CD Reviews on projects by Indie Blues Artists
Geoff Achison’s album “Don’t Play Guitar Boy” showcases his exceptional guitar skills and songwriting in an acoustic format without overdubs. The twelve original songs blend folk and blues, reflecting his personal experiences and emotions. Achison’s artistry resonates deeply, drawing comparisons to notable musicians while celebrating his 30-year career in music.
“The Definitive Albert White” celebrates Albert White’s seventy-year musical career and his thirty years with Music Maker. Produced by Jimbo Mathus, the album features notable covers and showcases White’s unique style. With expressive vocals and guitar work, this collection reflects his rich history and artistry in the blues genre.
David “Kid” Ramos, a California-born guitarist, has a rich musical legacy spanning from the 1980s. He formed significant collaborations, notably with The Fabulous Thunderbirds. Diagnosed with Ewing’s sarcoma in 2012 yet later declared cancer-free, Ramos released “Strange Things Happening,” a gospel-blues album featuring heartfelt collaborations and inspirations from his life journey.
Nikki O’Neill, a Chicago-based R&B/Americana artist, is set to release her third album, “Stories I Only Tell My Friends.” Co-produced with Rich Lackowski, the album combines live recordings and diversity in sound, reflecting her upbringing and influences. It features the lead single “Drive” and explores themes of personal growth and resilience.
Max Hightower, hailing from South Carolina, discovered his passion for music at twelve with Muddy Waters’ blues. Transforming from harmonica to various instruments, he co-founded Plate Full O’ Blues and tours internationally. His debut album “Nothin’ but the Truth” features original tracks recorded live in New Orleans, celebrating the essence of funk and blues.
Dean Zucchero, a bassist and songwriter from New York, released his new album “Song For The Sinners” in 2023 after his debut topped the Billboard Blues Chart. Produced by Jake Eckert in New Orleans, the album features diverse guest artists and explores themes of romance, loss, and existential reflections through original lyrics.
Rev. Peyton’s Big Damn Band releases their 12th album, “Honeysuckle,” featuring a blend of original and classic country blues. The vibrant sound is crafted at their Kentucky home, showcasing Rev. Peyton’s powerful storytelling and musicianship. With guest artists and raw energy, they celebrate the blues’ enduring legacy and innovation.
Ra’Shad The Blues Kid’s fourth album, “Live In Clarkdale,” showcases his blend of southern soul, Delta Blues, and country blues. Raised in Laurel, Mississippi, he captivates audiences worldwide with original songs reflecting themes of joy and heartbreak. Notably, his band secured second place at the prestigious 2025 International Blues Challenge in Memphis.
Will Wilde’s album, “The Blues Is Still Alive,” is his sixth release and first with Vizztone Label Group. Featuring all new songs written by Wilde, the album showcases his vocals and harmonica skills, along with contributions from talented musicians. It celebrates the enduring spirit of the blues with lively lyrics and strong melodies.
Sean Chambers, a Florida-born blues guitarist, gained prominence through tribute bands and tours with Hubert Sumlin. His career spans multiple albums, including “Live From Daryl’s House Club,” which showcases his songwriting and features Savoy Brown’s rhythm section. The album pays tribute to late artists and captures his musical journey.
McKenna Moonah Blues Duo, comprised of Canadian musicians Mike McKenna and Jay Moonah, releases their new album “Breaking News.” The duo, also restaurateurs, showcases their talent with a mix of bluesy tracks and engaging lyrics. Both are Maple Blues Award nominees, delivering an EP that promises to captivate listeners.
Mark “Muleman” Massey, a Mississippi native and former Parchman prisoner, transitioned from incarceration to music, playing alongside blues legends. His new album “Been A Long, Long Time” features original songs and classic covers, showcasing his talent and experiences. Recognized by the Library of Congress, he continues inspiring others through music.
Tommy Castro & The Painkillers’ album “Closer to the Bone” showcases a blend of blues, R&B, and rock, featuring ten covers and four originals. Castro demonstrates his dynamism as a vocalist and guitarist, aided by notable guests. This album is poised to delight blues enthusiasts, encouraging a jubilant response.
Matt “The Rattlesnake” Lesch’s sophomore album, “Blues Cut Like Glass,” follows his debut “Furious Strike.” Written and arranged by Lesch, the album features a mix of original songs showcasing his blues guitar skills. Recorded at Blue Lotus Studio, it highlights various collaborations and includes heartfelt performances, making it highly recommended.
Steve Howell’s ninth album, “Yeah Man,” features a blend of country blues and timeless pop tunes, showcasing his fingerpicking prowess alongside The Mighty Men band. Howell revitalizes forgotten songs, emphasizing their emotional depth. The album includes tracks like “Long Lonesome Blues” and “20% Alcohol,” reflecting Howell’s roots in Southern acoustic blues and jazz traditions.
Jennifer Porter, an acclaimed musician and actress, showcases her versatility in “Sun Come and Shine Redux.” Featuring enhanced tracks and a blend of styles from jazz to blues, the album highlights Porter’s exceptional vocals and songwriting. With collaborations from talented musicians, the project illustrates her poetic reflections and celebrates her roots in music.
Bob Corritore’s “Doin’ The Shout!” is his twenty-first album and features new recordings from 2023-2024. Collaborating with various artists, the album includes diverse tracks showcasing his exceptional harmonica skills. With a vibrant sound and masterful performances, it promises to be a notable addition to the blues genre.
Jimmy Vivino, known for his role as Conan O’Brien’s musical director, has released a new album, “Gonna Be 2 Of Those Days,” showcasing his songwriting talent. The album features notable collaborations and a mix of blues influences. Rich Pagano co-produced this collection, highlighting Vivino’s diverse musical journey from television to live performances.
The collection “Peace” celebrates the late Frank Bey’s music, featuring eleven tracks mostly recorded with his longtime collaborators. Notably, it includes covers of classics like “Change Is Gonna Come” and “Imagine.” Bey’s powerful live performances are remembered fondly, while Sallie Bengston’s efforts revitalize his legacy for newer audiences.
Charles “Wigg” Walker, an octogenarian soul artist, releases his first album in over a decade, “This Love Is Gonna Last.” Despite the challenges of the music industry, the album showcases his versatility in soul, R&B, and ballads. Walker’s deep emotional connection to the music, especially after losing his wife, stands out as he delivers genuine soul that resonates with audiences.
Larkin Poe’s seventh album, Bloom, showcases the Lovell sisters’ evolution from bluegrass prodigies to masters of a signature roots-rock sound infused with blues and pop elements. Entirely self-produced, the album features dynamic tracks like “Mockingbird” and “Easy Love Pt. 1,” highlighting their songwriting prowess, vocal harmony, and instrumental versatility.
Big Al and The Heavyweights, hailing from South Louisiana, release their eighth album “Blues Power” after the loss of keyboardist Wayne Lohr, returning to their original lineup. The album features energetic tracks blending blues, funk, and zydeco, showcasing new members’ contributions. It captures the essence of American Roots music, inviting listeners to celebrate and enjoy.
John Calvin’s album “Greener Fields & Fairer Seas” reflects his journey of growth and resilience following personal losses and societal injustices. It features poetic lyrics emphasizing kindness amid adversity, blending various musical influences. Produced during the pandemic, the album delivers heartfelt emotions, addressing themes of mortality, parenthood, and universal experiences with death.
“Passion & Regrets” by Sunny Bleau, produced by Mick Kolassa, showcases the singer-songwriter’s talents alongside guitarist Nic Cocco and a talented band. The album features heartfelt tracks exploring themes of love, regret, and self-discovery, with standout songs like “Waitin’ On A Man” and “S-H-E-E-E-W-O-M-A-N,” highlighting Bleau’s dynamic vocals and lyrical depth.
HeavyDrunk, a Nashville-based blues-soul group, and Watermelon Slim, an award-winning blues artist, collaborate in “Bluesland Theme Park,” blending Delta blues, gospel, soul, and rock. The album features vibrant tracks like “Watermelon Girl” and “Road, Food & Cheap Motels,” showcasing personal reflections and inviting listeners to experience a musical carnival.
Tom Clarke’s list of Ten Favorite Roots and Blues Albums of 2024 highlights a spectrum of contemporary and traditional influences within the genre. Featuring both legendary and emerging artists, the selections showcase powerful lyrics, soulful instrumentation, and the ongoing significance of roots and blues music through innovative sounds and heartfelt performances.
Ed Alstrom’s musical journey is diverse, encompassing blues, Broadway, and award-winning performances with notable artists. His album “Flee Though None Pursue” features vivid storytelling and eclectic sounds, with tracks exploring themes of love, truth, and personal struggles. Alstrom combines impressive musicianship with thoughtful lyrics, highlighting his unique artistic voice.
Stephen Clair’s eleventh studio album “Transmissions,” co-produced with Will Bryant, showcases his lifelong passion for music and storytelling. With meticulous arrangements and diverse sounds, the album features catchy tracks like “Vegas Sunrise” and “Swept Away.” Clair’s personal reflections and unique style shine through, offering listeners a joyful and engaging experience.
Richard Ludmerer’s top indie blues releases of 2024 celebrate a mix of tradition and innovation within the genre. The collection features diverse artists, including breakout stars and veterans, showcasing powerful guitar solos, heartfelt harmonica, and gripping storytelling. This year’s selection spans various blues styles, highlighting the genre’s evolution and enduring impact.
Rocky Athas’ new album “Livin’ My Best Life” showcases his exceptional guitar skills and features original tracks and classic covers. Born in Texas, Athas has a rich musical history, having played with notable artists like Buddy Miles and John Mayall. The album touches on themes of love, heartbreak, and personal reflection.
Marc Ciprut’s album “Moonshine” blends blues and funk, showcasing his guitar mastery and unique composition style, influenced by music legends. This second album follows his well-received debut, “Blue House,” and features a talented lineup. Co-produced by Jimmy Haslip, it emphasizes soulful grooves and fusion, delivering an engaging musical experience.
Tomislav Goluban, a Croatian harmonica player, collaborates with West Coast guitarist Crooked Eye Tommy on the album “Nashville Road.” The release showcases Goluban’s harmonica mastery and songwriting, with energetic contributions from Tommy. Together, they blend blues and rock influences, creating a vibrant musical experience that highlights their talent and cultural exchange.
The Owsley Stanley Foundation presents “You’re Doin’ Fine – Blues at the Boarding House,” a three-CD set featuring John Hammond’s live performance from June 2nd & 3rd, 1973. The release showcases 45 songs, demonstrating Hammond’s exceptional skills as a blues interpreter, while the inclusion of audience interactions enhances the experience.
Big Harp George’s latest album, “Big Harp George Does Christmas,” offers a unique collection of original Christmas songs blending blues and jazz. The album features clever lyrics, engaging instrumentals, and contributions from notable musicians. Big Harp George, a former lawyer turned blues artist, aims for music that can be enjoyed year-round.
Lucinda Williams, the three-time Grammy winner, will release “Sings The Beatles From Abbey Road” on December 6. This album, part of her Lu’s Jukebox series, features covers of Beatles songs recorded at Abbey Road Studios. It showcases her powerful vocals and unique interpretations, cementing her enduring creativity at 71 years old.
The Dennis Spencer Group releases “Bluesman From Jupiter,” reflecting the tumultuous life of lead artist Dennis Spencer. The album, infused with rich narratives and blues influence, showcases themes of love, hardship, and survival across ten original tracks. It features collaborations and a blend of musical styles, capturing Spencer’s journey through highs and lows.
Corky Siegel’s “Symphonic Blues No. 6” might be his final work as a harp master, blending classical and blues elements. The recording features contributions from leading musicians and includes three main movements. Celebrating Siegel’s 80th birthday, the album showcases his adaptability in diverse musical settings, preserving his remarkable legacy.
Star Motel: An American Music Experience features The J. & F. Band, blending influences from jazz, rock, and blues. The album, produced by Fabrizio Perissinotto, showcases intricate musicianship, highlighted by Jaimoe’s jam and various interpretations, including a vibrant take on “Route 66.” It’s essential for adventurous music enthusiasts and Allman Brothers fans alike.
The Hitman Blues Band’s new album “Calling Long Distance,” produced by Bob Stander, features eight original songs and four covers. Showcasing a mix of genres, standout tracks include “Edge Of The Bed,” “Folsom Prison Blues,” and “Sunday Morning Coming Down.” Russell Alexander’s unique style shines throughout, highlighting his deep NYC blues influence.
Walk That Walk is a prominent Boston blues band, rooted in Detroit and Chicago’s electric blues. They have performed over 800 shows, backing legends like Bo Diddley. Their album “Red Devil Lye” features original tunes and covers, showcasing their energetic style. Poppa C DeSynder emphasizes their passion for performance.
Blue Moon Marquee, the duo of A.J. Cardinal and Jasmine Collette from Alberta, Canada, celebrates their tenth anniversary with “New Orleans Sessions,” their sixth album. Recorded live in New Orleans, it features original compositions and historic blues. The album showcases their seamless blend of styles and strong performances, promising to earn accolades.
Alfie Smith’s “Every Rome Needs A Nero” is his eighth album, showcasing his deep voice and slide guitar talent. Released after a ten-year hiatus, it features eight original songs and two covers. Collaborating with various musicians, the album blends personal themes with blues, reflecting Smith’s artistic growth and readiness for broader recognition.
Carly Harvey, an Afro-Indigenous Blues musician from Washington, D.C., presents her debut album “Kamama.” This work blends Blues, Jazz, Soul, and Indigenous styles, highlighting her innovative “Native Scat.” Acclaimed as DC’s Queen of the Blues, Carly’s powerful performances and unique sound promise an engaging musical experience.
Greg Nagy’s fourth studio album, “The Real You,” was released on October 1, 2024. It features five new originals and six covers, showcasing Nagy’s soulful voice and musical versatility. The album was produced by Josh Ford and includes contributions from various artists. Critically acclaimed, it has been described as an R&B classic.
Dennis Herrera’s album “Four,” co-produced with Rich Wenzel, features twelve tracks blending traditional blues grooves with modern elements. Recorded in California, the album showcases Herrera’s guitar skills and vocal talents, alongside notable contributions from various musicians. It’s a solid compilation aimed at enhancing Herrera’s recognition in the blues genre.
The live album features B.B. King’s performance at the 1977 Nancy Jazz Pulsations Festival, showcasing his musical mastery alongside talented musicians. The recording includes his popular hits like “Sweet Little Angel” and “Why I Sing the Blues,” capturing the excitement of the French audience and celebrating King’s enduring legacy in blues music.
The Allman Brothers Band’s final concert on October 28, 2014, at New York’s Beacon Theater showcased their musical prowess across three sets. Spanning various styles and featuring classic songs, the performance highlighted the band’s storied history and camaraderie. This memorable event marked their closure with heartfelt tributes and intense musicianship.
Richard Cagle, known in the Houston music scene, releases “Zia Blues” with The Voodoo Choir, showcasing powerful blues compositions featuring various talented musicians. The album combines original songs and rearranged classics, highlighting emotional depth. Cagle, based in Ruidoso, New Mexico, delivers a compelling collection that may be his best work so far.
FreeWorld, a Memphis-based musical ensemble since 1987, releases its eighth album, “More Love,” showcasing their diverse styles from rock to reggae. This tribute to founding member Dr. Herman Green includes notable horn arrangements and contributions from 29 background vocalists. The album reflects the band’s evolution and cultural roots in music.
“Gate C23,” the latest album by Chad Rupp And The Sugar Roots, features original songs and three covers, showcasing Rupp’s vocal talents alongside harmony vocalists and instrumentalists. Highlights include “Fresh Suits,” “She Is The One,” and “Blind, Crippled and Crazy.” The album successfully blends various musical influences, recommended for fans.