The Mike Jacoby Electric Trio

The Long Haul

Self-released

Singer-songwriter Mike Jacoby has moved away from his multi-instrumental solo act that’s sustained him through his last three albums, in favor of a trio. This is not a ‘power trio’ in the context of a blues-rock act; but simply a way to generate musician interaction, thereby breathing new life into Jacoby’s wide-ranging songs that are best characterized as alt country or rocking Americana. They do carry a charged-up punch. His bandmates are bassist Don Read and drummer Mike Levin. Guest Lisa Jackert (violin, backing vocals) appears on several tracks and Art Bailey Jr. joins on three. Ironically though, that sought after interaction came mostly virtually as tracking was done separately during the pandemic, in some cases in an iterative process as Jacoby reshaped his songs.

Jacoby’s trio kicks it up quickly with the choogling “Right Off the Bat,” Jackert’s fiddle evoking Dylan’s Desire with Scarlett Rivera.  If you can stop dancing for a minute to focus on Jacoby’s lyrics, it’s clear that he doesn’t take himself too seriously, as he lists the dangers of online dating. Yet, the feel-good, hyper idealistic “Everybody I Know” celebrates friendship with a ridiculously infectious hook. “The Calm Before the Storm” has that distinct insistent southern California vibe that imbues so many story songs from the likes of Dave Alvin, John Doe, and Mike Stinson. His fiery guitar playing pushed by Levin’s drums keeps our feet tapping throughout. The standout “Better Man” marries Jacoby’s love of rock n’ roll and witty lyrics. The exuberant “She’s Funny That Way,” sung with Jackert, also features her fiddle and some nice piano from Bailey Jr.

The riff heavy “Bend” is energetic traveling music for a trip north to Bend, OR as Bailey Jr. adds the barrelhouse piano to a tune that has tinges of brash punk-rock attitude. On the other hand, “Be Nice” is as gentle and palatable as the title suggests. The stomping, raw rock n’ roller “If I Don’t Fry” may be the prototypical soundtrack for this summer of heat. There’s a sarcastic ‘give me, give me’ in “Everything” while “Maybe Just Maybe” is a repurposed, reimagined take on a tune Jacoby originally did with his band, Haymaker. This up-tempo fiddle driven head banging version proves to be the singalong type tune more than conducive to a live show. Jacoby saves the title track for the closer, a snappy tune chock full of philosophical advice for all on respective life journeys with Jackert again joining the trio for to give it a dense, soaring sound.

Jacoby’s vibrant, hook-filled songs will have you tapping your feet and likely smiling as well.

• Jim Hynes

Buy Us a Cup of Coffee!

Join the movement in supporting Making a Scene, the premier independent resource for both emerging musicians and the dedicated fans who champion them.

We showcase this vibrant community that celebrates the raw talent and creative spirit driving the music industry forward. From insightful articles and in-depth interviews to exclusive content and insider tips, Making a Scene empowers artists to thrive and fans to discover their next favorite sound.

Together, let’s amplify the voices of independent musicians and forge unforgettable connections through the power of music

You can donate directly through Paypal!

Subscribe to Our Newsletter

Order the New Book From Making a Scene

Breaking Chains – Navigating the Decentralized Music Industry

Breaking Chains is a groundbreaking guide for independent musicians ready to take control of their careers in the rapidly evolving world of decentralized music. From blockchain-powered royalties to NFTs, DAOs, and smart contracts, this book breaks down complex Web3 concepts into practical strategies that help artists earn more, connect directly with fans, and retain creative freedom. With real-world examples, platform recommendations, and step-by-step guidance, it empowers musicians to bypass traditional gatekeepers and build sustainable careers on their own terms.

More than just a tech manual, Breaking Chains explores the bigger picture—how decentralization can rebuild the music industry’s middle class, strengthen local economies, and transform fans into stakeholders in an artist’s journey. Whether you’re an emerging musician, a veteran indie artist, or a curious fan of the next music revolution, this book is your roadmap to the future of fair, transparent, and community-driven music.