“Colouring Hockets” is John Hollenbeck’s ninth large ensemble album, featuring Germany’s NDR Bigband and percussionist Marcio Doctor. The album creatively integrates a four-piece percussion quartet, presenting a unique blend of contemporary classical, jazz, and post-rock, influenced subtly by Latin rhythms. It includes both new works and repurposed compositions, showcasing innovative timbral textures.
“Taking Turns” is an archival album featuring notable musicians like Jacob Bro and Lee Konitz, recorded in 2014. It emphasizes atmospheric sounds, showcasing Bro’s compositions and including influences from Paul Motian. The music flows seamlessly, creating a beautiful soundscape that invites listeners to immerse themselves for a tranquil experience.
Corky Siegel’s “Symphonic Blues No. 6” might be his final work as a harp master, blending classical and blues elements. The recording features contributions from leading musicians and includes three main movements. Celebrating Siegel’s 80th birthday, the album showcases his adaptability in diverse musical settings, preserving his remarkable legacy.
Entre Amigos is a jazz supergroup featuring Roy McGrath, Hana Fujisaki, Kitt Lyles, and Gustavo Cortiñas, whose self-titled debut album emphasizes spontaneous improvisation and composition. With influences from hard bop and Latin music, the quartet showcases their skills through introspective pieces, marked by emotional depth and impressive musicianship. A sequel is anticipated in 2025.
Ron Houston Real Outlaw Americana Music Self released Ron Houston is a singer-songwriter based in San Diego but originally hailing from the Bakersfield area. The title, Real Outlaw Americana Music, may seem a bit hyperbolic but Houston has the goods, and then some. Like most outlaws, he has that baritone, weathered voice and comes across […]
Full Cream is a jazz quartet featuring Greg Ward, Ziv Ravitz, Matthew Stevens, and Leo Genovese, formed from a combination of chance and planning. Their debut recording showcases inventive compositions blending various instruments and styles. Each member contributes unique soundscapes, resulting in an engaging mix of experimental and melodic pieces.
Bassist Joe Fonda’s album “Eyes on the Horizon” honors his mentor, trumpeter Wadada Leo Smith, featuring pianist Satoko Fujii and drummer Tiziano Tomoni. Composed with Wadada’s style in mind, the pieces blend improvisation with structured ensemble passages, showcasing emotional solos and deep collaboration. The work demonstrates their rich musical histories and enduring connections.
The collaboration “United” features bassist Dave Holland and guitarist Lionel Loueke, linked through Herbie Hancock. Despite their different backgrounds, they create a potent musical connection. The album comprises eleven tracks blending West African influences and inventive percussive guitar. The result is a mesmerizing experience that emphasizes music’s unifying power.
Phil Haynes’ trio, Duke & Strays, showcases their latest album, Day Dream, blending traditional jazz with modernist elements of Duke Ellington and Billy Strayhorn. Featuring a mix of well-known and obscure tracks, the trio’s unique style combines playful spontaneity with delicate interpretations, highlighting resilience and artistry from its seasoned members.
Johnny Delaware’s album “Para Llevar” reflects his diverse experiences recorded across multiple locations, blending roots rock and psychedelic sounds. With introspective lyrics capturing his personal journey, Delaware explores themes of love, resilience, and self-discovery. The album, rich in poetic imagery, reveals the complexities of finding oneself amidst physical and emotional landscapes.
March to August’s album, Songs Inspired By Witness, reinterprets Karen Hesse’s novel about a Vermont town during Prohibition, addressing themes of invasion, freedom, and social evil, particularly through the character Reynard Alexander, a newspaper editor. The album’s sparse folk/bluegrass sound enhances the lyrics, which explore complex social issues and moral dilemmas.
Pete Rodriguez’s debut album, “I’m Pete Rodriguez Vol. 1,” showcases his fierce identity and musical prowess as a trumpeter and composer. It features nine original tracks blending defiance, empathy, and personal reflections, addressing his struggles as a son of a salsero, military veteran, and educator. The quintet’s collaboration highlights diverse compositions and emotional depth.
Ben Graves, a talented singer-songwriter and multi-instrumentalist, has collaborated with various renowned artists. His debut album “Settle Down” blends jazz with R&B, soul, and pop. It features six originals and two inventive covers. Graves’ crooner voice and skilled band create a unique sound, progressively leaning toward jazz throughout the album.
Thollem McDonas’s album “Infinite-Sum Game,” a solo piano performance recorded live in Palermo, celebrates his eclectic musical journey. Spanning 60 minutes, it blends classical, jazz, and experimental genres, showcasing dynamic comprovisations. Each piece explores varied emotions and techniques, culminating in a thrilling auditory adventure that highlights McDonas’s unique approach to music.
Randy Ingram’s trio album, “Aries Dance,” showcases his melodic and harmonic prowess alongside bassist Drew Gress and drummer Billy Hart. The album features subtle compositions influenced by notable pianists and incorporates Brazilian and Portuguese elements. With thoughtful interpretations of standards, Ingram delivers a captivating listening experience that stands out in the genre.
Steve Coleman and Five Elements’ album PolyTropos/Of Many Turns showcases an extraordinary level of improvisation and interconnectivity within the band. Their unique setup fosters intense communication, allowing for spontaneous creativity rooted in various musical styles. Inspired by diverse concepts, Coleman’s work presents a fresh, accessible approach to avant-garde jazz, defining their sound.
Kevin Sun’s “Quartets” features two distinct CDs showcasing his versatility as a saxophonist. Recorded in 2022 and 2023, each disc presents different quartets and compositions, blending intricate rhythms and melodies. While the first disc offers greater cohesion, both demonstrate Sun’s creative evolution and solidify his prominent position in contemporary jazz.
Tenor saxophonist Ohad Talmor releases “Back to the Land,” a double album featuring unreleased Ornette Coleman pieces from discovered rehearsal tapes, mixed with fourteen of Talmor’s original works. The project showcases various ensemble configurations and innovative interpretations, marking a significant milestone in Talmor’s career and likely making its mark on year-end best lists.
Courtney Cutchins’ debut album, Grunge to Grace, creatively fuses jazz with grunge influences from her youth, particularly reflecting her Seattle roots. Featuring notable musicians, Cutchins presents three grunge covers alongside six originals, showcasing her vocal prowess and emotional depth. Her work emphasizes self-discovery, offering both hope and authenticity through music.
Amy Speace’s album, The American Dream, explores themes of nostalgia, resilience, and emotional turmoil beyond just heartbreak. Through evocative lyrics and collaboration with talented musicians, she reflects on personal experiences, societal fragility, and the pursuit of dreams. The album showcases her growth as an artist and resonant storytelling.
Diego Rivera’s album “Ofrenda,” his seventh and fifth for Posi-Tone, explores themes from the Mexican holiday Dia De Los Muertos through ten movements. Joined by Posi-Tone’s rhythm section and trumpeter Terell Stafford, Rivera blends jazz with cultural traditions, creating a vibrant tribute that honors lost loved ones while celebrating life.
Jason Robinson’s “Ancestral Numbers II” explores his family roots through innovative music encompassing themes of mythology, immigration, and personal history. Collaborating with a talented quintet, he delivers compositions that blend playfulness with emotion, honoring ancestors while maintaining accessibility. The project reflects a deep connection to memory and community throughout its diverse pieces.
Avishai Cohen’s album Ashes to Gold captures the emotional aftermath of conflict in the Middle East. Recorded shortly after the Israeli-Gaza war, it features a five-part suite that reflects tragedy and hope, showcasing carefully composed music in contrast to previous improvisational styles. The album emphasizes the necessity of expressing profound feelings through art.
Ben Wendel’s “Understory: Live at the Village Vanguard” showcases his eclectic style as a saxophonist and composer. Collaborating with a skilled rhythm section, Wendel delivers a dynamic collection of original compositions, blending tradition with innovation. The live performance captures a warm atmosphere, engaging the audience throughout with improvisations and thoughtful arrangements.
Michael Mayo’s sophomore album, “Fly,” embraces pure jazz, diverging from his jazz-infused R&B debut, “Bones.” Collaborating with notable jazz musicians, Mayo delivers a mix of originals and jazz classics. Highlights include scatting, vocalese, and family contributions, showcasing his vocal prowess and improvisational skill. His approach offers a rich, immediate, and soulful jazz journey.
Eric Person’s “Rhythm Edge,” originally released in 2007, has been remixed and reissued. This standout jazz album features Person’s Meta-Four Quartet, prominent guest artists, and diverse compositions, from high-energy post-bop to soulful ballads. With vibrant solos, contemporary infusion, and Person’s dynamic leadership, it underscores his prowess as a saxophonist and composer.
Dann Zinn’s album “Two Roads” is a testament to his resilience and musical prowess, featuring collaborations with renowned musicians like Rachel Z and Omar Hakim. Despite a hand injury that required modifications to his saxophone, Zinn delivers a diverse range of compositions. The album balances intense and sensitive musical expressions, maintaining Zinn’s commitment to his craft.
Caleb Wheeler Curtis, a versatile multi-instrumentalist, showcases his talents in two recent albums: “The True Story of Bears and the Invention of the Battery” and “Raise Four: Monk The Minimalist.” Featuring a range of saxophones and a blend of original compositions and covers, Curtis explores innovative jazz techniques, demonstrating his musicianship and distinct style.
Darius Jones, a saxophonist known for his avant-garde and experimental music, releases “Legend of e’Boi (The Hypervigilant Eye),” part of his Man’ish Boy series. This work embodies themes of Black mental health and healing, featuring a chordless saxophone trio and artistic collaborations. It’s a personal journey of overcoming trauma, highlighting Jones’ expressive horn playing and emotional depth.
Jeff Lederer’s album “Guilty!!!” offers a satirical political statement through jazz, marked by humor and intricate compositions. Addressing socio-political themes of the 2024 election year, it features chaotic electronic and instrumental elements. Emphasizing dishonest discourse, it aims to engage listeners with a live-streamed event on Election Eve, culminating in “Truth is Marching In.”
Joy Clark’s album “Tell It to the Wind” highlights her journey as a Black, queer, Southern artist breaking through the music scene with support from artists like Brandi Carlile and Ani DiFranco. Produced by Margaret Becker, the album features themes of resilience, empowerment, and belonging, with a blend of gentle sonics and infectious choruses, marking Clark as an influential voice for survivors.
Ben Monder’s “Planetarium” is a meticulously crafted project spanning ten years, resulting in three CDs of evocative music. It showcases a complex blend of heavenly and dark tones through layered guitars and vocal harmonies. Each disc offers unique compositions, with contributions from notable musicians, creating a profound auditory experience.
Satoko Fujii’s avant jazz-rock quartet releases “Dog Days of Summer,” their first album in 18 years. Featuring bassist Takeharu Hayakawa, drummer Tatsuya Yoshida, and trumpeter Natsuki Tamura, the album blends free jazz and jazz-rock with unpredictable, volcanic energy. Each track offers dynamic, adventurous explorations of rhythm and melody.
Acclaimed pianist and composer George Burton’s album “White Noise” addresses the struggles of Black people today, calling for resistance against colonialism, caste systems, and slavery. Inspired by artists like Max Roach and Kendrick Lamar, Burton combines spoken word, jazz, and electronic music. The album features various renowned musicians and aims to raise awareness and inspire reflection.
Michael Dease’s album, “Found in Space – The Music of Gregg Hill,” showcases Hill’s compositions with a blend of genres from classical to avant-garde, featuring a talented ensemble. The work, co-produced by Hill and Dease, is highlighted by intricate arrangements, unpredictable shifts, and dynamic solos, evoking comparisons to Frank Zappa and Charles Mingus.
Caroline Davis’ “Portals, Volume 2: Returning” is a jazz album inspired by her late grandmother, poet Joan “Lady” Anson-Weber. The album features a quintet and vocalists interpreting Lady’s poetry, blending spiritual and contemporary jazz. Highlights include archival voice recordings and improvisations, offering a deeply emotional, reflective journey.
Michael McDermott, an underrated yet brilliant singer-songwriter, releases two albums, “Lighthouse on the Shore” (acoustic) and “East Jesus” (electric), reflecting his dual personalities. His work is highly personal, addressing themes like addiction and perseverance. McDermott’s masterful lyrics and varied music make these albums rich and thought-provoking.
Yosef Gutman Levitt, a South African-born, Jerusalem-based bassist and composer, creates spiritually rich and soothing music. His recent albums “Why Ten?” and “Unity” showcase collaborations with artists like Gilad Hekselman and Itay Sher. These works combine jazz, Jewish liturgical melodies, and modern influences, offering a peaceful, introspective listening experience.
Vanessa Collier’s new album “Do It My Own Way” reflects her defiance of industry sexism, recorded independently to stay true to her vision. This eight-track album captures a retro feel with influences from Memphis’ Stax and Hi Records. With notable collaborations, Collier showcases her musical versatility in blending soul, vintage R&B, and early rock.
Milton Suggs’ new album “Pure Intention” is a stripped-down jazz project featuring just Suggs and pianist Michael King. The album, rooted in blues, soul, and jazz, is Suggs’ first since 2016. His powerful baritone and dynamic range shine through original compositions and reinterpretations of classics, making this a standout vocal album.
Janel Leppin and Anthony Pirog’s “New Moon in the Evil Age” consists of two albums: an instrumental and a vocal one. Their work blends cello, guitar, and various instruments, delivering both ambient and dramatic pieces. Leppin’s Ensemble Volcanic Ash offers a political, intense set performed by a sextet. All three albums showcase extraordinary versatility and musical talent.
Frank London’s album “Spirit Stronger Than Blood,” released by ESP-Disk, honors friends lost to blood diseases and cancer. Featuring The Elders, the album blends spiritual jazz with post-bop, inspired by notable jazz figures and personal experiences. Highlights include dedications to Lester Bowie, Jewlia Eisenberg, and Ron Miles, showcasing emotional depth and musical intensity.
Alan Walker, previously of The Brilliant Mistakes, releases his second solo album, A Little Too Late. His music draws influences from Joe Jackson, 70s pop, and bands like Squeeze. Walker wrote and performed nine songs, featuring various notable musicians. The album is characterized by rich harmonies, varied instrumentation, and an overall uplifting feel.
Steve Turre’s first live album, “Sanyas,” recorded at Smoke Jazz Club, showcases his talents on trombone and shells. Featuring an elite sextet, the album includes two Turre compositions, a piece by Lee Morgan, and two standards. Highlights include Turre’s remarkable shell performances and strong contributions from Nicholas Payton, Ron Blake, and Isaiah J. Thompson.
Erik Friedlander’s “Dirty Boxing” is a jazz album inspired by Mixed Martial Arts, featuring the same quartet from his previous album, A Queen’s Firefly. With tracks like “Shrimping” and “Submission,” it highlights intense improvisation and teamwork. The CD version includes a bonus project, Floating City, with ethereal melodies.
Sarah Hanahan makes a notable debut on the Blue Engine label with “Among Giants,” showcasing her impressive skills on the alto saxophone. Backed by a seasoned rhythm section, she blends tradition and innovation through a mix of originals and standards. Highlights include the standout track “NATO” and her expressive renditions of jazz classics, marking her as a promising new voice in jazz.
Chance Hayden’s “Baritone Gold,” released through Peace House Music, is a ’60s-inspired organ trio album. It features Hayden’s baritone guitar and incorporates jazz, soul, and blues with standout tracks like “Bank On Me” and “Carolina Summers.” The album showcases relentless energy and impressive interplay among band members, creating a distinctive retro vibe.
Cody Dickinson, known for supporting roles in The North Mississippi Allstars, makes his solo debut with “Homemade,” showcasing his skills as songwriter, vocalist, and multi-instrumentalist. The album blends Mississippi Hill Country blues with elements of southern soul, rock, and pop. Assisted by his daughter and Tikyra Jackson, Dickinson explores family themes and diverse musical styles.
Anthony Branker’s album “Songs My Mom Liked” is a heartfelt tribute to his mother, incorporating selections she reacted to during car rides. Featuring a stellar ensemble, the music blends spirituality with groove-oriented pieces, and includes three new tracks. The album celebrates life with accessibility and an emotional connection, marked by recurrent themes of faith and remembrance.
Jazz vocalist Lisa Rich returns with “Long As You’re Living,” her fourth album after a long hiatus due to illness. Co-produced by Jay Clayton, it features Marc Copland, Drew Gress, and Dave Ballou, focusing on standards and original pieces. The album highlights Rich’s adventurous scatting and intimate vocal delivery, dedicated to Clayton’s memory.
