jazz standards

Aubrey Johnson’s album “The Lively Air” showcases her vocal talent and unique compositions, blending jazz with influences from artists like Joni Mitchell. Featuring musicians like Tomoko Omura and Chris McCarthy, the album highlights Johnson’s soprano voice, intricate arrangements, and improvisational skills, solidifying her reputation in diverse musical genres.

The Interplay Jazz Orchestra’s album “Bite Your Tongue,” led by Joey Devassy and Gary Henderson, showcases diverse compositions by its members. Highlighting solo opportunities, the album features arrangements of classic tunes and original works, blending traditional jazz with modern flair. The orchestra’s talent and creativity shine throughout the production.

CHRIS MADSEN, DANA HALL, CLARK SOMMERS THREEFOLD Calligram Records Chris Madsen, tenor & soprano saxophones; Clark Sommers, acoustic bass; Dana Hall, drums & cymbals. Clark Sommers strongly pumps his acoustic bass beneath the opening song composed by Chris Madsen. Madsen’s soprano saxophone rings pure and emotionally present above the rhythm of bass and drums. The […]

Brian Lynch Quintet featuring Charles McPherson Torch Bearers Hollistic Music Works Bebop lives!!  Torch Bearers, from fiery trumpeter Brian Lynch and living legend, alto saxophonist, 86-year-old Charles McPherson, carries on the form’s legacy. This is a luminous session that features vocalist Samara Joy on two tracks, along with the bass-drum tandem of Boris Kozlov and […]

Guitarist and vocalist John Pizarelli pays tribute to Tony Bennett in “Dear Mr. Bennett,” a jazz-infused celebration featuring favorite songs that honors Bennett’s legacy. Pizarelli showcases his unique style while maintaining the spirit of Bennett’s music, highlighted by his impressive guitar work and heartfelt vocal performances, culminating in a rich homage.

Steve Berndt, a Canadian vocalist, songwriter, and trombonist based in Ottawa, showcases his impressive songwriting and unique tenor vocal style in his latest album, “Heart of Hearts.” Featuring catchy melodies and well-written lyrics, notable tracks include “Blue Skies on Mars,” awarded Best Original Song, and the blues-influenced “Plus Size Love.”

Anna Kolchina’s album “Reach for Tomorrow” showcases her vocal talents alongside various esteemed guitarists over five years. Drawing from her rich background, Kolchina delivers heartfelt renditions of classic tunes, blending genres like jazz and blues. Each collaboration adds unique nuances, resulting in an emotional and engaging musical experience.

Stella Cole’s EP “My Funny Valentine” features three romantic jazz renditions, perfect for Valentine’s Weekend. Following her previous holiday release, she showcases her talent with “You Go To My Head” and an intimate version of “The Nearness of You,” accompanied by accomplished musicians. Her stunning voice captivates listeners.

Dr. Javier Nero’s upcoming album “Alkebulan,” set for release on March 20, 2026, features his original compositions celebrating Africa’s cultural roots. It showcases an A-list jazz ensemble, blending rich melodies and intricate arrangements. Notable performances include Veronica Swift’s vocals and Warren Wolf’s vibraphone, promising a unifying musical experience.

The Dana Legg Stage Band’s album “Scoopin’ the Loop” features classic songs reimagined with big band arrangements. Highlighting tracks like “Ain’t No Sunshine” and “Heavy Cloud, No Rain,” the album captures nostalgic moments from Legg’s youth while showcasing talented musicians. It promises a fresh, jazzy take on beloved pop standards.

The Eyal Vilner Big Band’s “Big Apple Stomp” is a vibrant big band album featuring eighteen tracks that celebrate New York City’s jazz scene. Recorded live, it includes exciting renditions of classic tunes and original compositions by Vilner. The album aims to inspire swing dancing with its energetic arrangements and soulful vocals.

Bellbird’s second album, “Firefly Pharology,” showcases the Montreal-based quartet’s unique sound, blending woodwinds, bass, and drums without traditional harmonic instruments. Their music, inspired by nature, features collaborative compositions like “Murmuration” and “Soft Animal.” The group makes strong social statements, with tracks like “Blowing on Embers” dedicated to political causes.

Doug MacDonald Trio’s live performance in Beverly Hills marks a significant moment in jazz, featuring dynamic musicianship from Doug MacDonald on guitar, Lou Shoch on bass, and Billy Paul on drums. The album showcases engaging compositions, vibrant energy, and standout solos, solidifying MacDonald’s reputation in the jazz scene.

Emilio Solla’s “La Inestable de Brooklyn” features a talented nine-piece orchestra blending jazz and world music. The album, reflecting the 2020 pandemic through its “Suite de los Abrazos,” integrates twelve-tone techniques, with standout performances from various musicians. It includes personal touches, honoring Joni Mitchell and expressing themes of cultural unity.

Francesca Confortini and Ryan MacKenzie collaborate on “Mosaico,” a Brazilian jazz album blending diverse musical styles. Confortini’s joyful vocals and MacKenzie’s intricate arrangements come together, featuring lush instrumentation and harmonies from notable musicians. The project celebrates Brazilian music’s richness, creating an exciting cultural mosaic through shared artistry and talent.

Noa Levy and the Paul Edis Trio’s album, “Portrait in Evans,” pays tribute to Bill Evans with intricate compositions. While Levy excels in the ballad “Only Child,” her vocal delivery wavers in emotional authenticity on faster tracks. The ensemble showcases strong musicianship, particularly in instrumental solos, making it a noteworthy jazz effort.

Clarinetist and saxophonist Ricky Alexander releases “Ragology,” his third album and a unique contribution to ragtime. Collaborating with Grammy-winning pianist Conal Fowkes and banjoist Jerron Paxton, the quintet explores classic ragtime pieces and blends styles. The album reflects traditional roots while showcasing exceptional musicianship, reviving a century-old genre influential to jazz.

Dave Slonaker leads a Grammy-nominated big band known for vibrant arrangements and dynamic musicians. Their latest album, “Shifty Paradigms,” features original compositions with influences from Los Angeles life, presented with high energy and intricate grooves. The ensemble showcases exceptional talent, creating a work full of integrity and beauty.

Ellas Kapell, a Swedish jazz quartet, delivers an innovative album that breathes new life into classic tunes. Featuring clear vocals and impressive instrumentation, they challenge musical norms while asserting creative control in their production. Their unique sound has captivated listeners, earning accolades and over 7 million streams since their 2016 formation.

Ben Rosenblum’s album, “The Longest Way Round,” showcases his piano and accordion mastery alongside a talented ensemble. Influenced by diverse cultures, he blends jazz with elements like gypsy jazz and Dominican merengue, creating a unique sound. His compositions reflect a rich musical heritage, inviting listeners to embrace the accordion’s versatility.

Edward Simon’s “Venezuela: Latin American Songbook, Vol. 2” features a talented trio exploring Venezuelan music with a blend of classical and jazz influences. Notable tracks include “Presagio,” showcasing a vibrant bebop transformation, and the beautiful duo “Atardecer.” Simon’s rich arrangements highlight his unique style and musical excellence.

Julie Benko’s album “Euphonic Gumbo” is a vibrant tribute to New Orleans culture, blending jazz, Cajun influences, and folk ballads. Celebrated for her Broadway roles, Benko’s album features exciting arrangements and performances that evoke the spirit of Bourbon Street. It’s a festivity of music that captures life’s joys and memories.

Aaron Quinn’s debut album with his quartet, Sunchoke, showcases a blend of raw emotion and classical influences in improvised free music. The seven-track release highlights the musicians’ collaborative spirit, featuring a mix of avant-garde arrangements and melodic pieces. Notable tracks include “Wasabi,” “Turnips,” and “Sunchoke.” Quinn, based in Brooklyn, also engages in music education.

Gregory Lewis has expanded his Organ Monk project by collaborating with vocalist Ms. Raina Welch. Blending her classical training with jazz influences, the album “Organ Monk Sings” explores themes of love and loss through Monk’s compositions, featuring lyrical contributions from notable artists. The project showcases a unique narrative suite across four acts.

Lisanne Lyons’ album “May I Come In” showcases her impressive vocal abilities, blending jazz sincerity with big band arrangements by Mike Lewis. The album features a range of tunes, including “The Song Is You” and “Bubbles, Bangles & Beads,” highlighting her dynamic talent and compelling interpretations, while reflecting her distinguished music career and educational impact.

The Django Festival Allstars release “Evolution,” a vibrant album celebrating 25 years of Django-inspired gypsy jazz. Led by Samson Schmitt with five talented musicians, it showcases original compositions that honor Django Reinhardt’s legacy. Despite personnel changes, the group’s energy and musical excellence continue to thrive, captivating audiences worldwide.

Gabriel Zucker’s album “Confession,” developed over six years, merges jazz, rock, and classical influences. Created during the 2020 pandemic, it features twelve songs across four parts, showcasing inventive arrangements and a mix of electronics and vocals. Zucker, a talented pianist and social activist, reflects his creative depth and commitment to community.

The Winnipeg Jazz Orchestra, Canada’s first community-based jazz orchestra, presents “Forgotten Stories Suite,” composed by Sean Irvine. Featuring vocalist Karly Epp and narrator Quinn Greene, this project blends jazz, lyrical vocals, and poetry to explore the lives of 2SLGBTQ+ individuals, sharing their untold stories through evocative music and narratives.

James Judson’s debut album, “Songs of My Dreams,” features eleven original love songs shaped by his unique process of capturing melodies from his dreams. With the help of Grammy-winning producer Tim Sonnefeld, Judson’s soothing baritone and big band orchestration evoke nostalgia for jazz classics. This project marks his heartfelt return to music after years in construction.

Darren Litzie’s second album, “On My Own Time,” showcases his expertise as a pianist and composer. With a blend of jazz, Latin, and Caribbean influences, the album features intricate arrangements and collaborations with experienced musicians. Notable tracks highlight Litzie’s creativity and unique interpretations. The album balances accessibility with imaginative experimentation, making it an engaging listen.

Ron Rieder’s album “Compositions in Blue and Other Hues” features a talented quintet exploring straight-ahead jazz and bebop. With tracks like “Dizzy Spell” and “I Sing for You,” the compositions showcase joyful melodies, elegant arrangements, and skilled instrumental performances, making listeners feel immersed in a lively jazz club atmosphere.

The album “Symbiosis: Tribute to Bill Evans,” featuring the Singapore Symphony Orchestra and the Thomas Clausen Trio, showcases arrangements of Bill Evans’ compositions through six movements. Recorded live in 2023, the album blends orchestral sophistication with jazz improvisation, highlighting standout performances by various musicians, including conductor Jean Thorel and pianist Thomas Clausen.

Hugo Blouin’s fourth album “Le Buffet” merges free jazz with culinary themes, featuring recipes sung by Eugenie Jobin Tremblay. The album boasts collaboration with notable musicians, creating a vibrant and playful exploration of cooking through music. Blouin’s inventive compositions provide a unique auditory experience, blending humor, melody, and creativity.

Pat Bianchi’s album “Confluence” features his powerful organ skills alongside drummer Colin Stranahan and saxophonist Troy Roberts. The album includes innovative takes on jazz standards like “It Was a Very Good Year” and “Jitterbug Waltz.” Bianchi, a Grammy-nominated artist, showcases his individuality and connection to jazz tradition, solidifying his status in the genre.

Lena Bloch’s album “Marina” celebrates the poetry of Marina Tsvetaeva through a jazz suite featuring Kyoko Kitamura’s vocals. The compositions reflect Tsvetaeva’s resilience and struggles as an immigrant and artist. Bloch interprets Tsvetaeva’s work, highlighting its relevance today, blending dark themes with expressive melodies in this avant-garde production.

Chris Standring’s album “Time of Change,” featuring eleven new contemporary jazz tracks, draws inspiration from 1970s cool jazz. The lead single “Hollywood Hustle” will debut on February 2, 2026. Standring, influenced by Quincy Jones and the Yellowjackets, combines nostalgic melodies with modern grooves. A book showcasing his life in jazz is set for release in December 2026.

John Vanore’s “Easter Island Suite,” recorded over nearly forty years, captures the mystery surrounding the Easter Islands through a four-part musical journey. Featuring a blend of talented musicians from his ensemble Abstract Truth, the suite combines rich harmonies and evocative themes. Vanore seeks to embody the tension of unresolved historical mysteries in his compositions.

The album “What Happened There?” features improvisational artists Natsuki Tamura and Keiji Haino, recorded live at a festival curated by Tamura and his wife. Their collaboration creates a unique blend of genres, marked by spontaneous arrangements and contrasting sounds. While the duo’s instrumentation shines, the vocal elements may overshadow the music’s beauty.

The Temple University Jazz Band, led by GRAMMY-winning trumpeter Terell Stafford, toured Japan and recorded a live album celebrating jazz culture. Their performance at Akasaka B-Flat in Tokyo featured classic Ellington pieces and showcased the talent of students, particularly drummer Maria Marmarou. The album releases on February 6, 2026.

The Baltimore Jazz Collective, founded by trumpeter Sean Jones, showcases a distinctive sound that reflects the city’s vibrant music scene. With talented members like tap dancer Brinae Ali and composers like Alex Brown and Todd Marcus, their original compositions blend blues influences and interactive performances, celebrating Baltimore’s cultural richness.

The trio “Elipsis,” featuring Michael League, Pedrito Martinez, and Antonio Sanchez, unites to present a fusion of West African religious chants and contemporary Cuban rhythms. Their music, rich with cultural diversity and historical significance, showcases unique instruments and modern influences. It serves as a powerful narrative of survival and legacy through rhythm and song.

Wes Smith’s album “We, The Funky – Vol 1” showcases a blend of contemporary jazz, pop, R&B, and smooth jazz. Featuring deep grooves and rich arrangements, Smith, a multi-instrumentalist, reflects on his Los Angeles journey. While initially promising funk, the album leans towards smoother sounds, with only a couple of funky tracks.

Gil Livni’s album “All In” showcases his exceptional guitar skills alongside a talented quartet featuring saxophone, organ, and drums. The album includes seven original compositions and unique covers, blending jazz, funk, and blues. Notable tracks include the energetic “Wonder Woman” and the soulful “All In,” highlighting each musician’s talent.

The Dave Wilson Quartet’s album “When Even Goes East” features Dave Wilson on saxophones, with a special appearance by Lenny Castro. Inspired by his NYC cab driver days, Wilson covers 1960s and 70s pop tunes, including Jimmy Webb’s works. The album showcases original compositions with dynamic arrangements and emotive melodies.

Roberto Fonseca and Vincent Ségal collaborate on “Nuit Parisienne À La Havane,” blending Cuban and European classical influences with contemporary jazz. Their eleven original compositions reveal storytelling through music, showcasing Fonseca’s rich piano legacy and Ségal’s versatile cello artistry. The album evokes deep emotion and cultural fusion, creating a captivating auditory journey.

Omrum, a Copenhagen jazz quartet, produces free jazz in a renovated barn on Denmark’s Møn island. Comprised of trumpet, trombone, double bass, and drums, their ten compositions blend improvisation with written notes, showcasing each member’s unique voice. Their avant-garde sound invites listeners to explore new sonic worlds, exemplified by tracks like “Intermezzo No. 2.”