Reverend Raven is Making a Scene

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Making a Scene Presents an Interview with Reverend Raven
A musician is only as good as the last gig, and a career is measured less by a list of names than by the people in the room, the groove onstage, and whether the audience leaves smiling.
Still, the story is worth telling.
Born and raised in the Englewood neighborhood on Chicago’s South Side, Chief Raven found the blues in 1971 after seeing Freddie King perform at the Kinetic Theatre in Chicago. That moment set something in motion that never really stopped. After serving 16 years in the U.S. Navy, he moved to Milwaukee and began building a life around the music that had grabbed him years earlier.
In Milwaukee, Chief Raven developed a long friendship and musical partnership with Madison Slim, the veteran harmonica player known for his work with Jimmy Rogers. That collaboration lasted roughly a decade and became an important part of Raven’s musical life, placing him in the company of players deeply connected to the Chicago blues tradition.
Over the years, Chief Raven has shared stages with an extraordinary range of artists. He has opened for B.B. King, Gatemouth Brown, Pinetop Perkins, Junior Wells, Billy Branch, Magic Slim, Elvin Bishop, Sugar Blue, Lonnie Brooks, William Clarke, Lefty Dizz, Rod Piazza, The Fabulous Thunderbirds, Duke Robillard, Jeff Healey, Mike Zito, Nick Moss, Tommy Castro, and many others. He has also performed with and alongside musicians including R.J. Mischo, Cadillac Pete Rahn, Benny Rickun, P.T. Pedersen, Bobby Lee Sellers Jr., Big Al Groth, Bryan Lee, Billy Flynn, and Pat Hayes.
One of the most important homes for his music has been Buddy Guy’s Legends in Chicago, where he has performed for roughly two decades and appeared as a headliner on rotation. For a blues musician with roots on the South Side, that kind of long-standing connection carries special weight.
Just as important to Raven are the musicians who have shared the road, the stage, and the years with him. Present and former bandmates and collaborators include Rick Holmes, Chico Johnson, Devil Roberts, Diesel, Evil Evans, Craig Panosh, Kern, Barefoot Jimmy, Frankie Panosh, Chuck Might, Mickey Larson, Benny Rickun, and many more. To Raven, these are not just names in a résumé. They are part of the community that has made the work meaningful.
He also speaks with particular affection about the friendships built through festivals and the blues circuit, where musicians such as Perry Weber, Jim Liban, and Billy Flynn are not only respected peers but people he is genuinely glad to see and hear. For Raven, one of the great privileges of the job has been getting paid to stand near the music and musicians he admired in the first place.
That sense of gratitude runs through the way he describes his career. He has been able to make a living playing guitar, climbing onto chairs and tables when the moment calls for it, and helping create the kind of room where people can forget themselves for a while.
Chief Raven’s philosophy is simple. If he can put a smile on someone’s face and get them to move, then he has done his job.
Everything else is just the bio.
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