Jazz CD Review

Mark Tonelli’s album “Brasileira” showcases his original compositions influenced by Brazilian culture, developed during his time teaching and performing in Brazil. However, the collaboration with musicians often feels disjointed, as their improvisations clash with Tonelli’s guitar melodies. The review highlights moments of disconnect, leaving the listener puzzled about the artistic cohesion.

The Robert Jospé Quartet’s album “The Night Sky” showcases their vibrant blend of Latin rhythms and melodic beauty. Featuring talented musicians, including Jospé on drums, Daniel Clarke on piano, and Chris Whiteman on guitar, each track highlights their musicianship and energy. The album culminates in a captivating finale with a solo by Jospé.

Tierney Sutton collaborates with pianist Tamir Hendelman on her 17th album, a duo project celebrating the theme of spring. Their chemistry shines through in interpretations of classic jazz tunes, showcasing Sutton’s vocal storytelling and Hendelman’s creative piano. The album blends emotion and mastery, creating a soothing musical experience.

“Oná,” a Canadian chamber-jazz ensemble formed in 2024, presents a blend of Brazilian and classical influences. Their album “Sem Vocé” features unique instrument combinations but lacks the vibrant energy typical of Brazilian music. Highlight tracks include tributes and smooth harmonies, yet they fall short of conveying the joy associated with Brazilian traditions.

David Basse’s album “The War Within,” recorded live at Kulak’s Woodshed, features a dynamic jazz trio and showcases Basse’s talents as a drummer, vocalist, and composer. The album includes original compositions and humorous, storytelling lyrics, highlighting Basse’s experience in the Kansas City music scene and his tribute to jazz traditions.

Entre Amigos releases their third album, “Joyful Foundation: The Music of Justin Copeland,” featuring compositions by trumpeter Justin Copeland and ensemble members. The blend of styles showcases advanced harmonics and rhythmic variety. Copeland’s impressive background enhances the group’s vibrant sound, marking a notable progression in their musical journey.

Gafieira Rio Miami is an eleven-piece group that revives vibrant Brazilian music from the 1940s to 1960s, blending jazz with samba and other styles. They feature notable Brazilian artists and a diverse range of rhythms, captivating listeners with energetic performances that encourage dance and joy. The album includes various guest musicians and innovative tracks.

Dave Schumacher’s album “Agua Con Gas,” performed by his Afro-Latin Jazz Septet, showcases his long-standing love for jazz and Afro-Cuban music. With original compositions and engaging arrangements, the album features incredible musicianship, especially from Schumacher’s baritone saxophone. It celebrates rich rhythms and vibrant energy, highlighting the joy of the genre.

Bassist Harvie S. celebrates his 21st album as a band leader with “Bright Dawn,” featuring original compositions and notable covers. Accompanied by Peter Bernstein, Miki Hayama, and Matt Wilson, the album blends melodic jazz with elements of bebop. Pieces like “Ghosts of Havana” and “Waltz for Vartan” showcase Harvie’s mastery and creativity.

Dave Adewumi, an emerging jazz trumpeter, showcases his talents on his debut album “The Flame Beneath the Silence.” A graduate of esteemed conservatories, he has received numerous accolades, including the Young Jazz Composer Award and the NYSCA/NYFA Artist Fellowship. The album consists of ten original compositions that highlight his unique style and creativity.

April Varner pays homage to Ella Fitzgerald in her album “Ella,” featuring both a small combo and big band. Despite her nine years of jazz experience, Varner brings an instinctive swing and impressive vocal range, collaborating with notable arrangers like Emmet Cohen and Brian Lynch. The album showcases classic pieces while asserting Varner’s own artistry.

Mark Christian Miller’s fourth album, “Strange Meadowlark,” showcases his smooth tenor voice and unique artistry alongside top Los Angeles jazz musicians. The album features refreshing interpretations of classic tunes, including an Oscar Brown Jr. original and sensitive medleys with Josh Nelson. Miller’s careful repertoire selection and storytelling elevate his distinctive style.

Isabella Isherwood’s debut album, “The Sweetest Sounds,” showcases her vocal and piano talents while exploring the American Songbook. At twenty-three, she displays versatility, though her style lacks distinctiveness compared to jazz legends. Highlights include intimate duets and a strong performance of “Don’t Think Twice, It’s All Right.” Promising potential is evident.

Brian Landrus’s album “Just When You Think You Know” showcases his versatility as a composer and musician, expanding beyond his signature low-end instruments. The collection features diverse styles, from fusion to chamber music, with emotional themes reflecting past struggles. Landrus delivers captivating performances alongside a talented ensemble, redefining previous expectations.

Peter Furlan’s album, recorded live at Maureen’s Jazz Cellar, showcases his original compositions performed by a talented ensemble of East Coast musicians. Highlighting unique arrangements, such as “Return to the Be-Bop Tango” and “The Ice Committee,” the album blends jazz with other influences, featuring impressive solos and vibrant rhythms, captivating listeners throughout.

Joshua Achiron’s debut album “Climbing” features original compositions that reflect his personal mantras and wisdom. The tracks, including “Troubles Become Triumphs,” showcase Achiron’s guitar skills alongside talented musicians. The album blends positivity and inspiration with jazzy arrangements, culminating in a notable cover of Duke Ellington’s “Take the Coltrane.”

Lilly Hertzman’s sixth album, “Heartshaped,” features a New York City trio of Aaron Parks, Thomas Morgan, and Jongkuk Kim. This collection of original jazzy songs showcases Hertzman’s sweet vocals and skilled songwriting, reminiscent of 1960s jazz. The album highlights improvised interactions within the group, blending creativity and excellence, set to release on April 17, 2026.

“Flying High” features talented jazz vocalists and musicians celebrating the legacy of female big band singers. The album, executive produced by Susan Waldowski, showcases Bria Skonberg, Carmen Bradford, and others performing classic tracks. With impressive arrangements and solos, it honors both past and present female jazz artistry, culminating in Nicole Zuraitis’s emotional finale.

Chenxi Pan’s album “This Very Moment” showcases her as a skilled vocalist and composer, blending modern jazz with intricate emotional narratives. With a talented ensemble, Pan’s thoughtful songwriting and vocal precision create poignant melodies like “If Only for a Moment.” Her artistry and unique approach make her an artist to watch.

Alfie Jackson Sextet’s album “The Peacocks,” featuring young vocalist Alfie Jackson, showcases her interpretations of classic jazz standards. Her soprano voice and modern style bring fresh energy to songs like “500 Miles High” and “Nature Boy.” Based in New York, Jackson’s talent shines through challenging compositions while highlighting her growth as a jazz artist.

Erica von Kleist’s album “Picc Pocket” showcases the piccolo’s unique role in jazz, featuring her original compositions. An established musician and educator, von Kleist aims to highlight the instrument’s strengths, crafting melodies that blend humor and creativity. This release marks a significant contribution to the jazz genre, redefining the piccolo’s presence.

Karen and Norbert Stachel, renowned jazz musicians, lead the group LEHCATS featuring Giovanni Hidalgo. Their latest double album blends contemporary jazz with Latin and funk influences, showcasing original compositions from both Stachels. The dynamic arrangements highlight Hidalgo’s exceptional percussion, promising listeners an energetic and soulful experience throughout the tracks.

Aubrey Johnson’s album “The Lively Air” showcases her vocal talent and unique compositions, blending jazz with influences from artists like Joni Mitchell. Featuring musicians like Tomoko Omura and Chris McCarthy, the album highlights Johnson’s soprano voice, intricate arrangements, and improvisational skills, solidifying her reputation in diverse musical genres.

The Interplay Jazz Orchestra’s album “Bite Your Tongue,” led by Joey Devassy and Gary Henderson, showcases diverse compositions by its members. Highlighting solo opportunities, the album features arrangements of classic tunes and original works, blending traditional jazz with modern flair. The orchestra’s talent and creativity shine throughout the production.

CHRIS MADSEN, DANA HALL, CLARK SOMMERS THREEFOLD Calligram Records Chris Madsen, tenor & soprano saxophones; Clark Sommers, acoustic bass; Dana Hall, drums & cymbals. Clark Sommers strongly pumps his acoustic bass beneath the opening song composed by Chris Madsen. Madsen’s soprano saxophone rings pure and emotionally present above the rhythm of bass and drums. The […]

Brian Lynch Quintet featuring Charles McPherson Torch Bearers Hollistic Music Works Bebop lives!!  Torch Bearers, from fiery trumpeter Brian Lynch and living legend, alto saxophonist, 86-year-old Charles McPherson, carries on the form’s legacy. This is a luminous session that features vocalist Samara Joy on two tracks, along with the bass-drum tandem of Boris Kozlov and […]

Guitarist and vocalist John Pizarelli pays tribute to Tony Bennett in “Dear Mr. Bennett,” a jazz-infused celebration featuring favorite songs that honors Bennett’s legacy. Pizarelli showcases his unique style while maintaining the spirit of Bennett’s music, highlighted by his impressive guitar work and heartfelt vocal performances, culminating in a rich homage.

Steve Berndt, a Canadian vocalist, songwriter, and trombonist based in Ottawa, showcases his impressive songwriting and unique tenor vocal style in his latest album, “Heart of Hearts.” Featuring catchy melodies and well-written lyrics, notable tracks include “Blue Skies on Mars,” awarded Best Original Song, and the blues-influenced “Plus Size Love.”

Anna Kolchina’s album “Reach for Tomorrow” showcases her vocal talents alongside various esteemed guitarists over five years. Drawing from her rich background, Kolchina delivers heartfelt renditions of classic tunes, blending genres like jazz and blues. Each collaboration adds unique nuances, resulting in an emotional and engaging musical experience.

Stella Cole’s EP “My Funny Valentine” features three romantic jazz renditions, perfect for Valentine’s Weekend. Following her previous holiday release, she showcases her talent with “You Go To My Head” and an intimate version of “The Nearness of You,” accompanied by accomplished musicians. Her stunning voice captivates listeners.

Dr. Javier Nero’s upcoming album “Alkebulan,” set for release on March 20, 2026, features his original compositions celebrating Africa’s cultural roots. It showcases an A-list jazz ensemble, blending rich melodies and intricate arrangements. Notable performances include Veronica Swift’s vocals and Warren Wolf’s vibraphone, promising a unifying musical experience.

The Dana Legg Stage Band’s album “Scoopin’ the Loop” features classic songs reimagined with big band arrangements. Highlighting tracks like “Ain’t No Sunshine” and “Heavy Cloud, No Rain,” the album captures nostalgic moments from Legg’s youth while showcasing talented musicians. It promises a fresh, jazzy take on beloved pop standards.

The Eyal Vilner Big Band’s “Big Apple Stomp” is a vibrant big band album featuring eighteen tracks that celebrate New York City’s jazz scene. Recorded live, it includes exciting renditions of classic tunes and original compositions by Vilner. The album aims to inspire swing dancing with its energetic arrangements and soulful vocals.

Bellbird’s second album, “Firefly Pharology,” showcases the Montreal-based quartet’s unique sound, blending woodwinds, bass, and drums without traditional harmonic instruments. Their music, inspired by nature, features collaborative compositions like “Murmuration” and “Soft Animal.” The group makes strong social statements, with tracks like “Blowing on Embers” dedicated to political causes.

Doug MacDonald Trio’s live performance in Beverly Hills marks a significant moment in jazz, featuring dynamic musicianship from Doug MacDonald on guitar, Lou Shoch on bass, and Billy Paul on drums. The album showcases engaging compositions, vibrant energy, and standout solos, solidifying MacDonald’s reputation in the jazz scene.

Emilio Solla’s “La Inestable de Brooklyn” features a talented nine-piece orchestra blending jazz and world music. The album, reflecting the 2020 pandemic through its “Suite de los Abrazos,” integrates twelve-tone techniques, with standout performances from various musicians. It includes personal touches, honoring Joni Mitchell and expressing themes of cultural unity.

Francesca Confortini and Ryan MacKenzie collaborate on “Mosaico,” a Brazilian jazz album blending diverse musical styles. Confortini’s joyful vocals and MacKenzie’s intricate arrangements come together, featuring lush instrumentation and harmonies from notable musicians. The project celebrates Brazilian music’s richness, creating an exciting cultural mosaic through shared artistry and talent.

Noa Levy and the Paul Edis Trio’s album, “Portrait in Evans,” pays tribute to Bill Evans with intricate compositions. While Levy excels in the ballad “Only Child,” her vocal delivery wavers in emotional authenticity on faster tracks. The ensemble showcases strong musicianship, particularly in instrumental solos, making it a noteworthy jazz effort.

Clarinetist and saxophonist Ricky Alexander releases “Ragology,” his third album and a unique contribution to ragtime. Collaborating with Grammy-winning pianist Conal Fowkes and banjoist Jerron Paxton, the quintet explores classic ragtime pieces and blends styles. The album reflects traditional roots while showcasing exceptional musicianship, reviving a century-old genre influential to jazz.

Dave Slonaker leads a Grammy-nominated big band known for vibrant arrangements and dynamic musicians. Their latest album, “Shifty Paradigms,” features original compositions with influences from Los Angeles life, presented with high energy and intricate grooves. The ensemble showcases exceptional talent, creating a work full of integrity and beauty.

Ellas Kapell, a Swedish jazz quartet, delivers an innovative album that breathes new life into classic tunes. Featuring clear vocals and impressive instrumentation, they challenge musical norms while asserting creative control in their production. Their unique sound has captivated listeners, earning accolades and over 7 million streams since their 2016 formation.

Ben Rosenblum’s album, “The Longest Way Round,” showcases his piano and accordion mastery alongside a talented ensemble. Influenced by diverse cultures, he blends jazz with elements like gypsy jazz and Dominican merengue, creating a unique sound. His compositions reflect a rich musical heritage, inviting listeners to embrace the accordion’s versatility.

Edward Simon’s “Venezuela: Latin American Songbook, Vol. 2” features a talented trio exploring Venezuelan music with a blend of classical and jazz influences. Notable tracks include “Presagio,” showcasing a vibrant bebop transformation, and the beautiful duo “Atardecer.” Simon’s rich arrangements highlight his unique style and musical excellence.

Julie Benko’s album “Euphonic Gumbo” is a vibrant tribute to New Orleans culture, blending jazz, Cajun influences, and folk ballads. Celebrated for her Broadway roles, Benko’s album features exciting arrangements and performances that evoke the spirit of Bourbon Street. It’s a festivity of music that captures life’s joys and memories.

Aaron Quinn’s debut album with his quartet, Sunchoke, showcases a blend of raw emotion and classical influences in improvised free music. The seven-track release highlights the musicians’ collaborative spirit, featuring a mix of avant-garde arrangements and melodic pieces. Notable tracks include “Wasabi,” “Turnips,” and “Sunchoke.” Quinn, based in Brooklyn, also engages in music education.