making a Scene

Peter Bernstein’s new album “Better Angels,” released under Smoke Sessions Records, features a talented lineup including drummer Al Foster, pianist Brad Mehldau, and bassist Vicente Archer. The album mixes Bernstein’s original compositions with classic standards, showcasing his exceptional guitar skills and the improvisational genius of the quartet. This collaborative project highlights Bernstein’s intent to capture fresh interpretations and dynamic musical interplay.

Acclaimed pianist and composer George Burton’s album “White Noise” addresses the struggles of Black people today, calling for resistance against colonialism, caste systems, and slavery. Inspired by artists like Max Roach and Kendrick Lamar, Burton combines spoken word, jazz, and electronic music. The album features various renowned musicians and aims to raise awareness and inspire reflection.

Gino Amato’s debut album “Latin Crossroads” showcases his talent as a bandleader and arranger, featuring Latin orchestrated versions of familiar songs. Collaborating with Oscar Hernandez, Amato integrates vocals, strings, and horns to deliver vibrant and emotional interpretations. The album displays a wide repertoire reflecting Amato’s diverse musical background and expertise.

The previously unreleased album “Grande-Terre” by Roy Hargrove’s band Crisol will be released on October 18, 2024, commemorating Hargrove’s 55th birthday. This Grammy-winning ensemble’s energetic studio session from 1998 captures their unique blend of jazz, Afro-Cuban rhythms, and funk. The first single, “Priorities,” showcases their dynamic sound.

Rebecca Kilgore’s album “A Little Taste” features her seasoned vocals, paired with lush arrangements and the music of Dave Frishberg. The recording is highlighted by a talented ensemble. Kilgore’s storytelling through song, accentuated by sweeping strings and excellent musicianship, offers a swinging, easy-listening experience. The album releases October 28, 2024.

Dawn Clement, Steve Kovalcheck, and Jon Hamar form a drum-less jazz trio, presenting a nuanced blend of contemporary jazz through intricate interplay between piano, guitar, and bass. Their compositions range from soothing, moderate tempos to rhythmic Latin influences, culminating in a unique, easy-listening jazz style appreciated for its peacefulness and musical depth.

Stephane Wrembel’s “Triptych Phase 1” is part of a trilogy album showcasing three life stages. Wrembel, a master guitarist influenced by classical, rock, gypsy Romani music, and jazz, collaborates with prominent musicians like Jean-Michel Pilc. The album features original compositions and classics, highlighting Wrembel’s exceptional musical versatility and artistry.

Michael Dease’s album, “Found in Space – The Music of Gregg Hill,” showcases Hill’s compositions with a blend of genres from classical to avant-garde, featuring a talented ensemble. The work, co-produced by Hill and Dease, is highlighted by intricate arrangements, unpredictable shifts, and dynamic solos, evoking comparisons to Frank Zappa and Charles Mingus.

T.K. Blue’s latest album, “Planet Bluu” on Jaja Records, features compositions reflecting diverse Afro-diasporic influences. Comprising nine original tracks, it showcases his proficiency on multiple instruments. Highlights include “The Hue of Bluu,” “Valley of the Bluu Rose,” and “Turquoise Bluu.” Blue aims to envision a harmonious, ideal world through his music.

Caroline Davis’ “Portals, Volume 2: Returning” is a jazz album inspired by her late grandmother, poet Joan “Lady” Anson-Weber. The album features a quintet and vocalists interpreting Lady’s poetry, blending spiritual and contemporary jazz. Highlights include archival voice recordings and improvisations, offering a deeply emotional, reflective journey.

The “Run the Gauntlet” album by Kris Davis, featuring Robert Hurst and Jonathan Blake, is a tribute to six influential female pianists. Davis composed all the music, reflecting her mentors and her son’s growth. Praised for her unique style and creativity, Davis has received numerous awards and continues to innovate in jazz.

David Weiss’ album “Auteur” showcases his talents as a trumpeter, composer, and bandleader. Featuring his compositions and a spirited ensemble, the album highlights Weiss’ mastery and influences from bebop and post-bop eras. Through complex harmonies and dynamic arrangements, Weiss demonstrates his artistic vision and commitment to innovative jazz storytelling.

Micah Thomas’s album “MOUNTAINS” showcases his compositions from a 2022 residency at The Jazz Gallery, recorded over four live sets. Featuring notable jazz musicians, it aims to create a cathartic experience. Highlights include the dynamic fourteen-minute track “Life,” and pieces like “Processing,” “Libre,” and “No Answer,” which display Thomas’s innovative and boundary-pushing style.

Leslie Pintchik’s album “Prayer For What Remains” features eight original compositions and covers of Joni Mitchell’s “Banquet” and Lennon/McCartney’s “I Will.” Inspired by a poignant war photo, the music is a blend of pensive, blues-infused, and energetic tunes showcasing the talents of her quintet. The album’s vibrant cover depicts their camaraderie.

Jeff Rupert’s “It Gets Better” album showcases his warm tenor saxophone tone and features compositions blending with covers, played by an all-star band. Highlights include “Pharoah’s Daughter,” “Like Someone in Love,” and “Nowhere to Go But Up,” demonstrating skill and creative freedom, resulting in a joyful listening experience.

Anne Sajdera’s album “It’s Here” features her compositions and piano performances with a talented ensemble. Highlights include tracks like “Stella By Starlight,” “Three Color Study,” and “Bounce.” Sajdera’s compositions are well-crafted, blending various musical genres. Reviewer Dee Dee McNeil praises her exceptional piano technique and lyrical sensitivity.

Grover Washington Jr.’s new album, “Grover Live – Vol. 2,” showcases his pioneering fusion of funk and jazz. Featuring timeless tracks like “Nature Boy” and “Mister Magic,” it mirrors the essence of his earlier works. This release offers fans a nostalgic experience while celebrating Washington’s enduring influence on smooth jazz. Available September 13, 2024.

Yosef Gutman Levitt, a South African-born, Jerusalem-based bassist and composer, creates spiritually rich and soothing music. His recent albums “Why Ten?” and “Unity” showcase collaborations with artists like Gilad Hekselman and Itay Sher. These works combine jazz, Jewish liturgical melodies, and modern influences, offering a peaceful, introspective listening experience.

Danny Jonokuchi’s “A Decade” showcases his prowess as a bandleader, arranger, vocalist, and trumpeter. Featuring a stellar big band, the album includes dynamic arrangements of jazz standards and original compositions. Highlights include Jonokuchi’s smooth vocals on “This Can’t Be Love” and innovative takes on classics like “Voyage” and “On Green Dolphin Street.”

The Joel Frahm Trio’s album “Lumination,” released by Anzic Records, features Frahm on tenor saxophone, Dan Loomis on bass, and Ernesto Cervini on drums. Highlight tracks include “The Nurse is in,” “Loomie Nation,” and “Moonface Lament.” The trio showcases impressive jazz musicianship, blending melodies, rhythms, and improvisations seamlessly.

Gunhild Carling, known as the Swedish Queen of Jazz, leads a 13-piece big band featuring the Prague Strings Chamber Orchestra. Renowned for her multi-instrumental talents and engaging stage presence, Carling’s album “Jazz is My Lifestyle” showcases eleven of her original compositions. The project includes contributions from her family and special guest musicians.

John Fedchock’s album “Justifiably J.J.” celebrates J.J. Johnson’s centennial with masterful trombone performances and original Johnson arrangements. Fedchock’s quartet delivers energetic, live renditions of Johnson’s compositions, spotlighting each musician’s talent. This eleventh album by Fedchock showcases his phenomenal technique and warm tone, paying tribute to Johnson’s legacy in jazz.