Ned Rothenberg’s “Looms & Legends,” released by Pyroclastic Records, showcases the multi-talented musician on various instruments, yet lacks proper acknowledgment on the CD jacket. Critics highlight tracks like “Dance Above” and “Resistance Anthem,” praising Rothenberg’s unique improvisational style, which blends melodic storytelling with rich sonic environments.
Rubén Reinaldo’s album “Fusión Olivica” features a jazz quartet that includes musicians from Spain, France, and Argentina. Inspired by the olive tree, his compositions blend melodies and rhythms, celebrating his Spanish roots. Tracks like “Escuchas Teis Blues” and “Vida en Padrenda” showcase his talent for catchy, evocative music.
The Jim Witzel Quartet pays homage to the legendary jazz pianist Bill Evans in their album “Very Early.” Featuring Witzel on guitar, alongside Phil Aaron, Dan Feiszli, and Jason Lewis, the quartet showcases their talents through well-crafted arrangements of classic tunes, capturing Evans’ influence and brilliance in jazz.
Terry Waldo’s Treasury Vol 2 features the Gotham City Band, showcasing a blend of Dixieland and ragtime music. The album includes standout performances by vocalists Veronica Swift and Jerron Paxton. Waldo promotes ragtime as a contemporary genre, participating in various media to further explore its rich history.
Shuteen Erdenebaatar and Nils Kugelmann collaborate on their album “Under the Same Stars,” blending jazz, European classical music, and cinematic influences. Their partnership, honed through extensive performances, is characterized by six original compositions by Shuteen and four by Nils. The album captures themes of beauty and reflection in a soothing soundscape.
Jonathan Karrant’s “Live in Concert” features the Joe Alterman Trio, showcasing their extraordinary chemistry and musicianship. Karrant, an engaging jazz vocalist, delivers a captivating performance. The album emphasizes connection with the audience, featuring memorable tracks like “The Great City.” Alterman’s piano skills elevate the experience, marking Karrant as a rising star in jazz.
The 14th annual TD James Moody Jazz Festival in Newark runs from November 8 to 23, 2025, featuring a diverse lineup that includes jazz icons, hip-hop legends, and poets. This year’s focus is on jazz as a catalyst for social justice, with performances highlighting community, accessibility, and artistic collaboration throughout the city.
The Jay D’Amico Trio’s album, inspired by Da Vinci’s portrait of Ginevra de’ Benet, blends classical and jazz influences. Featuring D’Amico on piano, Greg D’Amico on bass, and Michael Fox on drums, their compositions like “Little Girl Blue” and “Campobasso” showcase warmth and camaraderie, evoking nostalgic piano bar experiences.
Bonnie J. Jensen’s fifth album showcases her storytelling ability with a warm vocal tone. She interprets classic songs through jazz arrangements, including “People Make the World go Round” and “Spain.” Featuring impressive musicianship, Jensen successfully incorporates blues and even performs a song in French, highlighting her versatility and talent.
Caelan Cardello’s debut album showcases his exceptional piano mastery and creative compositions, including originals like “Gone Fishin’” and “Steppin’ Up.” Recognized as a BMI Future Jazz Master, Cardello impresses with his technique and spontaneous style, signaling a promising jazz career. His collaboration with talented musicians further enhances the album’s appeal.
TIMOTHY McALLISTER PROJECT ENCORE, VOL. 2. Neuma Records Timothy McAllister, alto & soprano saxophones: Liz Ames, piano. This world premiere recording is a duet by saxophone master, Timothy McAllister and pianist Liz Ames. McAllister is a member of the renowned PRISM Quartet. He has appeared with more than forty orchestras and ensembles worldwide, playing and/or […]
The High Society New Orleans Jazz Band’s album, live at Birdland, showcases traditional jazz, beginning with the medley “Flee as a Bird.” Co-leaders Conal Fowkes and Simon Wettenhall, veterans of Woody Allen’s band, revive classic tunes from jazz legends, captivating listeners with palpable energy and nostalgia for early 1900s jazz.
Colin Hancock’s Jazz Hounds, featuring Catherine Russell, revives the vibrant music of the 1920s, blending ragtime, blues, and various cultural rhythms. The album “Cat & the Hounds” highlights Russell’s soulful vocal style and showcases the band’s intricate arrangements, celebrating the rich heritage of African American music and its evolution.
Jovino Santos Neto’s live recording “Mais Que Tudo” from 1995 captures the vibrant performance of his Quarteto at Kerry Hall, celebrating their dynamic blend of Brazilian, classical, and jazz music. Featuring impressive solos and the passionate interplay of musicians, this historical album serves as a tribute to bandmember Chuck Deardorf and showcases remarkable talent.
Nate Smith’s album showcases his diverse musical talents as a composer and master drummer, featuring live recordings and collaborations with various artists across genres. Highlights include “Undefeated” with JSWISS and a cover of “Automatic” featuring Lalah Hathaway. Smith’s innovative arrangements merge contemporary jazz with elements of world music and R&B.
Joshua Espinoza, a Latino-American jazz pianist, leads the Joshua Espinoza Trio, blending jazz with classical, pop, and folk influences. Their acclaimed music has gained recognition on Spotify’s State of Jazz playlist and Global Jazz Charts. Based in Baltimore, Espinoza is also a faculty member at the Peabody Institute.
The Milan Verbist Trio’s album “Time Change” features original compositions by pianist Milan Verbist, showcasing his classical influences and creativity. The album includes five original songs and interpretations of pieces by renowned jazz musicians. It will be released on September 19, 2025, highlighting a blend of tenderness and innovation in jazz.
“Trio of Bloom” features renowned jazz musicians Craig Taborn, Nels Cline, and Marcus Gilmore, delivering over sixty minutes of experimental music. The album, inspired by various influences, includes unique compositions like “Night Whistlers” and “Unreal Light.” It blends rich sounds and textures, creating a captivating auditory experience. Reviewed by Dee Dee McNeil.
Randy Napoleon’s album “Waking Dream” features unique compositions by him and Gregg Hill, showcasing five guitarists. Blending jazz influences with theme development inspired by Beethoven and Chopin, the album presents innovative sounds and arrangements. Standout tracks include “Super Moon” and “The Speckled Frog,” highlighting rich guitar harmonics and solos.
Juliet Ewing’s album “Simply ‘S Wonderful, The Magic of Gershwin” showcases her vocal talent through timeless Gershwin classics. With experience in musical theater and extensive performances, she presents songs like “Our Love is Here to Stay” and “Summertime,” accompanied by skilled musicians. Ewing’s arrangements breathe new life into beloved tunes.
Mark Winkler’s 22nd album, “Hold On,” showcases his lyrical prowess and vocal talent. Featuring six original songs, each track is artistically arranged and performed with top-tier jazz musicians. Highlights include “My Electric Car,” blending catchy melodies with a political message, and a beautiful love ballad that concludes the album.
Lafayette Gilchrist’s album “Move With Love” features a dynamic blend of jazz, funk, and personal themes, performed live in Baltimore. With a talented ensemble, his music reflects society’s everyday struggles and highlights love as a fundamental force. The album showcases diverse rhythms and cultural influences, culminating in the spirited track “Crosspollination Aggregation.”
Hannah Gill’s “Spooky Jazz Vol. 3” offers a creative and enjoyable blend of Halloween-themed jazz, featuring unique arrangements and a mix of familiar and lesser-known songs. With her smooth vocals, Gill showcases her talents across various tunes, though the lack of composer credits on the album raises concerns about recognition and compensation for songwriters.
Joe Bowden, a renowned drummer and composer, has achieved notable recognition, including the Pioneer Award and Bucky Adams Memorial Award. His latest album, “Music is Life,” features a vibrant jazz sound with contributions from talented musicians. However, the absence of musician credits on the album cover raises concerns about proper acknowledgment in the music industry.
David Kikoski Trio’s “Weekend at Smalls” showcases Kikoski’s piano talents, accompanied by Randy Brecker on trumpet, Joe Martin on bass, and Billy Hart on drums. This lively concert blends energetic post-bop with original compositions, reflecting Kikoski’s esteemed status in jazz. The album honors the New York jazz scene while uplifting listeners worldwide.
The Wild Iris Brass Band merges New Orleans tradition with diverse influences including Afrobeats, Brazilian carnival, jazz, and Tennessee roots. Led by Jeff Coffin and Ray Mason, their music is energetic and party-like, featuring engaging vocals and special guests like Bela Fleck. This vibrant collaboration celebrates brass band culture joyfully.
Steve Rosenbloom Big Band’s debut album “San Francisco 1948” features nine original compositions by composer and alto saxophonist Steve Rosenbloom, showcasing a blend of jazz styles. The vibrant arrangements highlight talented musicians, with notable performances from Eric Harding on piano and Allison Burik on saxophone, creating a rich listening experience.
Don Macdonald’s album “Short Stories” showcases his talent as a multi-instrumentalist and storyteller through seven original songs and three covers. Featuring a blend of folk and contemporary influences, the album includes strong performances by fellow musicians, with highlights like “Clementine” and “Sonny’s Bridge,” revealing Macdonald’s lyrical songwriting and engaging style.
Miguel Zenón’s album “Subterránea Live at the Village Vanguard” features new compositions blending jazz and Puerto Rican influences. Recorded live over two nights, the album showcases Zenón’s alto saxophone with dynamic improvisation from his quartet. Notable tracks include “Abra Cuto Guiri Mambo” and “Vita,” celebrating cultural roots with rhythmic complexity.
The album “Oneness World” by Premik Russell Tubbs and Margee Minier-Tubbs blends jazz fusion, East Indian, Celtic, and blues influences into a cohesive exploration of unity and love. Featuring a talented ensemble, the richly produced tracks incorporate diverse musical styles and address themes of humanity, creativity, and resistance against corporate greed.
Harold Lopez-Nussa’s “Nueva Timba,” his second Blue Note album, reflects his journey through grief and adaptation after relocating to France. Featuring his long-time quartet and guest musicians, the album blends traditional Cuban rhythms with modern influences. Its tracks showcase a dynamic range of emotions and musical styles, distinctively interpreting contemporary Cuban music.
Frank Hannon’s solo album, Reflections, showcases his guitar skills and emotional depth. Influenced by his late father-in-law, Dickey Betts of the Allman Brothers Band, Hannon blends blues, country, and Western styles in 13 instrumentals. The album captures profound emotions, including nostalgia, grief, and love, reflecting Hannon’s personal journey and tribute to Betts.
The Colorado Jazz Repertory Orchestra, founded in 2012, showcases exceptional talent, including vocalist Tatiana ‘LadyMay’ Mayfield. Their latest album features energetic compositions, highlighted by powerful performances and innovative arrangements. With influences from jazz and hip-hop, the orchestra celebrates youth and creativity while continuing to evolve the art form of jazz.
The Haas Company, led by drummer Steve Haas, collaborates with electric violinist Jerry Goodman on their album “Thirteen.” The project features original compositions by pianist Pete Drungle, showcasing a blend of jazz fusion and rock. Highlights include energetic tracks like “Incident at the Country Club” and “Back Door Party,” emphasizing improvisation and dynamic rhythms.
The Steve Holt Jazz Impact Quintet’s album “Impact” features high-energy jazz compositions led by pianist Steve Holt, who contributes six of the nine tracks. With a talented group including Duncan Hopkins, Terry Clarke, Perry White, and Kevin Turcotte, the album showcases exquisite arrangements and performances, marking a significant addition to Holt’s musical career.
José Gobbo’s second trio album, “Confluence,” features six original compositions that blend various influences, including Brazilian rhythms. The album showcases a unique approach to modern jazz, with moments of dissonance and improvisation. The musicians exhibit strong chemistry, culminating in an emotive reinterpretation of “My One and Only Love.”
The Charlie Rouse Band’s “Cinnamon Flower: The Expanded Edition” showcases Rouse’s soulful tenor saxophone against a rich backdrop of Brazilian music. This 1977 recording features notable musicians and offers both original and modified versions. Accompanied by a detailed booklet, this limited edition celebrates Rouse’s enduring musical legacy. Availability starts September 19, 2025.
Jennifer Madsen’s album “Reimagine” features her distinctive voice and unique arrangements by Brent Edstrom, showcasing classic jazz standards like “Body and Soul” and “Willow Weep for Me.” Accompanied by talented musicians, Madsen balances heartfelt expression with dynamic artistry. She also teaches aspiring jazz artists at Snow College.
George Coleman’s album, featuring lush string arrangements, showcases his breathtaking tenor saxophone artistry at age 90. With standout tracks like “Dedicated to You” and “Stella By Starlight,” the album highlights Coleman’s musical evolution and deep jazz roots. It celebrates his impressive technique and enduring influence in the jazz community.
Bruce Gertz Quintet’s album “Octopus Dreams” features compositions by bassist Bruce Gertz, showcasing his talents alongside skilled musicians. The tracks blend dissonant harmonics and expressive solos, with highlights including “Power Walk” and the moody title track. Overall, the album is engaging, well-played, and beautifully arranged, earning high praise from reviewer Dee Dee McNeil.
Eddie Daniels’ album “To Milton With Love,” produced by Resonance Records, pays homage to Brazilian icon Milton Nascimento. Collaborating with top L.A. musicians, Daniels showcases Nascimento’s influential works through various instruments. The project blends rich arrangements with emotional narratives, marking a heartfelt tribute that resonates deeply with jazz and Brazilian music aficionados.
Dave Anderson’s album “In Lieu of Flowers” is a tribute to jazz legends and educators who influenced him. Featuring original compositions, the quartet showcases Anderson’s skill on saxophones, particularly in pieces like “One for Wayne” and “Sanctuary.” The music balances tribute and emotion, making it an engaging listen throughout.
Dara Starr Tucker’s album “Time Wouldn’t Want,” features her original compositions and reinterpretations of well-known songs. With a blend of jazz, funk, country, soul, and pop, Tucker’s warm vocals and heartfelt lyrics explore themes of time and presence. Notable tracks include “Shining (It’s my Time)” and “What Was I Made For.”
Chris Wabich’s album “1978 (STEEP)” showcases his talent as a drummer, composer, and bandleader, featuring sensitive piano from Josh Nelson and strong bass by Dan Lutz. The album leans towards easy listening with thoughtful compositions like “Jiang (Sage Ember)” and “Oolong.” Wabich, a seasoned performer, recently received the COLA grant.
The Shout Section Big Band, led by Brett T. Dean, celebrates its 20-year legacy of swing and jazz, featuring vocalist Tatum Langley. Their new album showcases her impressive vocal range and theatrical flair. Notable tracks include “Deedle’s Blues” and “Ridin’ High.” The band continues captivating audiences across the Midwest.
David Bailis’s album “Running Through My Mind” showcases his modern jazz style, featuring compositions that blend funk, jazz, and imaginative guitar work. With a talented quintet, including Caroline Davis on alto saxophone, Bailis explores his musical roots while reflecting his passion for running, emphasizing discipline and dedication in both music and life.
The album “Shadows of Tomorrow” by Socrates Garcia and his Latin Jazz Orchestra merges Dominican culture with Afro-Caribbean music and contemporary jazz. Each composition reflects Garcia’s experiences, featuring vibrant rhythms and standout performances. The work is rich in tradition, showcasing well-crafted arrangements and danceable tunes that emphasize cultural heritage and personal storytelling.
Irving Flores’ Afro-Cuban Jazz Sextet presents “Armando Mi Conga,” showcasing his musicianship and passion for Latin rhythms. Inspired by his childhood and influences from his father, the album features infectious compositions like “Gary en Nanchital” and beautiful ballads like “Tramonto A Massa Lubrense,” highlighting Flores’ exceptional talent.
The Marc Seales project features collaboration with Ernie Watts, showcasing original tunes and jazz standards in a heartfelt manner. Highlights include the emotionally charged “Rue Cler,” and the soulful closing piece, “Home Light.” Seales, now retired from his university career, refocuses on his passion for composing and performing jazz.
Antonio Adolfo’s album “Carnaval – The Songs Were So Beautiful” showcases classic Carnaval songs from Brazil’s “Golden Age” (1920s-1950s). Featuring a talented ensemble, it highlights lively rhythms and emotive melodies. Adolfo shares his deep passion for these compositions, inviting listeners to celebrate the rich cultural heritage of Carnaval through captivating arrangements.
You must be logged in to post a comment.