution of Posi-Tone Records, founded by Marc Free and Nick O’Toole. The label, renowned for straight-ahead jazz, celebrates its 30th anniversary with an album featuring compositions from the ‘90s, interpreted by a talented sextet. The musicians showcase vibrant performances, blending traditional and contemporary jazz influences seamlessly.
Cassie Taylor, daughter of blues artist Otis Taylor, returns with a new album exploring gospel-infused blues and soul after a decade away from music due to mental health struggles. The ensemble features notable tracks like “Downward Road” and “Respect Yourself,” showcasing her journey of reclaiming identity in her artistic legacy.
Willie Nile, born Robert Noonan, is a Buffalo-native musician celebrated for his 21st album, “The Great Yellow Light.” Produced with Stewart Lerman, it features a blend of rock and poignant lyrics across various tracks. Nile has garnered a devoted following and admiration from notable artists, emphasizing his influence in modern music.
D.K. Harrell, born in 1998 in Louisiana, is a rising blues artist who grew up influenced by legends like B.B. King. He debuted with “The Right Man” in 2023, earning acclaim and awards. His album showcases his songwriting skills and features a blend of emotional tracks that reflect personal and societal themes.
Paloma Dineli Chesky’s album features her sweet vocals paired with a blend of jazz and pop influences, showcasing her original compositions and unique stylistic sound. Collaborating with skilled musicians, she explores various genres, including Brazilian and American folk. However, some arrangements may not fully enhance her songwriting potential, suggesting a need for professional input.
Kathy Sanborn’s album “Romance Language” features her lead vocals, piano, and original compositions, showcasing her smoky, inviting voice. While the extensive layering of her harmonies and programming work well, hiring a full jazz ensemble could elevate her promising songwriting further. The album highlights her multilingual singing and smooth melodies.
“Portrait of a Moment” features the dynamic jazz trio of Tommaso Perazzo (piano), Marcello Cardillo (drums), and Buster Williams (bass). The album showcases their creative synergy through original compositions like “Back at the Right Spot” and the beautiful ballad “Christina.” Each piece reflects their unique blend of talent, emphasizing intergenerational jazz.
James McMurtry’s album, The Black Dog and the Wandering Boy, showcases his lyrical prowess with ten exceptional tracks that blend personal stories with societal critiques. Collaborating with talented musicians, he creates a spontaneous sound. The album’s covers and original songs poignantly explore themes of disillusionment and identity, marking a significant contribution to Americana music.
The album “Basie Rocks!” features Deborah Silver with The Count Basie Orchestra, blending rock music with big band jazz. It opens with a vibrant arrangement of a Rolling Stones hit and includes notable collaborations with artists like Peter Frampton and Kurt Elling, showcasing Silver’s impressive vocal style and the orchestra’s talent.
Bobby West’s album “Requiem for Mary Turner” features a poignant tribute to the lynching of Mary Turner, a victim of racial violence. With a 22-piece orchestra, West captures the emotional weight of history through evocative compositions like “Spirit Move Sunrise” and “Never Let Me Go,” showcasing healing and hope amidst despair.
Danish jazz vocalist Marie Mǿrck releases a joyful album featuring uplifting standards and engaging arrangements. With a voice reminiscent of classic artists, she showcases her talent through songs like “Look for the Silver Lining” and “Like Someone in Love,” blending sincerity and emotion. The album delights and inspires listeners.
The album “From Bach to Ellington, Live” features pianist Michael Arbenz and saxophonist Andy Sheppard, blending the elegance of Duke Ellington with Bach’s intricate music. Recorded live at Bird’s Eye Jazz Club, the duo showcases emotional depth and creativity through a unique juxtaposition of jazz improvisation and Baroque counterpoint.
Jamie Shew, a vocalist and educator, navigates grief through music after losing her husband. With a diverse background in music education, she releases an album titled “Spicy Classy and a Little Sassy,” showcasing her arrangements and original compositions. While some songs stray from jazz, the collaboration with pianist Jeremy Siskind shines.
Vibraphonist Behn Gillece’s eighth album, “Pivot Point,” fuses traditional forms with contemporary sounds, showcasing a talented quintet including Willie Morris and Jon Davis. Featuring compositions that balance intricate improvisations and memorable melodies, the album explores bluesy themes with a fresh perspective while maintaining strong ensemble dynamics throughout its tracks.
Forrest McDonald, a veteran musician originally from Texas, has released his sixteenth album, “Songs From My Soul,” after a five-year hiatus. The album features predominantly original songs, showcasing his guitar skills and heartfelt lyrics. McDonald’s rich career includes collaborations with notable artists and numerous awards, reinforcing his significance in blues music.
Dyer Davis, an emerging American singer-songwriter known for his Southern blues-rock style, releases his follow-up album “Kiss The Ring.” Featuring songs like “I Ain’t Lyin'” and “Damned,” Davis explores themes of life and struggle. He aims to deepen his impact in the blues scene after his acclaimed debut, “Dog Bites Back.”
Ed Palermo’s album “Prog vs. Fusion: A War of the Ages” presents a humorous clash between progressive rock and jazz fusion. With unique arrangements, the big band covers various iconic artists, showcasing Palermo’s love for diverse music styles. The album features 19 tracks, blending genres and incorporating spoken word, effectively engaging listeners.
The Dave Bass Trio’s album “Nuevo-Vol. 2” features pianist Dave Bass alongside Tyler Miles on double bass and Steve Helfand on drums. The trio delivers a blend of bebop, classical, and Latin influences, highlighted by original compositions and creative arrangements. Dave Bass’s unique style showcases his impressive technical skill and diverse musical inspirations.
Larry McCray’s “Heartbreak City” showcases his soulful blues mastery through ten new tracks. Opening with “Try to Be a Good Man,” McCray addresses values while reflecting on his upbringing. The album, supported by producers Joe Bonamassa and Josh Smith, features a strong band and heartfelt themes, establishing McCray as a prominent figure in soul-blues-rock.
Mercedes Nicole, a Blues singer from a strict Baptist background, gained recognition after her debut at the Westport Blues Festival. Her 2020 album “Constellation” includes original works and covers, showcasing her musical evolution. The album highlights her passion for Blues, receiving international airplay and featuring talented musicians, capturing the essence of her artistry.
The George Crotty Trio, featuring cellist/composer George Crotty, bassist John Murchison, and percussionist Jeremy Smith, blends multicultural influences, creating a unique contemporary jazz sound. Formed in 2019, Crotty’s compositions incorporate elements from European jazz and Hindustani music, showcasing techniques like fingerpicking and thematic depth across eight original tracks.
Mark Masters conducted the albums “Sam Rivers 100” and “Dance, Eternal Spirits, Dance!” featuring tenor saxophonist Billy Harper. “Sam Rivers 100” celebrates Rivers’ centennial, focusing on complex arrangements of his works, while “Dance” showcases Harper’s melodic compositions spanning 1972-2000, highlighting his powerful solos in an expanded ensemble.
Joaquín Núñez’s debut album “Ruta de la Clave” with Habana Safari showcases a reinvention of Afro-Cuban jazz, blending folkloric rhythms with modern jazz sophistication. Featuring collaborations with Dayramir González, the album presents vibrant compositions celebrating Cuban music’s evolution, inviting listeners to dance while highlighting cultural connections and musical dynamics.
Joanne Shaw Taylor’s latest album, “Black & Gold,” showcases her evolution as a British blues-rock artist. Partnering with Joe Bonamassa and producer Kevin Shirley, she explores pop-infused, radio-friendly songs while maintaining her signature guitar style. The album features confessional lyrics and collaborations, highlighting her growth as a songwriter across eleven tracks.
“Oblique Rhyme” by Joe Santa Maria and David Tranchina showcases a talented Southern California jazz quartet. The album features original compositions from each member, blending diverse musical styles while emphasizing emotional depth over technicality. Highlights include Santa Maria’s “War Crime” and Tranchina’s “Hidden Lake,” highlighting the group’s creativity and collaboration.
North Mississippi Allstars’ twelfth album, “Still Shakin’,” showcases their evolving sound while honoring their roots. Featuring collaborations from various artists, the album blends their signature Hill Country sound with punk and psychedelic elements. It delivers an eclectic collection of tracks, emphasizing the band’s dynamic live performances and diverse musical influences.
Gregg Allman’s concert on May 15, 1984, at a D.C. club showcased his unique blend of emotional blues and R&B. Supported by a talented band, Allman delivered powerful performances of both solo and Allman Brothers songs. This archival release highlights his enduring legacy and exceptional musicality, marking a significant chapter in his career.
Kieran Brown’s debut album showcases her impressive vocals across various jazz styles, featuring skilled instrumentalists and unique arrangements. Highlights include her interpretations of classic songs and the original composition “Little Bits of Magic.” Brown’s talent and passion reflect her commitment to the jazz vocal community, promising a bright future ahead.
Greg Murphy releases his eighth album, “Snap Happy,” featuring a trio with bassist Obasi Akoto and drummer Steve Johns, along with guitarist Mark Whitfield and vocalist Sy Smith on select tracks. The album blends straight-ahead jazz, free improvisation, and fusion, showcasing energetic performances of both originals and covers, reflecting versatility and finesse.
Eric Wilson Adams, a musician from South Dakota, began his career in a rock band at fourteen. His latest album, “Losing Ground,” features a blend of rock, country, and blues, with tracks reflecting on love, loneliness, and life experiences. Inducted into the South Dakota Rock Hall of Fame, he continues to inspire listeners.
The Alexis P. Suter Band’s album “Just Stay High,” produced by Byron Isaacs and featuring original songs and covers, showcases their growth since Suter’s early performances. The collection, arising from collaborative songwriting, reflects on life and love, emphasizing deep connections within the band and resonating messages of resilience and unity.
Tyreek McDole, a promising 25-year-old Haitian American baritone, showcases his talent on the debut album “Open Up Your Senses.” Winning the Sarah Vaughan International Jazz Vocal Competition in 2023 distinguishes him in jazz. Featuring cultural elements and engaging collaborations, McDole’s rich voice and unique interpretations solidify his place among the new jazz greats.
James Moody’s live album at the Blue Note showcases his humor, musical mastery, and collaboration with renowned musicians. With spirited performances of signature pieces like “Moody’s Mood for Love” and vibrant improvisations, Moody captivates the audience, blending jazz with hip hop styles. The album is both a historical tribute and an entertaining experience.
The Nicolas Ferron Trio’s debut album “Multiverse” blends psychedelic rock and experimental jazz, showcasing Ferron’s guitar skills and unique compositions. While the B3 organ shines, the drumming lacks a solid groove, affecting the overall feel. The music evokes diverse influences, steering away from traditional jazz elements, and is described as more experimental with rock roots.
Willie Buck and Bob Corritore, ambassadors of classic Chicago blues, release their collaborative album “Oh Yeah.” Buck, influenced by Muddy Waters, has a rich history in blues music. Corritore, a skilled harmonica player, opened The Rhythm Room in Phoenix. The album features original tracks and blues classics, showcasing their musical synergy and talent.
Rusty Ends, influenced by blues and country music, began his musical journey in Kentucky. He fronted various bands and focused solely on blues in 1992. His latest album “The Last of the Boogiemen” features a mix of original tracks and covers, highlighting his roots and the rich blend of musical styles.
Susan Anders’s album “Now I’m a Kite” reflects her nomadic experiences, exploring themes of loss, resilience, and new beginnings. Recorded mostly in Santa Fe, the folk-pop sound accompanies deeply emotional lyrics addressing personal struggles, including her father’s passing and her partner’s health issues. Anders’s insightful songwriting showcases vulnerability and perseverance.
The Pete McGuinness Jazz Orchestra’s album “Mixed Bag,” celebrates its 20th Anniversary with a blend of standards and original compositions. Bandleader Pete McGuinness, transitioning from trombone to vocals due to health issues, showcases his smooth singing style and innovative arrangements. The orchestra’s dynamic performance features talented musicians and impressive solos.
The Gil Evans Project’s posthumous live album, “Shades of Sound,” showcases Frank Kimbrough’s remarkable piano artistry alongside a 22-piece orchestra at Jazz Standard in 2014. Featuring original and classic arrangements, this recording preserves Evans’ vibrant orchestration style while honoring Kimbrough’s legacy, providing an energetic musical experience enriched by a live audience.
Stefan Hegerat’s band, Stef.in, releases their second album “Icterus II,” blending jazz, rock, and electronics. The quartet, featuring guitars, bass, and drums, creates an experimental soundscape. Key tracks include “Here’s to Circle” and “Aku San Zan,” showcasing rhythmic complexities and melodic intricacies that cater to an acquired taste in music.
Patrick Zimmerli’s 14th album, “Songs of Innocence,” showcases his trio’s blend of light yet intense sounds, drawing inspiration from William Blake’s poetry. The music ranges from bright and joyous pieces to reflective and darker tones, exploring themes of innocence and complexity. The album’s concise length highlights its emotional depth and dynamism.
The SteelDrivers, a bluegrass band from Nashville, debuted in 2008 and achieved Grammy recognition, winning Best Bluegrass Album in 2015. Their latest release, “Outrun,” features new lead singer Matt Dame. The album showcases their signature storytelling style, promising to captivate both bluegrass fans and newcomers alike.
The Jay Willie Blues Band, led by Jay Willie and featuring Bobby T. Torello, releases their seventh album “Still Raisin’ Cane” with Zoho Music. This album includes traditional and contemporary blues covers, highlighted by the original title track. It pays tribute to blues legends and showcases an enduring musical legacy.