CD Reviews INDIE Blues

Rev. Peyton’s Big Damn Band releases their 12th album, “Honeysuckle,” featuring a blend of original and classic country blues. The vibrant sound is crafted at their Kentucky home, showcasing Rev. Peyton’s powerful storytelling and musicianship. With guest artists and raw energy, they celebrate the blues’ enduring legacy and innovation.

Ra’Shad The Blues Kid’s fourth album, “Live In Clarkdale,” showcases his blend of southern soul, Delta Blues, and country blues. Raised in Laurel, Mississippi, he captivates audiences worldwide with original songs reflecting themes of joy and heartbreak. Notably, his band secured second place at the prestigious 2025 International Blues Challenge in Memphis.

Will Wilde’s album, “The Blues Is Still Alive,” is his sixth release and first with Vizztone Label Group. Featuring all new songs written by Wilde, the album showcases his vocals and harmonica skills, along with contributions from talented musicians. It celebrates the enduring spirit of the blues with lively lyrics and strong melodies.

Sean Chambers, a Florida-born blues guitarist, gained prominence through tribute bands and tours with Hubert Sumlin. His career spans multiple albums, including “Live From Daryl’s House Club,” which showcases his songwriting and features Savoy Brown’s rhythm section. The album pays tribute to late artists and captures his musical journey.

McKenna Moonah Blues Duo, comprised of Canadian musicians Mike McKenna and Jay Moonah, releases their new album “Breaking News.” The duo, also restaurateurs, showcases their talent with a mix of bluesy tracks and engaging lyrics. Both are Maple Blues Award nominees, delivering an EP that promises to captivate listeners.

Mark “Muleman” Massey, a Mississippi native and former Parchman prisoner, transitioned from incarceration to music, playing alongside blues legends. His new album “Been A Long, Long Time” features original songs and classic covers, showcasing his talent and experiences. Recognized by the Library of Congress, he continues inspiring others through music.

Tommy Castro & The Painkillers’ album “Closer to the Bone” showcases a blend of blues, R&B, and rock, featuring ten covers and four originals. Castro demonstrates his dynamism as a vocalist and guitarist, aided by notable guests. This album is poised to delight blues enthusiasts, encouraging a jubilant response.

Matt “The Rattlesnake” Lesch’s sophomore album, “Blues Cut Like Glass,” follows his debut “Furious Strike.” Written and arranged by Lesch, the album features a mix of original songs showcasing his blues guitar skills. Recorded at Blue Lotus Studio, it highlights various collaborations and includes heartfelt performances, making it highly recommended.

Steve Howell’s ninth album, “Yeah Man,” features a blend of country blues and timeless pop tunes, showcasing his fingerpicking prowess alongside The Mighty Men band. Howell revitalizes forgotten songs, emphasizing their emotional depth. The album includes tracks like “Long Lonesome Blues” and “20% Alcohol,” reflecting Howell’s roots in Southern acoustic blues and jazz traditions.

Bob Corritore’s “Doin’ The Shout!” is his twenty-first album and features new recordings from 2023-2024. Collaborating with various artists, the album includes diverse tracks showcasing his exceptional harmonica skills. With a vibrant sound and masterful performances, it promises to be a notable addition to the blues genre.

Jimmy Vivino, known for his role as Conan O’Brien’s musical director, has released a new album, “Gonna Be 2 Of Those Days,” showcasing his songwriting talent. The album features notable collaborations and a mix of blues influences. Rich Pagano co-produced this collection, highlighting Vivino’s diverse musical journey from television to live performances.

The collection “Peace” celebrates the late Frank Bey’s music, featuring eleven tracks mostly recorded with his longtime collaborators. Notably, it includes covers of classics like “Change Is Gonna Come” and “Imagine.” Bey’s powerful live performances are remembered fondly, while Sallie Bengston’s efforts revitalize his legacy for newer audiences.

Charles “Wigg” Walker, an octogenarian soul artist, releases his first album in over a decade, “This Love Is Gonna Last.” Despite the challenges of the music industry, the album showcases his versatility in soul, R&B, and ballads. Walker’s deep emotional connection to the music, especially after losing his wife, stands out as he delivers genuine soul that resonates with audiences.

Larkin Poe’s seventh album, Bloom, showcases the Lovell sisters’ evolution from bluegrass prodigies to masters of a signature roots-rock sound infused with blues and pop elements. Entirely self-produced, the album features dynamic tracks like “Mockingbird” and “Easy Love Pt. 1,” highlighting their songwriting prowess, vocal harmony, and instrumental versatility.

Big Al and The Heavyweights, hailing from South Louisiana, release their eighth album “Blues Power” after the loss of keyboardist Wayne Lohr, returning to their original lineup. The album features energetic tracks blending blues, funk, and zydeco, showcasing new members’ contributions. It captures the essence of American Roots music, inviting listeners to celebrate and enjoy.

“Passion & Regrets” by Sunny Bleau, produced by Mick Kolassa, showcases the singer-songwriter’s talents alongside guitarist Nic Cocco and a talented band. The album features heartfelt tracks exploring themes of love, regret, and self-discovery, with standout songs like “Waitin’ On A Man” and “S-H-E-E-E-W-O-M-A-N,” highlighting Bleau’s dynamic vocals and lyrical depth.

HeavyDrunk, a Nashville-based blues-soul group, and Watermelon Slim, an award-winning blues artist, collaborate in “Bluesland Theme Park,” blending Delta blues, gospel, soul, and rock. The album features vibrant tracks like “Watermelon Girl” and “Road, Food & Cheap Motels,” showcasing personal reflections and inviting listeners to experience a musical carnival.

Ed Alstrom’s musical journey is diverse, encompassing blues, Broadway, and award-winning performances with notable artists. His album “Flee Though None Pursue” features vivid storytelling and eclectic sounds, with tracks exploring themes of love, truth, and personal struggles. Alstrom combines impressive musicianship with thoughtful lyrics, highlighting his unique artistic voice.

Stephen Clair’s eleventh studio album “Transmissions,” co-produced with Will Bryant, showcases his lifelong passion for music and storytelling. With meticulous arrangements and diverse sounds, the album features catchy tracks like “Vegas Sunrise” and “Swept Away.” Clair’s personal reflections and unique style shine through, offering listeners a joyful and engaging experience.

Richard Ludmerer’s top indie blues releases of 2024 celebrate a mix of tradition and innovation within the genre. The collection features diverse artists, including breakout stars and veterans, showcasing powerful guitar solos, heartfelt harmonica, and gripping storytelling. This year’s selection spans various blues styles, highlighting the genre’s evolution and enduring impact.

Rocky Athas’ new album “Livin’ My Best Life” showcases his exceptional guitar skills and features original tracks and classic covers. Born in Texas, Athas has a rich musical history, having played with notable artists like Buddy Miles and John Mayall. The album touches on themes of love, heartbreak, and personal reflection.

Tomislav Goluban, a Croatian harmonica player, collaborates with West Coast guitarist Crooked Eye Tommy on the album “Nashville Road.” The release showcases Goluban’s harmonica mastery and songwriting, with energetic contributions from Tommy. Together, they blend blues and rock influences, creating a vibrant musical experience that highlights their talent and cultural exchange.

The Owsley Stanley Foundation presents “You’re Doin’ Fine – Blues at the Boarding House,” a three-CD set featuring John Hammond’s live performance from June 2nd & 3rd, 1973. The release showcases 45 songs, demonstrating Hammond’s exceptional skills as a blues interpreter, while the inclusion of audience interactions enhances the experience.

Big Harp George’s latest album, “Big Harp George Does Christmas,” offers a unique collection of original Christmas songs blending blues and jazz. The album features clever lyrics, engaging instrumentals, and contributions from notable musicians. Big Harp George, a former lawyer turned blues artist, aims for music that can be enjoyed year-round.

The Dennis Spencer Group releases “Bluesman From Jupiter,” reflecting the tumultuous life of lead artist Dennis Spencer. The album, infused with rich narratives and blues influence, showcases themes of love, hardship, and survival across ten original tracks. It features collaborations and a blend of musical styles, capturing Spencer’s journey through highs and lows.

Corky Siegel’s “Symphonic Blues No. 6” might be his final work as a harp master, blending classical and blues elements. The recording features contributions from leading musicians and includes three main movements. Celebrating Siegel’s 80th birthday, the album showcases his adaptability in diverse musical settings, preserving his remarkable legacy.

The Hitman Blues Band’s new album “Calling Long Distance,” produced by Bob Stander, features eight original songs and four covers. Showcasing a mix of genres, standout tracks include “Edge Of The Bed,” “Folsom Prison Blues,” and “Sunday Morning Coming Down.” Russell Alexander’s unique style shines throughout, highlighting his deep NYC blues influence.

Walk That Walk is a prominent Boston blues band, rooted in Detroit and Chicago’s electric blues. They have performed over 800 shows, backing legends like Bo Diddley. Their album “Red Devil Lye” features original tunes and covers, showcasing their energetic style. Poppa C DeSynder emphasizes their passion for performance.

Blue Moon Marquee, the duo of A.J. Cardinal and Jasmine Collette from Alberta, Canada, celebrates their tenth anniversary with “New Orleans Sessions,” their sixth album. Recorded live in New Orleans, it features original compositions and historic blues. The album showcases their seamless blend of styles and strong performances, promising to earn accolades.

Alfie Smith’s “Every Rome Needs A Nero” is his eighth album, showcasing his deep voice and slide guitar talent. Released after a ten-year hiatus, it features eight original songs and two covers. Collaborating with various musicians, the album blends personal themes with blues, reflecting Smith’s artistic growth and readiness for broader recognition.

Carly Harvey, an Afro-Indigenous Blues musician from Washington, D.C., presents her debut album “Kamama.” This work blends Blues, Jazz, Soul, and Indigenous styles, highlighting her innovative “Native Scat.” Acclaimed as DC’s Queen of the Blues, Carly’s powerful performances and unique sound promise an engaging musical experience.

Greg Nagy’s fourth studio album, “The Real You,” was released on October 1, 2024. It features five new originals and six covers, showcasing Nagy’s soulful voice and musical versatility. The album was produced by Josh Ford and includes contributions from various artists. Critically acclaimed, it has been described as an R&B classic.

Dennis Herrera’s album “Four,” co-produced with Rich Wenzel, features twelve tracks blending traditional blues grooves with modern elements. Recorded in California, the album showcases Herrera’s guitar skills and vocal talents, alongside notable contributions from various musicians. It’s a solid compilation aimed at enhancing Herrera’s recognition in the blues genre.

The Allman Brothers Band’s final concert on October 28, 2014, at New York’s Beacon Theater showcased their musical prowess across three sets. Spanning various styles and featuring classic songs, the performance highlighted the band’s storied history and camaraderie. This memorable event marked their closure with heartfelt tributes and intense musicianship.

Richard Cagle, known in the Houston music scene, releases “Zia Blues” with The Voodoo Choir, showcasing powerful blues compositions featuring various talented musicians. The album combines original songs and rearranged classics, highlighting emotional depth. Cagle, based in Ruidoso, New Mexico, delivers a compelling collection that may be his best work so far.

FreeWorld, a Memphis-based musical ensemble since 1987, releases its eighth album, “More Love,” showcasing their diverse styles from rock to reggae. This tribute to founding member Dr. Herman Green includes notable horn arrangements and contributions from 29 background vocalists. The album reflects the band’s evolution and cultural roots in music.

“Gate C23,” the latest album by Chad Rupp And The Sugar Roots, features original songs and three covers, showcasing Rupp’s vocal talents alongside harmony vocalists and instrumentalists. Highlights include “Fresh Suits,” “She Is The One,” and “Blind, Crippled and Crazy.” The album successfully blends various musical influences, recommended for fans.

Dick Earl’s Electric Witness releases their sophomore album, “Get Up Off the Ground,” featuring family band members. Recorded in Las Vegas, it showcases rich storytelling and impressive instrumentals. With themes of resilience and personal struggles, the album offers a blend of blues and funk, highlighting Dick Earl’s songwriting and vocal talent.

The Anthony Paule Soul Orchestra, founded in 2007, blends ’60s and ’70s inspired Blues with modern influences. Their new album, “What Are You Waiting For,” features vocalist Willy Jordan and showcases a dynamic horn section. With themes of love and life, the album emphasizes genuine storytelling through captivating performances.

Scott Colson, known as Slaw, debuts his album “Here I Come,” produced in Nashville. Infused with classic R&B and Southern Rock influences, Slaw’s songs reflect personal experiences and emotional depth. Key tracks explore themes of resilience, love, and vulnerability. Collaborating with his wife, he conveys life’s joys and struggles through compelling performances.

Ben Levin’s “Holiday Blues Revue” features a blend of original tracks and classics co-produced with Matt Hueneman. Highlighting Levin’s piano skills and accompanied by notable musicians, songs like “Candy Cane” and “Elf Boogie” capture festive spirit. Levin, recognized for his talent, continues to celebrate blues music while touring.