Every week our staff of CD Reviewers bring you the best in Independent CD releases. Making a Scene is considered the number 1 resource for the independent musician and the fans that love them.
Pianist Ross Lossing’s album “Moon Inhabitants” reflects his innovative approach to the conventional piano trio format. Blending originals with compositions by Ornette Coleman and Tchaikovsky, the trio creates a weightless musical experience. The album showcases their unique improvisational style, highlighting the interplay between rhythm and melody while embracing free expression.
“Positive Energy” by the Greg Abate Quartet features seasoned jazz musicians delivering an uplifting album filled with original compositions. Greg Abate’s alto sax, John Rangel’s piano, Terry Burns’ bass, and David Post’s drums create an engaging sound. The music captures the vibrant New Mexico jazz scene while channeling resilience during the pandemic.
Sunny War’s new album, “Armageddon in a Summer Dress,” follows her breakthrough “Anarchist Gospel” and features several notable guests. Inspired by eerie experiences in her father’s old house, the album examines themes of memory and loss, blending punk and Americana influences. While some production choices overshadow her vocals, War’s talent shines through.
Rodney Whitaker collaborates with composer Gregg Hill in “Mosaic: the Music of Gregg Hill,” showcasing a talented jazz quintet featuring notable musicians. This album highlights Hill’s unique compositions, blending complex melodies with diverse influences. Each track offers intricate arrangements and captivating performances, establishing the project as exceptional contemporary jazz.
Peter White’s 17th album, “Light of Day,” released on February 14, 2025, celebrates his 50th anniversary as a musician. Featuring original songs reflecting love and optimism, White’s diverse instrumentation showcases his signature fingerstyle guitar. The album offers introspective tracks alongside joyful melodies, creating a soothing Smooth Jazz experience.
Noah Preminger’s album “Ballads” showcases his talent as a tenor saxophonist, blending original compositions with classic covers. Featuring a quartet, he emphasizes deep emotion through the ballad format, moving away from his usual intense style. The album includes pieces like “Unfair World” and a notable rendition of “Someone to Watch Over Me.”
Nikki O’Neill, a Chicago-based R&B/Americana artist, is set to release her third album, “Stories I Only Tell My Friends.” Co-produced with Rich Lackowski, the album combines live recordings and diversity in sound, reflecting her upbringing and influences. It features the lead single “Drive” and explores themes of personal growth and resilience.
François Couturier and Dominique Pifarély’s album “Preludes and Songs” blends classical and avant-garde jazz, creating a serene musical experience. Their long-standing partnership enriches the performance with emotional depth and improvisational freedom. The album highlights their mastery through pieces like “A Nightingale Sang in Berkeley Square,” showcasing the essence of jazz as America’s classical music.
Frank Carlberg’s “Dream Machine” features a unique jazz quintet with two keyboards, blending written and improvised pieces inspired by dreams and memories. With varied compositions, the album explores a spectrum of emotions and soundscapes, from nostalgic to avant-garde, incorporating diverse musical influences and highlighting the interplay between structure and improvisation.
Kinan Azmeh, a Syrian composer and clarinetist based in Brooklyn, presents his quartet CityBand in a profound exploration of Arab jazz. His compositions, influenced by the Syrian uprising, convey emotional connections to his homeland. The album reflects themes of hope, freedom, and cultural roots, combining artistry to address global atrocities.
Max Hightower, hailing from South Carolina, discovered his passion for music at twelve with Muddy Waters’ blues. Transforming from harmonica to various instruments, he co-founded Plate Full O’ Blues and tours internationally. His debut album “Nothin’ but the Truth” features original tracks recorded live in New Orleans, celebrating the essence of funk and blues.
Dean Zucchero, a bassist and songwriter from New York, released his new album “Song For The Sinners” in 2023 after his debut topped the Billboard Blues Chart. Produced by Jake Eckert in New Orleans, the album features diverse guest artists and explores themes of romance, loss, and existential reflections through original lyrics.
Mosaic: the Music of Gregg Hill features acclaimed bassist Rodney Whitaker’s arrangements of ten compositions by Gregg Hill, showcasing a talented ensemble. With notable performances from trumpeter Terell Stafford and saxophonist Tim Warfield, the album blends various jazz influences, emphasizing intricate melodies and improvisation. The result is high-caliber, straight-ahead jazz.
Ariane Racicot’s album “Dancing With Fire” showcases her award-winning talent as a jazz pianist and composer. Blending classical, jazz, Latin, and metal influences, her compositions evoke a range of emotions. The album features strong collaborations with bassist Antoine Rochefort and drummer Guillaume Picard, creating a dramatic and textured sound experience.
The Perceptions Trio, debuting with “The Wicked Crew,” blends jazz and pop influences through compositions by saxophonist Charley Rose, guitarist Silvan Joray, and drummer Paulo Almeida. Their ten-track album features a mix of meditative and energetic pieces, characterized by ethereal soundscapes and intricate interplay, marking a promising beginning for this Swiss trio.
Rev. Peyton’s Big Damn Band releases their 12th album, “Honeysuckle,” featuring a blend of original and classic country blues. The vibrant sound is crafted at their Kentucky home, showcasing Rev. Peyton’s powerful storytelling and musicianship. With guest artists and raw energy, they celebrate the blues’ enduring legacy and innovation.
Ra’Shad The Blues Kid’s fourth album, “Live In Clarkdale,” showcases his blend of southern soul, Delta Blues, and country blues. Raised in Laurel, Mississippi, he captivates audiences worldwide with original songs reflecting themes of joy and heartbreak. Notably, his band secured second place at the prestigious 2025 International Blues Challenge in Memphis.
Deepstaria Enigmatica The Eternal Now Is the Heart of a New Tomorrow ESP-Disc What do you think of when Scott Bomar of the Bo-Keys and Sam Phillips Recording Studio appear on the jacket of an album? Likely it’s the likes of Bomar’s main band or Al Green, William Bell, Cyndi Lauper, or John Nemeth, a […]
Will Wilde’s album, “The Blues Is Still Alive,” is his sixth release and first with Vizztone Label Group. Featuring all new songs written by Wilde, the album showcases his vocals and harmonica skills, along with contributions from talented musicians. It celebrates the enduring spirit of the blues with lively lyrics and strong melodies.
Brûlez Les Meubles, a Quebec-based avant-garde music group, debuted in 2016 and features prominent improvisers. Their latest release, “Folio #5,” lacks drums, creating a distinct sound. The collaboration between founders Louis Beaudoin-de la Sablonnière and Eric Normand invites notable musicians, blending spontaneity with melody in unique compositions.
Nanami Haruta, a promising young trombonist and composer, has emerged in the jazz scene, influenced by her mentors at Michigan State University. Her debut album features notable musicians and showcases her talent through original compositions and collaborations. With recognition including the Outstanding Student Award, Haruta continues to grow as an artist.
Coleman Mellett’s posthumous release “Sing You a Brand New Song” showcases his talents as a guitarist and vocalist. Featuring renowned musicians, the album blends jazz with folk and pop influences. Crafted by his wife and friend, it features eleven originals and highlights his songwriting, offering a poignant tribute to Mellett’s legacy.
The Alpine Session features twin brothers Michael and Florian Arbenz collaborating with jazz legend Ron Carter. Recorded in Switzerland, the album showcases their musical journey shaped by diverse influences, from Django Reinhardt to Miles Davis. Their deep familial musical roots and innovative spirit manifest in this enjoyable production, earning repeated listens.
Sean Chambers, a Florida-born blues guitarist, gained prominence through tribute bands and tours with Hubert Sumlin. His career spans multiple albums, including “Live From Daryl’s House Club,” which showcases his songwriting and features Savoy Brown’s rhythm section. The album pays tribute to late artists and captures his musical journey.
Candi Staton, nearing her 85th birthday, releases “Back To My Roots,” featuring a mix of covers and originals. The album celebrates her musical heritage and includes collaborations with various artists. Staton delivers heartfelt performances, reflecting on civil rights and personal experiences, while maintaining her signature gospel sound.
Julia Hülsmann’s latest album, “Under the Surface,” features her quartet along with trumpeter Hildegunn Øiseth, who also plays the goat horn. The music blends contemporary classical and jazz, showcasing compositions that highlight Hülsmann’s European roots. Enjoyable tracks include “They Stumble, They Walk” and “Milkweed Monarch,” emphasizing instrumental talent.
Benjamin Lackner’s “Spindrift” offers a profound exploration of “dream jazz” within the ECM label’s signature restrained sound. Featuring noted artists, the album emphasizes interplay among horns and a subtle rhythm section, creating a meditative atmosphere. Despite its dark themes, Lackner infuses beauty and hope throughout this reflective jazz experience.
Captain’s Audio Project, led by James Cook, is a debut album showcasing his songwriting and multi-instrumental talents. Influenced by his experiences and a variety of musical genres, the album features emotive lyrics and a diverse sound, including contributions from a skilled horn section. It’s a captivating introduction to his artistic journey.
Sean McConnell’s 15th album, “Skin,” showcases his skills as a songwriter and collaborator. Co-produced with a talented team, the album explores deep themes such as sobriety, faith, and personal growth. Each track offers listeners open-ended reflections, highlighting the expansive journey of self-discovery beneath the skin.
Strat Andriotis, a Greek-Canadian guitarist and composer, blends blues and jazz influences, notably from Miles Davis and Jimi Hendrix. His album “Exits” showcases eight original tracks with varying trios, emphasizing his adaptability across genres. The project highlights his compositional talent and technical proficiency on the guitar.
Elaine Dame’s album “Reminiscing” features her distinctive jazz interpretations of 1970s pop tunes, showcasing her vocal talent and energy. Collaborating with musicians like Chris Madsen, she transforms songs like “Tell Me Something Good” and “Use Me” into fresh jazz arrangements infused with Latin rhythms, highlighting the versatility of well-written music.
Steve Smith’s trio, featuring keyboardist Manuel Valera and bassist Janek Gwizdala, explores new jazz renditions of Journey songs and Vital Information tracks in their album “New Perspective.” The ensemble showcases complex arrangements and energetic performances, blending fusion elements and honoring musical influences. Their live shows promise a lively and engaging experience.
Russ Anixter’s Hippie Big Band showcases a unique blend of jazz and rock through powerful arrangements and skilled musicianship. Featuring impactful solos and an energetic rhythm section, the album includes notable tracks like “What is Hip?” and a medley of “Freedom Jazz Dance” with “Free Man in Paris.” The musicians create a robust sound despite the smaller ensemble size.
JON IRABAGON SERVER FARM Irabbagast Records Jon Irabagon, tenor & sopranino saxophones/effects/composer; Miles Okazaki & Wendy Eisenberg, guitars; Matt Mitchell, piano/Fender Rhodes/Prophet-6; Michael Formanek, acoustic bass; Chris Lightcap, electric bass; Dan Weiss, drums; Levy Lorenzo, kulintang/laptop/electronics/vibraphone; Mazz Swift, violin/voice; Peter Evans, trumpet/flugelhorn. Chicago-based saxophonist and composer, Jon Irabagon, has assembled his largest ensemble to date. […]
McKenna Moonah Blues Duo, comprised of Canadian musicians Mike McKenna and Jay Moonah, releases their new album “Breaking News.” The duo, also restaurateurs, showcases their talent with a mix of bluesy tracks and engaging lyrics. Both are Maple Blues Award nominees, delivering an EP that promises to captivate listeners.
Arturo O’Farrill’s Afro Latin Jazz Orchestra releases “Mundoagua- Celebrating Carla Bley,” an album honoring his mentor. It includes three movements addressing global crises, climate issues, and the corrupt politics surrounding water. The work reflects O’Farrill’s commitment to social commentary through music, alongside a tribute to Bley’s final composition, “Blue Palestine.”
Massy Ferguson’s seventh album, “You Can’t Tell Me I’m Not What I Used to Be,” showcases a departure from their traditional sound, blending lush instrumentation with layers and textures. Produced by Damien Jurado, the album features both familiar heartland rock and riskier psychedelic elements, resulting in an uneven but adventurous collection of songs.
Omar Thomas presents “Griot Songs,” a project with his Large Ensemble that celebrates storytelling through music. Featuring original compositions and tributes, it showcases his classical training and contemporary jazz influences. Notably recognized with numerous accolades, Thomas’ album is set for release on February 7th, coinciding with Black History Month.
Mark “Muleman” Massey, a Mississippi native and former Parchman prisoner, transitioned from incarceration to music, playing alongside blues legends. His new album “Been A Long, Long Time” features original songs and classic covers, showcasing his talent and experiences. Recognized by the Library of Congress, he continues inspiring others through music.
Tommy Castro & The Painkillers’ album “Closer to the Bone” showcases a blend of blues, R&B, and rock, featuring ten covers and four originals. Castro demonstrates his dynamism as a vocalist and guitarist, aided by notable guests. This album is poised to delight blues enthusiasts, encouraging a jubilant response.
Matt “The Rattlesnake” Lesch’s sophomore album, “Blues Cut Like Glass,” follows his debut “Furious Strike.” Written and arranged by Lesch, the album features a mix of original songs showcasing his blues guitar skills. Recorded at Blue Lotus Studio, it highlights various collaborations and includes heartfelt performances, making it highly recommended.
Joe Elefante’s album “Wheel of Dharma” marks his return to the jazz scene after a long hiatus. Following personal tragedy, Elefante, along with talented musicians, showcases his passion through original compositions. The album reflects his journey, creativity, and tribute to his late wife, featuring memorable tracks like “Bad Dancing” and “The One Who Knows.”
The Dan Pitt Quintet’s album “Horizontal Depths” showcases an innovative blend of genres, merging jazz, rock, and folk. Featuring powerful electric guitar and expressive saxophone solos, each composition highlights Pitt’s artistic growth since 2019. The music often balances structured arrangements with improvisational potential, exploring themes of depth and motion.
Joe McPhee revives the essence of free jazz poetry, echoing legends like Ken Nordine. A key figure in NYC’s ’70s scene, McPhee blends spoken word and music, reflecting on myriad experiences, cultures, and societal issues. His recent works include poetry-focused albums and memoirs, demonstrating his enduring artistic exploration and vibrant creativity.
Jason Palmer’s “The Cross Over: Live in Brooklyn” features a stellar band, including Mark Turner and Larry Grenadier, showcasing Palmer’s talents as a composer. The album opens with “Budgets Are Moral Documents” and includes a tribute to Fannie Lou Hamer. Recognized for his unique sound, Palmer inspires and excites listeners.
Jerry Kalaf’s album “Safe Travels” blends jazz and chamber music, featuring compositions by Kalaf accompanied by a string quartet. Each track evokes personal memories, skillfully integrating lush arrangements and complex rhythms. Notable pieces include “263 Beacon” and “Bailing,” showcasing collaboration with musicians like Tom Ranier and Trey Henry, enhancing the album’s melodic richness.
The quartet known as “The Fury,” featuring renowned jazz musicians Mark Turner, Lage Lund, Matt Brewer, and Tyshawn Sorey, showcases their talents in a live performance in Brooklyn. Their music blends intricate compositions and impressive solos, reflecting their passion for jazz. The album highlights their individual artistry and collaborative spirit.
Guitarist and composer Jackson Potter’s sophomore album “Small Things” showcases his original works and jazz standards, highlighting his musical lineage and education. Collaborating with talented musicians, the album balances traditional jazz with adventurous styles. Potter’s standout compositions reflect his skill, making him a notable emerging talent in the jazz scene.
Mark Scott III’s debut album “Soft Light” features eleven self-composed tracks performed by his jazz trio. The music reflects his journey from rock to jazz, showcasing inventive solos and a mix of grooves. Influenced by Coltrane and Metheny, Scott, a Texas native, also teaches at Tarleton State University.
Steve Howell’s ninth album, “Yeah Man,” features a blend of country blues and timeless pop tunes, showcasing his fingerpicking prowess alongside The Mighty Men band. Howell revitalizes forgotten songs, emphasizing their emotional depth. The album includes tracks like “Long Lonesome Blues” and “20% Alcohol,” reflecting Howell’s roots in Southern acoustic blues and jazz traditions.